Shanaya Kapoor-Adarsh Gourav starrer Tu Yaa Main trends in 12 countries on Netflix Top 10

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Actor Shanaya Kapoor, who made an impressive debut with Aankhon Ki Gustakhiyan, followed it up with yet another standout performance this year—this time in a role vastly different from her first. Teaming up with director Bejoy Nambiar for Tu Yaa Main opposite Adarsh Gourav, Shanaya earned widespread appreciation for her portrayal of influencer Avnee, with audiences particularly praising her screen presence, performance range, and crackling chemistry with Adarsh. One of her dialogues from the film—“Tu yedi ho gayi kya, bachi?”—has especially struck a chord online, quickly turning into a fan-favourite pop culture moment and finding its way into memes, reels, and internet conversations. Following its theatrical run, Tu Yaa Main premiered on Netflix a few days ago and has continued to build momentum ever since. The film has been trending strongly on the platform, even reaching the No. 1 spot in India, while also charting in several international markets. Clips featuring Shanaya’s scenes ...
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Becoming Madonna review – a megastar’s extraordinary ascent to pop royalty

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The singer’s journey to the top is retold through archive clips and audio, efficiently albeit perhaps too straightforwardly

The story of Madonna’s leap to stratospheric celebrity is breathlessly and efficiently retold in this documentary that uses only archive clips and existing audio interview material in the now accepted way. It tracks the period from her tough beginnings as a dancer in late 70s New York to the early 90s days of the Blonde Ambition tour and her once-controversial Mapplethorpe-type book of photos entitled Sex. It’s watchable enough, with some interesting things to say about Madonna’s instinctive knack for appropriating a gay aesthetic and repurposing it for her own heterosexual spectacle, and then repaying the debt by becoming an outspoken advocate for HIV/Aids research.

Yet the film can also feel breezy and glib. There is no mention of Madonna’s appearances in movies such as Desperately Seeking Susan and Dick Tracy or indeed her appearance in David Mamet’s Speed-the-Plow on Broadway – perhaps because these don’t fit the “legendary” format (although Desperately Seeking Susan has its admirers). And there is something exasperating in the way the film won’t reveal the exact dates and provenance of its audio; Madonna will sometimes speak about her past and her family in a British accent, showing that the interview comes from the later era of her marriage to Guy Ritchie, and sometimes her voice will switch back to her native Michigan.

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