Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

The Wolves Always Come at Night review – melancholy meditation on a lost way of life

A Mongolian family is forced to trade the splendour of the desert for the sprawl of the city in this exquisitely filmed documentary

Like generations before them, Mongolian herders Davaa and Zaya lead a nomadic life in the Gobi desert, where they tend to their livestock; and life with their four children is a tough but contented one. Moving between the sweeping and the intimate, Gabrielle Brady’s hybrid film juxtaposes the vast splendour of the Mongolian landscape with moments of domestic warmth as the family huddle up together for a nap or a meal, filling the simple shed where they live with laughter.

In one scene, the young children take turns telling scary stories of mythical happenings and deadly potions. Reality, however, has become much more frightening than fiction. As a result of the climate crisis, unprecedented natural disasters have wiped out countless herds, including Davaa and Zaya’s own. Left without their animals, the family reluctantly moves to the city for better opportunities. Here, Davaa swaps his horse for a bulky excavator as he makes ends meet loading rocks for construction projects. Somewhere in the chasm between his past and current lives, his identity has become lost in limbo, swept up by forces of environmental collapse and economic precariousness.

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