Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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Jimpa review – Olivia Colman soars in otherwise muddled queer family drama

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Sundance film festival: Australian director Sophie Hyde’s earnest, semi-autobiographical film moves before it starts to meander

More so than other film festivals, Sundance can be a kingmaking force, shining light on an unknown film-maker and then entering into a mutually beneficial relationship with them. Directors return, shifted from smaller to larger venues, off-peak to primetime slots, and watching this steady climb can be a gratifying reward.

The Australian director Sophie Hyde has earned this more than most. Her first film, 52 Tuesdays, a thoughtful drama about a transitioning parent’s relationship with their daughter, won her the festival’s best director prize before she returned five years later with Animals, a sharp and spiky adaptation of Emma Jane Unsworth’s painfully perceptive novel of a fracturing friendship. She returned three years later with Good Luck to You, Leo Grande, an unusually frank and explicit comedy drama with a standout Emma Thompson (who, along with Animals’ Holliday Grainger deserved far more serious awards attention). In just over a decade, Hyde had established herself as someone whose name had become an instant sign of a certain top-tier Sundance quality, a skilled actors’ director whose films burrowed deeper than most.

Jimpa is screening at the Sundance film festival and is seeking distribution

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