Salvable review – Shia LaBeouf unexpectedly on hand for gritty British boxing drama with melancholy feel

Toby Kebbell is excellent as an ageing fighter (and care-home worker) getting sucked into crime, with a vivid LaBeouf as his childhood friend Blue-collar chancer gets drawn into criminal underworld; it must be one of the most well-worn plots in cinema, and if debut directors Bjorn Franklin and Johnny Marchetta don’t exactly make it fresh in this character study, then they undeniably lend it a heartfelt vividness. That’s thanks in no small part to lead actor Toby Kebbell, who as ageing boxer and care-home worker Sal holds our attention with a loquacious naivety, despite having been around the block many times. Yakking his way in and out of various marital, family and felonious situations, Sal is a man fundamentally in negotiation with himself. Living in a trailer, Sal is first and foremost trying to salvage his relationship with his 14-year-old daughter Molly (Kíla Lord Cassidy), irritating his ex-wife Elaine (Elaine Cassidy) in the process. Despite his thickening waist, he’s still a ...

‘A kitten on heat with a racy physique’: the mystery of the bloodcurdling cat screech used in hundred of movies

From Babe to Pet Sematary to Toy Story, the same furious yowl crops up in film after film. So who was the cat and who made the recording? We solve the enigma of the ‘Wilhelm Miaow’

There is a movie star you’ve never heard of, but whom you’ve almost certainly heard. She’s in Toy Story and Babe, How the Grinch Stole Christmas and Home Alone 3. You can catch her in Les Misérables. And if you’re a fan of being frightened, she’s also in End of Days and Pet Sematary. Once you’re familiar with her work, you start to hear her everywhere. Picture the scene: a frustrated character flings something, possibly a boot, off-camera. Perhaps we hear a bin lid clattering to the ground, and then it comes: the sound of a shocked cat screeching ferociously.

You may have heard of the Wilhelm Scream. In the 1953 western The Charge at Feather River, a character named Private Wilhelm loudly yelled “Argh!” after being shot in the thigh with an arrow. This yell subsequently became an overused sound effect, appearing in Star Wars and Indiana Jones among many, many other films. Hollywood is full of similar stock noises – spooky birds, ominous thunderclaps and generic telephone rings. The one I’m talking about could perhaps be christened the “Wilhelm Miaow”.

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