Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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Rippy review – kangaroo slasher bounces into Cocaine Bear territory

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Horror drama about a marsupial in the frame for murder brings earnestness and maudlin backstory where none is needed

It is a horror movie truth universally acknowledged that if your killer bounces after its victims, you’d best play it for laughs. But that is something mystifyingly lost on Ryan Coonan’s slasher flick, which appears to have transformed the hench kangaroo meme into a feature-length film. Sadly, Rippy is no antipodean Cocaine Bear; after traversing wastes of maudlin backstory, it waits until the final five minutes before finally delivering some tongue-in-cheek sauce courtesy of a famous marsupial catchphrase.

Outback sheriff Maddie (Tess Haubrich) lives in the shadow of her late, toast-of-the-town cop father, who was also a high-school sports champion and war hero. (She saves us having to work this out by telling us off the bat in voiceover.) When his wild-eyed buddy Schmitty (Michael Biehn) wanders in babbling about a humongous homicidal joey, and two drunks wind up chop-sueyed in the brush, it seems like a case of murders in the ’roo morgue. But, convinced by Schmitty’s ex (Angie Milliken) not to trust his ravings, Maddie homes in on a more rational suspect: an ex-con at the local mine (a brief cameo from Mad Max’s Nathan Jones).

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