Warfare review – nerve-shredding real-time Iraq war film drags you into visceral frontline combat

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Co-directors Alex Garland and former US Navy Seal Ray Mendoza recreate a 2006 battle with almost unbearable intensity – and a dazzling ensemble cast It’s up there with the first 23 bruising minutes of Steven Spielberg’s Saving Private Ryan or Elem Klimov’s harrowing and relentless Come and See . This is film-making that doesn’t just show you the horrors of war; it forces you to taste the dust and the choking panic, smell the fear and the cordite and the tinny metallic tang of spilled blood. Warfare , by Alex Garland and Ray Mendoza, is the most forceful and unflinching depiction of combat since Edward Berger’s 2023 Oscar-winning All Quiet on the Western Front . It’s also one of the boldest and most formally daring. There are certain conventions at play in most war movies. Among them is the unwritten rule that however blisteringly hellish the depiction of combat, there’s a mitigating audience sop in the form of a flag-waving message about the nobility of the cause. Or, at the very le...
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Aamir Khan-produced Laapataa Ladies OUT from Oscars 2025 race

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The Academy of Motion Picture Arts and Sciences announced the shortlist of 15 films for the Best International Feature Film category at the 2025 Oscars on Tuesday. While global favorites such as Emilia Perez and From Ground Zero secured spots, India’s official entry, Laapataa Ladies, was conspicuously absent. The exclusion of the Aamir Khan-produced Hindi film, directed by Kiran Rao, has reignited debates on India’s Oscars strategy.

Backlash Over Film Federation of India’s Selection The decision to send Laapataa Ladies as India’s official entry had sparked controversy earlier this year, with many arguing that Payal Kapadia’s Cannes-winning All We Imagine As Light was a stronger contender. Following the failure of Laapataa Ladies to make the shortlist, criticism of the Film Federation of India (FFI) has intensified.

One social media user expressed frustration, writing, "FFI snubbed AWIAL, destroying our chances to be on the list. The Film Federation of India requires a full revamp." Another added, "A shattering humiliation for India. If the only measure of success is to make choices that make you competitive, they have utterly failed."

Kiran Rao’s Laapataa Ladies received critical acclaim for its portrayal of two brides interchanged in rural India during the 1990s. The cast featured newcomers Sparsh Srivastava, Pratibha Ranta, and Nitanshi Goel alongside seasoned actors Ravi Kishen and Chhaya Kadam.

On the other hand, All We Imagine As Light, an exploration of Mumbai’s working class, has consistently been a presence at international awards shows. It won the Grand Prize at Cannes and was nominated for the Golden Globes and Critics’ Choice Awards.

While Laapataa Ladies failed to advance, there was some good news for Indian cinema. Santosh, a UK-based Hindi film by Sandhya Suri, featuring Indian actors Shahana Goswami and Sunita Rajwar, made it to the Oscars shortlist as the UK’s official entry.

Also Read: Laapataa Ladies actor Pratibha Ranta hopes for Oscars shortlist on her birthday: “It would be the biggest gift”



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