Novex Communications' complaint leads to FIRs against seven Daman-Silvassa resorts over music piracy

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The Daman Police's Crime Branch has unleashed a FIERCE AND STERN ACTION against seven resorts in Silvassa and Daman for BLATANTLY VIOLATING COPYRIGHT LAWS by playing copyrighted songs without obtaining its necessary licenses. The resorts under intense scrutiny include: - Devika Beach Resort : Devika Beach Resort in Daman - Hotel Cidade De Daman Beach Resort : Hotel Cidade De Daman Beach Resort - Treat Resort Silvassa : Treat Resort Silvassa - Khanvel Resort : Khanvel Resort in Silvassa - Ras Resort by Treat : Ras Resort by Treat in Silvassa - Pluz Resort Silvassa : Pluz Resort Silvassa - Pearl Resort Silvassa : Pearl Resort Silvassa The FIR against the above resorts was filed based on a complaint by Novex Communications Private Limited, a music licensing company. The resort owners, directors, and managers face STRINGENT CHARGES under the Copyright Act, 1957, and the Bharatiya Nyaya Sanhita, 2023. The police have seized SOLID EVIDENCE, including song recordings, etc and the invest...
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The Brutalist director Brady Corbet: ‘If you’re not daring to suck, you’re not doing much’

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The film-maker’s latest is a three and-a-half-hour epic about the building of a modernist masterpiece, and the toll its creation takes on its architect. The film’s making was almost as gruelling. ‘People told me I’d never make another movie’, Corbet says

The Brutalist is a big, muscular American epic that pits the individual against the machine; the artist against the cogs and wheels of commerce. It spins the tale of László Tóth, a Hungarian-born architect who’s beset on all sides, by capricious patrons, unreliable partners, mutinous contractors and an outraged general public. László is determined to make his masterpiece. His wife, though, is spooked by the psychological cost. “Promise you won’t let it drive you mad,” she says.

Architecture isn’t so different from independent film-making, says the film’s writer-director, Brady Corbet. It follows the same basic principles, throws up the same problems and provides similar levels of agony and ecstasy, and always more of the former. Corbet is now 36 years old and three movies into a gilded career. That makes him a success, a 21st-century Orson Welles. It’s just that each project takes its toll and, financially speaking, artists rarely if ever break even. “Eventually you start doing the math,” he explains. “And with every film it’s the same result. There are so many sacrifices you have to make along the way. And I can’t say for certain that it ever feels worth it.”

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