The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance

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Mohammad Tahir and his colleagues operate through bombing and blackouts in barely functional hospitals – but there are moments of relief amid the documentary’s tragedy and gore What this documentary might lack in film-making finesse it makes up for with sheer visceral and emotional impact. British nerve surgeon Mohammad Tahir and his colleagues, who also work the cameras, toil in Gaza’s barely operational hospitals during some of the worst days and nights of the war in the winter of 2024-25. Supported by US-based charity FAJR Global , who provide medical care to the world’s most in need, Tahir operates through bombings and blackouts with a bare minimum of medical supplies, sometimes treating patients lying on the floor in puddles of blood because there are no gurneys. This is often hard to watch, and not just because of all the gore; many of the victims are children, out of whom Tahir and the others dig bullets as well as tiny tungsten cubes, new-fangled shrapnel designed to cause maxi...
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Rippy review – kangaroo slasher bounces into Cocaine Bear territory

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Horror drama about a marsupial in the frame for murder brings earnestness and maudlin backstory where none is needed

It is a horror movie truth universally acknowledged that if your killer bounces after its victims, you’d best play it for laughs. But that is something mystifyingly lost on Ryan Coonan’s slasher flick, which appears to have transformed the hench kangaroo meme into a feature-length film. Sadly, Rippy is no antipodean Cocaine Bear; after traversing wastes of maudlin backstory, it waits until the final five minutes before finally delivering some tongue-in-cheek sauce courtesy of a famous marsupial catchphrase.

Outback sheriff Maddie (Tess Haubrich) lives in the shadow of her late, toast-of-the-town cop father, who was also a high-school sports champion and war hero. (She saves us having to work this out by telling us off the bat in voiceover.) When his wild-eyed buddy Schmitty (Michael Biehn) wanders in babbling about a humongous homicidal joey, and two drunks wind up chop-sueyed in the brush, it seems like a case of murders in the ’roo morgue. But, convinced by Schmitty’s ex (Angie Milliken) not to trust his ravings, Maddie homes in on a more rational suspect: an ex-con at the local mine (a brief cameo from Mad Max’s Nathan Jones).

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