‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy

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His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’ We’ve been talking for less than five minutes when I spot the swastika. It’s just above the head of László Nemes, one of Europe’s most acclaimed directors, as he sits in the suite of a London hotel, talking about Orphan, his intensely personal new film that dwells on – among other things – the impact of the Holocaust on the generations that followed. It’s an ancient, Hindu swastika, part of a decorative wall-hanging – but still. I’m halfway through a question when I notice it. Nemes laughs; of course, he’d seen it immediately. “I wanted to point that out to you,” he says. “It is so funny. Before leaving this room, I will take pictures.” Mind you, he’s had worse. “When I was at the San Sebastián film festival with Son of Saul , t...
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The Problem with People review – old-country lark takes on blarney-fuelled family feud

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Paul Reiser and Colm Meaney go into cliche mode when an Irish patriarch wills half his legacy to his son’s unknown American cousin

Never mind people. The problem with this comedy is the cliches. It could not be more Irish if it was dropped into a pint of Guinness and rolled in shamrocks by a dancing leprechaun. The script is co-written by the American actor Paul Reiser, with a very broad sense of humour, though it’s likable enough. Colm Meaney is also on decent form as undertaker Ciáran, whose elderly father Fergus (Des Keogh) has a deathbed request: he wants to heal a rift with the American side of the family that has rumbled on for a couple of generations.

Over in New York, Reiser plays American cousin Barry, a real-estate tycoon. He’s recovering from the double whammy of a heart attack and divorce, which puts him in the sentimental mood for a family reunion. So off he flies, back to the old country. Initially, Barry is charmed by the beauty of the landscape and the quirky locals – among them a B&B owner with Mrs Doyle levels of pushiness and a pair of teenagers constantly putting on terrible American accents. The poor actors seem to have been directed to play it full-on, with exaggerated facial expressions and slightly embarrassing oversize performances.

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