Streaming: Steven Soderbergh’s Presence and the best haunted house films

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The director’s witty supernatural thriller joins Psycho, Hereditary, The Brutalist and more – films in which buildings are characters in their own right The first more-or-less horror movie in the lengthy, genre-skimming career of director Steven Soderbergh , Presence is a film about grief, trauma, familial dysfunction and abusive masculinity. But it’s also, to a significant and compelling extent, about property. Beginning with a family’s first viewing of a handsome Victorian home in an unidentified stretch of suburbia, the film never ventures outside its walls for the next 85 minutes, as the ensuing chills make us consider the merits of that purchase. Wittily and unnervingly shot from the perspective of the restless spirit roaming its halls, it’s a haunted house film in which much of the tension feels determined by the shape and flow and light and shade of the house itself. It’s a while since I’ve seen a film where I could quite so exactly draw the floor plan of its primary location,...
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‘We create gods because the world is chaos’: Ralph Fiennes, John Lithgow and Stanley Tucci on celebrity, sin and papal thriller Conclave

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In Edward Berger’s Oscar-tipped drama, the three actors play cardinals vying to become pope. Ahead of the film’s UK release, they form a huddle to discuss fame, food – and why Trump won

Faith, death and vengeful vaping: of all the Oscar contenders this year, Conclave is the one that best combines chewy religious inquiry and lavish side-eye. Adapted by Wolf Hall screenwriter Peter Straughan from the Robert Harris novel, Conclave has been directed by All Quiet on the Western Front’s Edward Berger as a heavy-breathing battle for hearts, minds and power.

Ralph Fiennes stars as Cardinal Lawrence, who, after the sudden death of the pope, must park his own religious doubts to wrangle the 113 cardinals who have descended on the Vatican. These men will be sequestered until they can elect one of their number as the new pontiff. Among them are the gentle progressive Bellini (Stanley Tucci) and smooth traditionalist Tremblay (John Lithgow). Both have secrets. But are they as lethal as those of their friends – and rivals?

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