Michael Madsen, star of Reservoir Dogs, Kill Bill and Donnie Brasco, dies aged 67

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The actor, best known for his collaborations with Quentin Tarantino, was found unresponsive in Los Angeles The actor Michael Madsen has died aged 67 at his home in Malibu, according to authorities and his representatives. No foul play is suspected, the sheriff’s department confirmed, after deputies responded to the Los Angeles county home following a call to the emergency services on Thursday morning. He was pronounced dead at 8.25am. In an email, Madsen’s manager, Ron Smith, confirmed his client had died from cardiac arrest. Continue reading... from Film | The Guardian https://ift.tt/stzV2GB via IFTTT
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The best films of 2024 … you may not have seen

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From a Hitchcockian thriller to a shocking documentary, Guardian writers pick their lesser-known movies of the year

I can’t really blame anyone for not seeing Drugstore June in theaters, considering that scattered, super-limited run lasted just a few weeks. (I caught it in a near-empty cinema, on a weekday-afternoon whim, the day after belatedly seeing the trailer online.) But now that it’s streaming on Hulu in the US, you can check out one of the least-discussed but funniest mainstream comedies in ages. Built around the standup persona of comedian Esther Povitsky, Drugstore June is very much a throwback to a time when any emerging comic figure might be awarded their own thinly conceived vehicle. It wasn’t a great trend – Drugstore June’s director, Nicholaus Goossen, made Grandma’s Boy, to cite one example among many – yet here, revived absent big-studio attention (or maybe just with extra love for the game), it produces an idiosyncratic townie detective comedy, with sheltered, self-centered, snacks-obsessed June (Povitsky) trying to figure out who trashed the pharmacy where she (barely) works. Unlike its many Sandler-crew predecessors, Drugstore June has a genuine sense of place, a playful sense of generational self-satire, and an original persona at its center. It’s all the more miraculous at a time when studios big and small don’t care much for making comedies. Jesse Hassenger

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