Cal review – grieving Helen Mirren superb in compassionate Troubles romance

-
Mirren won best actress at Cannes in 1984 for her role as Marcella, who forms a relationship with John Lynch’s Cal – a man complicit in her husband’s murder Pat O’Connor’s Northern Irish movie from 1984, adapted by author Bernard MacLaverty from his own novel, holds up very well for its rerelease; better in fact than most of the movies and TV drama made about and during the Troubles. It has an unhurried, thoughtful and very human quality; Helen Mirren won the best actress award at Cannes for her performance here and in fact it is very well acted across the board by a blue-chip cast. Mirren plays Marcella, a woman from a Catholic background, married across the sectarian divide to a reserve police officer murdered at his parents’ farmhouse by an IRA man who had bullied a bewildered local guy into being his getaway driver; this is Cal, played by the gauntly intense John Lynch. Cal lives with his widowed father; a gentle performance by Donal McCann, who was Gabriel Conroy in John Huston’...
Post a Comment

Stockholm Bloodbath review – like Game of Thrones scripted by Guy Ritchie

-

Based on a real mass killing, this 16th-century tale of backstabbing and beheadings is a clunker with a laddish edge

‘A great deal of this actually happened,” reads the title card at the start of this action-packed historical epic. Possibly. But it’s unlikely that anyone actually said these words. Like an episode of Game of Thrones scripted by Guy Ritchie, there is a laddish finesse to the dialogue in this 16th-century tale of backstabbing and beheadings. “That sounds like a load of bollocks,” splutters the Danish king Christian II to an adviser in one scene. The actors are mostly Danes and Swedes speaking lines in English, plus a few Brits with a slight Scandi tinge to their accents.

The film is based on real events: the mass killing of Swedish nobles in 1520, ordered by Danish king Christian II (Claes Bang). The script gives history a revisionist twist or two: namely by adding a pair of aristocratic Swedish sisters, beautiful Anne (Sophie Cookson) and skilled hunter Freja (Alba August). The film opens with a massacre at Anne’s wedding perpetrated by King Christian’s attack dogs. The villains are all introduced with geezerish-gangster nicknames: there’s Didrik Slagheck (Mikkel Boe Følsgaard) “AKA evilman”. Another is “guy with scar”.

Continue reading...

from Film | The Guardian https://ift.tt/CovWVH7
via IFTTT

Comments

Post a Comment

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
Read more

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast

-
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Read more