Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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The Wolves Always Come at Night review – melancholy meditation on a lost way of life

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A Mongolian family is forced to trade the splendour of the desert for the sprawl of the city in this exquisitely filmed documentary

Like generations before them, Mongolian herders Davaa and Zaya lead a nomadic life in the Gobi desert, where they tend to their livestock; and life with their four children is a tough but contented one. Moving between the sweeping and the intimate, Gabrielle Brady’s hybrid film juxtaposes the vast splendour of the Mongolian landscape with moments of domestic warmth as the family huddle up together for a nap or a meal, filling the simple shed where they live with laughter.

In one scene, the young children take turns telling scary stories of mythical happenings and deadly potions. Reality, however, has become much more frightening than fiction. As a result of the climate crisis, unprecedented natural disasters have wiped out countless herds, including Davaa and Zaya’s own. Left without their animals, the family reluctantly moves to the city for better opportunities. Here, Davaa swaps his horse for a bulky excavator as he makes ends meet loading rocks for construction projects. Somewhere in the chasm between his past and current lives, his identity has become lost in limbo, swept up by forces of environmental collapse and economic precariousness.

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