Luke Hemsworth: ‘I have to be very specific about which brother I am. But it still gets confusing’

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The star on his famous acting family, wrestling Chris and Liam, the best advice from Anthony Hopkins and being traumatised by The Exorcist Get our weekend culture and lifestyle email In Beast, your new film about an MMA fighter, you play Gabriel: a dirtbag guy with a dirtbag goatee. Did you base him off any dirtbags you’ve met? Oh, that’s all me. I’m channelling my inner dirtbag. He has some inadequacy issues. He’s like a used car salesman; he looks fair and feels foul. But there are parts of me in him – I’m wearing my own snake skin boots for the whole film. I ended up actually keeping one of his suits, which I might have worn to a couple of premieres, which is pretty funny! [Laughs] Continue reading... from Film | The Guardian https://ift.tt/twlXANL via IFTTT
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The Problem with People review – old-country lark takes on blarney-fuelled family feud

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Paul Reiser and Colm Meaney go into cliche mode when an Irish patriarch wills half his legacy to his son’s unknown American cousin

Never mind people. The problem with this comedy is the cliches. It could not be more Irish if it was dropped into a pint of Guinness and rolled in shamrocks by a dancing leprechaun. The script is co-written by the American actor Paul Reiser, with a very broad sense of humour, though it’s likable enough. Colm Meaney is also on decent form as undertaker Ciáran, whose elderly father Fergus (Des Keogh) has a deathbed request: he wants to heal a rift with the American side of the family that has rumbled on for a couple of generations.

Over in New York, Reiser plays American cousin Barry, a real-estate tycoon. He’s recovering from the double whammy of a heart attack and divorce, which puts him in the sentimental mood for a family reunion. So off he flies, back to the old country. Initially, Barry is charmed by the beauty of the landscape and the quirky locals – among them a B&B owner with Mrs Doyle levels of pushiness and a pair of teenagers constantly putting on terrible American accents. The poor actors seem to have been directed to play it full-on, with exaggerated facial expressions and slightly embarrassing oversize performances.

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