Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...

Jimpa review – Olivia Colman soars in otherwise muddled queer family drama

Sundance film festival: Australian director Sophie Hyde’s earnest, semi-autobiographical film moves before it starts to meander

More so than other film festivals, Sundance can be a kingmaking force, shining light on an unknown film-maker and then entering into a mutually beneficial relationship with them. Directors return, shifted from smaller to larger venues, off-peak to primetime slots, and watching this steady climb can be a gratifying reward.

The Australian director Sophie Hyde has earned this more than most. Her first film, 52 Tuesdays, a thoughtful drama about a transitioning parent’s relationship with their daughter, won her the festival’s best director prize before she returned five years later with Animals, a sharp and spiky adaptation of Emma Jane Unsworth’s painfully perceptive novel of a fracturing friendship. She returned three years later with Good Luck to You, Leo Grande, an unusually frank and explicit comedy drama with a standout Emma Thompson (who, along with Animals’ Holliday Grainger deserved far more serious awards attention). In just over a decade, Hyde had established herself as someone whose name had become an instant sign of a certain top-tier Sundance quality, a skilled actors’ director whose films burrowed deeper than most.

Jimpa is screening at the Sundance film festival and is seeking distribution

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