Siddhant Chaturvedi’s Netflix film Ramree, backed by Ajay Devgn, shelved due to budget constraints: Report

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After earning acclaim for his performance in Dhadak 2, Siddhant Chaturvedi seemed set to continue his momentum with Ramree, a two-hero OTT project backed by Ajay Devgn. However, the ambitious period drama has now reportedly been shelved before going on floors. According to a report by Mid-Day, Ramree was conceived as a large-scale film set in 1945. The project, which had been under development for over a year, aimed to blend historical events with cinematic storytelling. However, given its elaborate setting and production requirements, the film’s mounting budget became a major hurdle. A source close to the development told the publication, “For an OTT film, this would have set a benchmark in scale and imagination, but budget constraints caught up with it. Even though the platform heads were excited about the story, there was too much at stake financially. So, they decided not to move forward with it.” Another insider offered a different perspective, suggesting that Ramree never reac...
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The Wolves Always Come at Night review – melancholy meditation on a lost way of life

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A Mongolian family is forced to trade the splendour of the desert for the sprawl of the city in this exquisitely filmed documentary

Like generations before them, Mongolian herders Davaa and Zaya lead a nomadic life in the Gobi desert, where they tend to their livestock; and life with their four children is a tough but contented one. Moving between the sweeping and the intimate, Gabrielle Brady’s hybrid film juxtaposes the vast splendour of the Mongolian landscape with moments of domestic warmth as the family huddle up together for a nap or a meal, filling the simple shed where they live with laughter.

In one scene, the young children take turns telling scary stories of mythical happenings and deadly potions. Reality, however, has become much more frightening than fiction. As a result of the climate crisis, unprecedented natural disasters have wiped out countless herds, including Davaa and Zaya’s own. Left without their animals, the family reluctantly moves to the city for better opportunities. Here, Davaa swaps his horse for a bulky excavator as he makes ends meet loading rocks for construction projects. Somewhere in the chasm between his past and current lives, his identity has become lost in limbo, swept up by forces of environmental collapse and economic precariousness.

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