EXCLUSIVE: Ali Fazal's fierce new poster from Mirzapur: The Movie raises anticipation ahead of teaser launch

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Ahead of the teaser launch tomorrow, the makers have just dropped a striking new poster featuring Ali Fazal, from the much-awaited Mirzapur: The Movie, and it is everything fans have been waiting for. With the teaser set to drop tomorrow, the buzz around the film has officially hit fever pitch. The poster showcases Ali Fazal in his iconic avatar, radiating intensity and power. With a fierce expression and commanding presence, the character's look hints at the high-stakes drama, revenge, and power battles that have become synonymous with the Mirzapur franchise. While the poster offers no clues about the storyline, it successfully reignites excitement among fans eager to witness the return of one of the most loved characters from the Mirzapur universe. The visual serves as a reminder that the battle for power is far from over and that the world of Mirzapur is gearing up for an even grander cinematic experience. As excitement builds, all eyes are now on the teaser, which promises to ...
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A Man and a Camera review – doorstep prank movie is pass-agg psychological study

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Film-maker Guido Hendrikx goes house-to-house in a Dutch suburb, ringing doorbells and then mutely filming – we see what people will say and do to fill the silence

Dutch film-maker Guido Hendrikx has given us a funny but also somewhat slippery and disingenuous bit of pass-agg provocation, somewhere between documentary cinema and conceptual art. For just over an hour, we get his point-of-view as he troops about a bland Dutch suburb, ringing on people’s doorbells and just mutely filming them when they appear. We never see the cameraman himself.

Some people are baffled, some bemused, some alarmed. Most, having waited in vain for to him to explain himself, are unwilling to be the first to make an aggressive or disapproving move, and certainly unwilling to be filmed doing so, so they are trapped into a kind of smiley stare-out contest. Some are very annoyed; one threatens to trash his camera and another appears to carry out the threat. The cops are called, but they don’t seem too bothered and then go away after which the cameraman resumes his house-to-house calls; well, that’s how it looks in the edit. And throughout, Hendrikx never says anything, and we see how people will politely say and do almost anything to fill the excruciating silence: therapists and cops use the same technique.

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