Shanaya Kapoor-Adarsh Gourav starrer Tu Yaa Main trends in 12 countries on Netflix Top 10

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Actor Shanaya Kapoor, who made an impressive debut with Aankhon Ki Gustakhiyan, followed it up with yet another standout performance this year—this time in a role vastly different from her first. Teaming up with director Bejoy Nambiar for Tu Yaa Main opposite Adarsh Gourav, Shanaya earned widespread appreciation for her portrayal of influencer Avnee, with audiences particularly praising her screen presence, performance range, and crackling chemistry with Adarsh. One of her dialogues from the film—“Tu yedi ho gayi kya, bachi?”—has especially struck a chord online, quickly turning into a fan-favourite pop culture moment and finding its way into memes, reels, and internet conversations. Following its theatrical run, Tu Yaa Main premiered on Netflix a few days ago and has continued to build momentum ever since. The film has been trending strongly on the platform, even reaching the No. 1 spot in India, while also charting in several international markets. Clips featuring Shanaya’s scenes ...
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The Brutalist director Brady Corbet: ‘If you’re not daring to suck, you’re not doing much’

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The film-maker’s latest is a three and-a-half-hour epic about the building of a modernist masterpiece, and the toll its creation takes on its architect. The film’s making was almost as gruelling. ‘People told me I’d never make another movie’, Corbet says

The Brutalist is a big, muscular American epic that pits the individual against the machine; the artist against the cogs and wheels of commerce. It spins the tale of László Tóth, a Hungarian-born architect who’s beset on all sides, by capricious patrons, unreliable partners, mutinous contractors and an outraged general public. László is determined to make his masterpiece. His wife, though, is spooked by the psychological cost. “Promise you won’t let it drive you mad,” she says.

Architecture isn’t so different from independent film-making, says the film’s writer-director, Brady Corbet. It follows the same basic principles, throws up the same problems and provides similar levels of agony and ecstasy, and always more of the former. Corbet is now 36 years old and three movies into a gilded career. That makes him a success, a 21st-century Orson Welles. It’s just that each project takes its toll and, financially speaking, artists rarely if ever break even. “Eventually you start doing the math,” he explains. “And with every film it’s the same result. There are so many sacrifices you have to make along the way. And I can’t say for certain that it ever feels worth it.”

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