Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

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Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere Oscars 2026 – follow the action live! The winners: the full list – updating live Conan O’Brien’s opening monologue at the 98th Academy Awards cheekily paid tribute to many nominated films – and then some – while acknowledging the tense US political situation and cracks at Timothée Chalamet, Amazon and US healthcare. After a snappily edited, old-school montage in which O’Brien, dressed as best supporting actress winner Amy Madigan ’s character in Weapons (“I look like Bette Davis with lupus,” he joked), stormed through each of the nominated films trailed by children à la Weapons, the second-time host bobbed and weaved through a number of pressing topics, from political divides to AI to Jeffrey Epstein. “I am Conan O’Brien, and I am honored to be the last human host of the Academy Awards,” he quipped. “Next year it’s going to be a Waymo in a tux.” Continue read...
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Olivia Hussey obituary

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Actor who was catapulted to fame as one of the teen stars of Franco Zeffirelli’s Romeo and Juliet in 1968

When Franco Zeffirelli’s film version of Shakespeare’s Romeo and Juliet was released in 1968, it made the two lead actors, Leonard Whiting and Olivia Hussey, into instant stars. Hussey, who has died aged 73, later said that “while it brought me fame – for whatever that’s worth – and glamour, it also thrust me into a spotlight that, while intoxicating, was at times too bright and too revealing”.

At the time of the filming in Italy of Romeo and Juliet, Whiting was 17 years old, Hussey 16 (in the 1936 Hollywood version, the lead actors were 43 and 34). Zeffirelli was determined that his star-crossed lovers be credible teenagers. In his autobiography, Zeffirelli remembered that he was not immediately impressed with Hussey, saying “she was unfortunately overweight, clumsy-looking and bit her nails constantly”. But later he took a second look, and found that “she was a new woman: she had lost weight dramatically. Her magnificent bone structure was becoming apparent, with those wide expressive eyes and her whole angular self. She was now the real Juliet, a gawky colt of a girl waiting for life to begin.”

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