SCOOP: Did Sunny Kaushal replace Saif Ali Khan in Ramesh Taurani's daughter Sneha Taurani's film last minute?

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In a surprising turn of events, Saif Ali Khan has reportedly walked out of filmmaker Sneha Taurani’s upcoming project, just days before the film’s shoot was scheduled to begin. The actor, who had officially committed to the project and even attended its mahurat ceremony on October 27, 2025, has now opted out, leaving the makers and producers scrambling for a replacement. A source close to the development revealed, “He didn’t feel it was the right film for him to do,” though the decision came much later than expected, creating last-minute challenges for the team. The film was being produced by Ramesh Taurani, one of Bollywood’s most established producers, who has earlier collaborated with Saif on blockbusters like Race, Race 2, and BhootPolice (2021). He even did Kya Kehna produced by Ramesh Taurani in 2000, the two go back a long way. Reportedly, Ramesh Taurani wasted no time and has now cast Sunny Kaushal in the role originally meant for Saif. Kaushal reunites with director Sneha T...
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The best films of 2024 … you may not have seen

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From a Hitchcockian thriller to a shocking documentary, Guardian writers pick their lesser-known movies of the year

I can’t really blame anyone for not seeing Drugstore June in theaters, considering that scattered, super-limited run lasted just a few weeks. (I caught it in a near-empty cinema, on a weekday-afternoon whim, the day after belatedly seeing the trailer online.) But now that it’s streaming on Hulu in the US, you can check out one of the least-discussed but funniest mainstream comedies in ages. Built around the standup persona of comedian Esther Povitsky, Drugstore June is very much a throwback to a time when any emerging comic figure might be awarded their own thinly conceived vehicle. It wasn’t a great trend – Drugstore June’s director, Nicholaus Goossen, made Grandma’s Boy, to cite one example among many – yet here, revived absent big-studio attention (or maybe just with extra love for the game), it produces an idiosyncratic townie detective comedy, with sheltered, self-centered, snacks-obsessed June (Povitsky) trying to figure out who trashed the pharmacy where she (barely) works. Unlike its many Sandler-crew predecessors, Drugstore June has a genuine sense of place, a playful sense of generational self-satire, and an original persona at its center. It’s all the more miraculous at a time when studios big and small don’t care much for making comedies. Jesse Hassenger

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