Karan Johar becomes brand ambassador for The Bridal Retreat: A transformational journey for brides-to-be

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Filmmaker Karan Johar, known for crafting some of Indian cinema’s most iconic love stories, is now lending his voice to a new kind of narrative—one that unfolds far from the glitter of wedding décor and dreamy romantic moments. Johar has been announced as the brand ambassador for The Bridal Retreat, a first-of-its-kind initiative that focuses not on the big day itself, but on the emotional and mental preparation that comes before and beyond it. “I’ve spent years telling love stories through cinema—but The Bridal Retreat is about the story behind the scenes,” said Karan Johar and added, “It’s not about perfect weddings—it’s about preparing women for what comes after. This retreat offers a rare opportunity: a chance for brides to meet themselves before the world meets the bride. In a world of beautifully curated celebrations, we sometimes forget the inner transformation that marriage brings. The Bridal Retreat places that journey at the centre.” Organised by E-Factor Experiences, The B...
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‘A kitten on heat with a racy physique’: the mystery of the bloodcurdling cat screech used in hundred of movies

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From Babe to Pet Sematary to Toy Story, the same furious yowl crops up in film after film. So who was the cat and who made the recording? We solve the enigma of the ‘Wilhelm Miaow’

There is a movie star you’ve never heard of, but whom you’ve almost certainly heard. She’s in Toy Story and Babe, How the Grinch Stole Christmas and Home Alone 3. You can catch her in Les Misérables. And if you’re a fan of being frightened, she’s also in End of Days and Pet Sematary. Once you’re familiar with her work, you start to hear her everywhere. Picture the scene: a frustrated character flings something, possibly a boot, off-camera. Perhaps we hear a bin lid clattering to the ground, and then it comes: the sound of a shocked cat screeching ferociously.

You may have heard of the Wilhelm Scream. In the 1953 western The Charge at Feather River, a character named Private Wilhelm loudly yelled “Argh!” after being shot in the thigh with an arrow. This yell subsequently became an overused sound effect, appearing in Star Wars and Indiana Jones among many, many other films. Hollywood is full of similar stock noises – spooky birds, ominous thunderclaps and generic telephone rings. The one I’m talking about could perhaps be christened the “Wilhelm Miaow”.

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