Bone Keeper review – there’s a critter in the caves in serviceable Brit horror

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An unconvincing group of friends is briskly picked off one-by-one while searching for a beastie that hitched a ride to Earth on a meteorite You get the measure early on of the tentacled predator in this British horror film when it makes mincemeat out of a hairy tough-guy Neanderthal. The movie opens with some punching-above-its budget special effects explaining the origins of the flesh-eater, which crash landed on Earth with a meteorite. Like Neil Marshall’s The Descent, it’s a creature that makes its home in caves – though unlike the earlier movie, Bone Keeper lacks a sense of sweat-trickling-down-your-back claustrophobia, despite a couple of good scares. Sarah Alexandra Marks plays Olivia, whose journalist grandfather vanished in the 1970s while investigating reports of a creature in a cave somewhere in the UK. Now years later, Olivia’s mother has disappeared while searching for him. So Olivia heads to the caves with a group of mates, who feel as if they’ve been dreamed up in a 20-...
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‘A kitten on heat with a racy physique’: the mystery of the bloodcurdling cat screech used in hundred of movies

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From Babe to Pet Sematary to Toy Story, the same furious yowl crops up in film after film. So who was the cat and who made the recording? We solve the enigma of the ‘Wilhelm Miaow’

There is a movie star you’ve never heard of, but whom you’ve almost certainly heard. She’s in Toy Story and Babe, How the Grinch Stole Christmas and Home Alone 3. You can catch her in Les Misérables. And if you’re a fan of being frightened, she’s also in End of Days and Pet Sematary. Once you’re familiar with her work, you start to hear her everywhere. Picture the scene: a frustrated character flings something, possibly a boot, off-camera. Perhaps we hear a bin lid clattering to the ground, and then it comes: the sound of a shocked cat screeching ferociously.

You may have heard of the Wilhelm Scream. In the 1953 western The Charge at Feather River, a character named Private Wilhelm loudly yelled “Argh!” after being shot in the thigh with an arrow. This yell subsequently became an overused sound effect, appearing in Star Wars and Indiana Jones among many, many other films. Hollywood is full of similar stock noises – spooky birds, ominous thunderclaps and generic telephone rings. The one I’m talking about could perhaps be christened the “Wilhelm Miaow”.

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