SCOOP: Did Sunny Kaushal replace Saif Ali Khan in Ramesh Taurani's daughter Sneha Taurani's film last minute?

In a surprising turn of events, Saif Ali Khan has reportedly walked out of filmmaker Sneha Taurani’s upcoming project, just days before the film’s shoot was scheduled to begin. The actor, who had officially committed to the project and even attended its mahurat ceremony on October 27, 2025, has now opted out, leaving the makers and producers scrambling for a replacement. A source close to the development revealed, “He didn’t feel it was the right film for him to do,” though the decision came much later than expected, creating last-minute challenges for the team. The film was being produced by Ramesh Taurani, one of Bollywood’s most established producers, who has earlier collaborated with Saif on blockbusters like Race, Race 2, and BhootPolice (2021). He even did Kya Kehna produced by Ramesh Taurani in 2000, the two go back a long way. Reportedly, Ramesh Taurani wasted no time and has now cast Sunny Kaushal in the role originally meant for Saif. Kaushal reunites with director Sneha T...

The Brutalist director Brady Corbet: ‘If you’re not daring to suck, you’re not doing much’

The film-maker’s latest is a three and-a-half-hour epic about the building of a modernist masterpiece, and the toll its creation takes on its architect. The film’s making was almost as gruelling. ‘People told me I’d never make another movie’, Corbet says

The Brutalist is a big, muscular American epic that pits the individual against the machine; the artist against the cogs and wheels of commerce. It spins the tale of László Tóth, a Hungarian-born architect who’s beset on all sides, by capricious patrons, unreliable partners, mutinous contractors and an outraged general public. László is determined to make his masterpiece. His wife, though, is spooked by the psychological cost. “Promise you won’t let it drive you mad,” she says.

Architecture isn’t so different from independent film-making, says the film’s writer-director, Brady Corbet. It follows the same basic principles, throws up the same problems and provides similar levels of agony and ecstasy, and always more of the former. Corbet is now 36 years old and three movies into a gilded career. That makes him a success, a 21st-century Orson Welles. It’s just that each project takes its toll and, financially speaking, artists rarely if ever break even. “Eventually you start doing the math,” he explains. “And with every film it’s the same result. There are so many sacrifices you have to make along the way. And I can’t say for certain that it ever feels worth it.”

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