Ikkis starring Dharmendra, Agastya Nanda and Jaideep Ahlawat to hit theatres on December 25

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Filmmaker Sriram Raghavan's highly anticipated war drama, Ikkis, has completed filming and is now officially slated for a theatrical release on December 25, 2025. Produced by Dinesh Vijan under his banner Maddock Films, the movie is a biographical tribute to Second Lieutenant Arun Khetarpal, India's youngest recipient of the Param Vir Chakra, who was martyred during the 1971 Indo-Pak war. The film, whose title Ikkis alludes to Khetarpal's age at the time of his sacrifice, stars Agastya Nanda in his big-screen debut as the young war hero. Veteran actor Dharmendra plays a pivotal emotional role as Arun Khetarpal's father, and the cast also features Jaideep Ahlawat and Sikandar Kher in key roles. Ikkis marks a significant departure for National Award-winning director Sriram Raghavan, known for his mastery of noir thrillers and crime dramas like Andhadhun and Badlapur. Raghavan described the project as a welcome break from his us...
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The best films of 2024 … you may not have seen

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From a Hitchcockian thriller to a shocking documentary, Guardian writers pick their lesser-known movies of the year

I can’t really blame anyone for not seeing Drugstore June in theaters, considering that scattered, super-limited run lasted just a few weeks. (I caught it in a near-empty cinema, on a weekday-afternoon whim, the day after belatedly seeing the trailer online.) But now that it’s streaming on Hulu in the US, you can check out one of the least-discussed but funniest mainstream comedies in ages. Built around the standup persona of comedian Esther Povitsky, Drugstore June is very much a throwback to a time when any emerging comic figure might be awarded their own thinly conceived vehicle. It wasn’t a great trend – Drugstore June’s director, Nicholaus Goossen, made Grandma’s Boy, to cite one example among many – yet here, revived absent big-studio attention (or maybe just with extra love for the game), it produces an idiosyncratic townie detective comedy, with sheltered, self-centered, snacks-obsessed June (Povitsky) trying to figure out who trashed the pharmacy where she (barely) works. Unlike its many Sandler-crew predecessors, Drugstore June has a genuine sense of place, a playful sense of generational self-satire, and an original persona at its center. It’s all the more miraculous at a time when studios big and small don’t care much for making comedies. Jesse Hassenger

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