‘People who commit heinous crimes can be victims’: Michael Mann on the provocative power of Manhunter at 40

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As a stunning 4K restoration arrives in theaters, the director and cast reflect on creating the disturbing descent into a criminal underworld Michael Mann has shown time and again in films like Thief , Heat , Miami Vice and Public Enemies that he is one of American film’s greatest explorers of the underworld. “It’s like a kind of cultural anthropology,” Mann tells me from his office in Los Angeles. “If you make films, you get to do that in a different place with a different subject every few years. For me, the exploration is the high.” With its unsettling atmosphere and soaring beauty, Mann’s 1986 film Manhunter reimagined how a thriller could look, sound and feel in an early high point for the director. To commemorate its 40th anniversary Manhunter: The Final Cut , a 4K restoration and director’s cut with three minutes of new footage, will see a theatrical release in New York and Los Angeles this weekend with a nationwide US rollout to follow. Continue reading... from Film | The ...
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The Problem with People review – old-country lark takes on blarney-fuelled family feud

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Paul Reiser and Colm Meaney go into cliche mode when an Irish patriarch wills half his legacy to his son’s unknown American cousin

Never mind people. The problem with this comedy is the cliches. It could not be more Irish if it was dropped into a pint of Guinness and rolled in shamrocks by a dancing leprechaun. The script is co-written by the American actor Paul Reiser, with a very broad sense of humour, though it’s likable enough. Colm Meaney is also on decent form as undertaker Ciáran, whose elderly father Fergus (Des Keogh) has a deathbed request: he wants to heal a rift with the American side of the family that has rumbled on for a couple of generations.

Over in New York, Reiser plays American cousin Barry, a real-estate tycoon. He’s recovering from the double whammy of a heart attack and divorce, which puts him in the sentimental mood for a family reunion. So off he flies, back to the old country. Initially, Barry is charmed by the beauty of the landscape and the quirky locals – among them a B&B owner with Mrs Doyle levels of pushiness and a pair of teenagers constantly putting on terrible American accents. The poor actors seem to have been directed to play it full-on, with exaggerated facial expressions and slightly embarrassing oversize performances.

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