CONFIRMED: S S Rajamouli-Mahesh Babu-Priyanka Chopra's film titled Varanasi

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S S Rajamouli recently released Baahubali: The Epic, which was a combined version of Baahubali: The Beginning (2015) and Baahubali 2: The Conclusion (2017). November is here and all his focus is on his upcoming ambitious film, starring Mahesh Babu, Priyanka Chopra and Prithviraj Sukumaran. There are reports that the name of the film, which is referred to as SSMB29, is Globetrotter. A few reports reveal that the film has been titled Varanasi. Bollywood Hungama has learned that the team of the film has locked a title. A source told us, “The name of the film is indeed Varanasi. It is said that the title rights were with somebody, but S S Rajamouli’s team reached out and secured the rights.” The source further said, “It is an apt title as per the story of the film. Hence, they were very keen on naming their film Varanasi.” Reports also state that a grand announcement event will be held on November 15 in Ramoji Rao Film City, Hyderabad. Along with S S Rajamouli, Mahesh Babu, Priyanka Cho...
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Becoming Madonna review – a megastar’s extraordinary ascent to pop royalty

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The singer’s journey to the top is retold through archive clips and audio, efficiently albeit perhaps too straightforwardly

The story of Madonna’s leap to stratospheric celebrity is breathlessly and efficiently retold in this documentary that uses only archive clips and existing audio interview material in the now accepted way. It tracks the period from her tough beginnings as a dancer in late 70s New York to the early 90s days of the Blonde Ambition tour and her once-controversial Mapplethorpe-type book of photos entitled Sex. It’s watchable enough, with some interesting things to say about Madonna’s instinctive knack for appropriating a gay aesthetic and repurposing it for her own heterosexual spectacle, and then repaying the debt by becoming an outspoken advocate for HIV/Aids research.

Yet the film can also feel breezy and glib. There is no mention of Madonna’s appearances in movies such as Desperately Seeking Susan and Dick Tracy or indeed her appearance in David Mamet’s Speed-the-Plow on Broadway – perhaps because these don’t fit the “legendary” format (although Desperately Seeking Susan has its admirers). And there is something exasperating in the way the film won’t reveal the exact dates and provenance of its audio; Madonna will sometimes speak about her past and her family in a British accent, showing that the interview comes from the later era of her marriage to Guy Ritchie, and sometimes her voice will switch back to her native Michigan.

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