Brenda Fricker obituary

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Actor who was the first Irish woman to win an Oscar for her role in the 1989 film classic My Left Foot Brenda Fricker, who has died aged 81, was only the second Irish actor – and the first female one – to win an Oscar, for her role as Daniel Day-Lewis’s mother in the 1989 film My Left Foot, after shooting to fame in the original cast of the BBC medical drama Casualty. As the nurse Megan Roach, she was the Mother Earth of the fictional Holby City hospital’s A&E department for the programme’s first five series (1986-90). “We knew the show had to have compassion,” said Casualty’s first producer, Geraint Morris . “We made Megan the person everyone could talk to.” Continue reading... from Film | The Guardian https://ift.tt/FexHVzJ via IFTTT
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The Problem with People review – old-country lark takes on blarney-fuelled family feud

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Paul Reiser and Colm Meaney go into cliche mode when an Irish patriarch wills half his legacy to his son’s unknown American cousin

Never mind people. The problem with this comedy is the cliches. It could not be more Irish if it was dropped into a pint of Guinness and rolled in shamrocks by a dancing leprechaun. The script is co-written by the American actor Paul Reiser, with a very broad sense of humour, though it’s likable enough. Colm Meaney is also on decent form as undertaker Ciáran, whose elderly father Fergus (Des Keogh) has a deathbed request: he wants to heal a rift with the American side of the family that has rumbled on for a couple of generations.

Over in New York, Reiser plays American cousin Barry, a real-estate tycoon. He’s recovering from the double whammy of a heart attack and divorce, which puts him in the sentimental mood for a family reunion. So off he flies, back to the old country. Initially, Barry is charmed by the beauty of the landscape and the quirky locals – among them a B&B owner with Mrs Doyle levels of pushiness and a pair of teenagers constantly putting on terrible American accents. The poor actors seem to have been directed to play it full-on, with exaggerated facial expressions and slightly embarrassing oversize performances.

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