In a notable collaboration, legendary filmmaker Martin Scorsese has come on board as executive producer for Homebound, the upcoming feature from National Award-winning director Neeraj Ghaywan. The film, starring Ishaan Khatter, Vishal Jethwa, and Janhvi Kapoor, is set to have its world premiere in the Un Certain Regard section at the 2025 Cannes Film Festival, which runs from May 14 to 25. Homebound marks Ghaywan’s return to the big screen and to Cannes, nearly a decade after his acclaimed debut Masaan premiered at the festival and received two awards. Over the years, Masaan has continued to find resonance with audiences worldwide, heightening expectations for Ghaywan’s latest. Speaking about his involvement, Martin Scorsese said, “I have seen Neeraj’s first film Masaan in 2015 and I loved it, so when Mélita Toscan du Plantier sent me the project of his second film, I was curious. I loved the story, the culture and was willing to help. Neeraj has made a beautifully crafted film that’...
Alex Gibney to produce documentary on UnitedHealthcare CEO killing
- Get link
- X
- Other Apps
Acclaimed documentarian plans documentary on murder of Brian Thompson and larger conversations it has inspired
Alex Gibney and Anonymous Content are planning a documentary project on the murder of the UnitedHealthcare CEO, Brian Thompson, and the larger public conversation about health insurance companies that the crime inspired.
The prolific film-maker’s company, Jigsaw Productions, will partner with Anonymous Content on the as yet untitled project about the dominant US news story of the month, since Thompson was fatally shot in midtown Manhattan on his way to an investor conference on 4 December.
Continue reading...from Film | The Guardian https://ift.tt/JeCQvSF
via IFTTT
- Get link
- X
- Other Apps
Popular posts from this blog
BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Comments
Post a Comment