‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly

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After his breakthrough in The Holdovers in 2023, Sessa has gone back to the 70s again for Tony, the biopic of bad-boy chef and Kitchen Confidential author Bourdain. And, he says, a big part of him would like to stay there Despite being just 23, Dominic Sessa is perhaps as intimately acquainted with the 1970s as those who grew up then. Although the New Jersey-born actor has only starred in five films, two of them are marinated in the fashions, sounds and mores of the decade. In his new movie, Tony , he plays the 19-year-old Anthony Bourdain, future bad-boy celebrity chef, bestselling author of Kitchen Confidential and host of its hit TV spin-off. Tony restricts itself to one summer in 1975, when Bourdain bummed around the coastal resort of Provincetown, Massachusetts, falling in love, scrubbing pans in a seafood joint and catching the cooking bug. “For a rootless young man with sensualist inclinations,” he wrote, “it was the perfect getaway.” A 70s retro vibe also hung over Sessa’s debu...
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Becoming Madonna review – a megastar’s extraordinary ascent to pop royalty

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The singer’s journey to the top is retold through archive clips and audio, efficiently albeit perhaps too straightforwardly

The story of Madonna’s leap to stratospheric celebrity is breathlessly and efficiently retold in this documentary that uses only archive clips and existing audio interview material in the now accepted way. It tracks the period from her tough beginnings as a dancer in late 70s New York to the early 90s days of the Blonde Ambition tour and her once-controversial Mapplethorpe-type book of photos entitled Sex. It’s watchable enough, with some interesting things to say about Madonna’s instinctive knack for appropriating a gay aesthetic and repurposing it for her own heterosexual spectacle, and then repaying the debt by becoming an outspoken advocate for HIV/Aids research.

Yet the film can also feel breezy and glib. There is no mention of Madonna’s appearances in movies such as Desperately Seeking Susan and Dick Tracy or indeed her appearance in David Mamet’s Speed-the-Plow on Broadway – perhaps because these don’t fit the “legendary” format (although Desperately Seeking Susan has its admirers). And there is something exasperating in the way the film won’t reveal the exact dates and provenance of its audio; Madonna will sometimes speak about her past and her family in a British accent, showing that the interview comes from the later era of her marriage to Guy Ritchie, and sometimes her voice will switch back to her native Michigan.

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