Shah Rukh Khan reveals why his father’s words kept him away from Kashmir; says, “My father told me Kashmir mere bina mat dekhna”

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Bollywood icon Shah Rukh Khan has long captivated audiences not only with his films but also with the personal stories that offer glimpses into his life beyond the screen. One such emotional moment unfolded during his appearance on Amitabh Bachchan’s widely watched quiz show, Kaun Banega Crorepati. There, Shah Rukh shared a heartfelt reason for never having visited Kashmir — a childhood promise he made to his late father. Shah Rukh revealed that his paternal grandmother was from Kashmir, which gave his bond with the region a deeper, personal significance. Reflecting on an emotional conversation with his father, he recalled, “My father’s mother was Kashmiri. To unhone mujhe zindagi mein bola tha teen jagah zaroor dekhna life mein, ‘main rahun ya naa rahun. Ek Istanbul zaroor dekhna, ek Italy main Rome zaroor dekhna aur ek Kashmir hai zaroor dekhna. Lekin baaki do mere bina bhi dekh lena par Kashmir mere bina mat dekhna.’” This touching memory remained with Shah Rukh long after his fat...
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The best films of 2024 … you may not have seen

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From a Hitchcockian thriller to a shocking documentary, Guardian writers pick their lesser-known movies of the year

I can’t really blame anyone for not seeing Drugstore June in theaters, considering that scattered, super-limited run lasted just a few weeks. (I caught it in a near-empty cinema, on a weekday-afternoon whim, the day after belatedly seeing the trailer online.) But now that it’s streaming on Hulu in the US, you can check out one of the least-discussed but funniest mainstream comedies in ages. Built around the standup persona of comedian Esther Povitsky, Drugstore June is very much a throwback to a time when any emerging comic figure might be awarded their own thinly conceived vehicle. It wasn’t a great trend – Drugstore June’s director, Nicholaus Goossen, made Grandma’s Boy, to cite one example among many – yet here, revived absent big-studio attention (or maybe just with extra love for the game), it produces an idiosyncratic townie detective comedy, with sheltered, self-centered, snacks-obsessed June (Povitsky) trying to figure out who trashed the pharmacy where she (barely) works. Unlike its many Sandler-crew predecessors, Drugstore June has a genuine sense of place, a playful sense of generational self-satire, and an original persona at its center. It’s all the more miraculous at a time when studios big and small don’t care much for making comedies. Jesse Hassenger

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