The Odyssey becomes Christopher Nolan’s highest grossing film as it passes $1.1bn at box office

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The film-maker’s take on Homer’s epic has beaten his previous record holder The Dark Knight Rises The Odyssey has become the highest grossing film of Christopher Nolan’s career, having made more than US$1bn at the global box office less than a month after its release. The blockbuster, which was released on 17 July, is an adaptation of Homer’s ancient Greek epic and follows Matt Damon as Odysseus, the Greek king of Ithaca, on his perilous 10-year journey home after the Trojan war. Continue reading... from Film | The Guardian https://ift.tt/dWoDNrG via IFTTT
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The Problem with People review – old-country lark takes on blarney-fuelled family feud

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Paul Reiser and Colm Meaney go into cliche mode when an Irish patriarch wills half his legacy to his son’s unknown American cousin

Never mind people. The problem with this comedy is the cliches. It could not be more Irish if it was dropped into a pint of Guinness and rolled in shamrocks by a dancing leprechaun. The script is co-written by the American actor Paul Reiser, with a very broad sense of humour, though it’s likable enough. Colm Meaney is also on decent form as undertaker Ciáran, whose elderly father Fergus (Des Keogh) has a deathbed request: he wants to heal a rift with the American side of the family that has rumbled on for a couple of generations.

Over in New York, Reiser plays American cousin Barry, a real-estate tycoon. He’s recovering from the double whammy of a heart attack and divorce, which puts him in the sentimental mood for a family reunion. So off he flies, back to the old country. Initially, Barry is charmed by the beauty of the landscape and the quirky locals – among them a B&B owner with Mrs Doyle levels of pushiness and a pair of teenagers constantly putting on terrible American accents. The poor actors seem to have been directed to play it full-on, with exaggerated facial expressions and slightly embarrassing oversize performances.

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