The man who saw the future: the legacy of cultural theorist Mark Fisher

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Touching on everything from late-stage capitalism to Adele, the work of the late writer is proving increasingly influential. Now a documentary on him is looking to live up to his ideals Capitalist Realism: Is There No Alternative? was published in 2009 to critical silence. Journalists and academics initially dismissed Mark Fisher’s book, ignoring the cultural theorist’s requests for coverage and interviews, and even the then owner of his publisher, Zer0 Books, lamented that it was unmarketable. Fisher, also prone to self-doubt, questioned the relevance of his thesis and the gravitas of his personal approach after attempting, and failing, to write a traditional systematic work of theory. As of December 2025, more than 250,000 English-language versions of Capitalist Realism have been sold, with translations available in Spanish, Italian, Arabic Mandarin, German, Portuguese, Polish, Japanese, Hebrew, Korean and Danish. Fisher, unassumingly, had aspired to sell a few hundred. Revered for...
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The Problem with People review – old-country lark takes on blarney-fuelled family feud

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Paul Reiser and Colm Meaney go into cliche mode when an Irish patriarch wills half his legacy to his son’s unknown American cousin

Never mind people. The problem with this comedy is the cliches. It could not be more Irish if it was dropped into a pint of Guinness and rolled in shamrocks by a dancing leprechaun. The script is co-written by the American actor Paul Reiser, with a very broad sense of humour, though it’s likable enough. Colm Meaney is also on decent form as undertaker Ciáran, whose elderly father Fergus (Des Keogh) has a deathbed request: he wants to heal a rift with the American side of the family that has rumbled on for a couple of generations.

Over in New York, Reiser plays American cousin Barry, a real-estate tycoon. He’s recovering from the double whammy of a heart attack and divorce, which puts him in the sentimental mood for a family reunion. So off he flies, back to the old country. Initially, Barry is charmed by the beauty of the landscape and the quirky locals – among them a B&B owner with Mrs Doyle levels of pushiness and a pair of teenagers constantly putting on terrible American accents. The poor actors seem to have been directed to play it full-on, with exaggerated facial expressions and slightly embarrassing oversize performances.

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