Sandeep Reddy Vanga’s Spirit, starring Prabhas and Triptii Dimri, to release on March 5, 2027

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Filmmaker Sandeep Reddy Vanga has officially announced the theatrical release date of his much-anticipated project Spirit, starring Prabhas and Triptii Dimri. The film is slated to reach cinemas worldwide on March 5, 2027, bringing an end to months of speculation about its launch window. Vanga shared the news alongside a new poster on social media, confirming the release with a post by lead actor Prabhas, who wrote on his Instagram handle, “#Spirit is set for a World release on March 5, 2027.”   View this post on Instagram   A post shared by Prabhas (@actorprabhas) The official first look was unveiled at midnight on New Year’s Day, generating a strong buzz online. The poster showcases a rugged, battle-scarred Prabhas alongside Triptii Dimri in an atmospheric frame, reinforcing the film’s intense and raw visual tone.   View this post on Instagram   A post shared by Prabhas (@actorprabhas) Spirit marks the first collaboration between Prabhas and Vanga, the dir...
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Streaming: Thelma and the best films about old-age rebellion

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June Squibb’s star turn as a ninetysomething gran, scammed and out for justice, joins a club of indomitable seniors in the movies, from Anne Reid to Jack Nicholson

June Squibb’s career has run on a different timeline to that of most movie stars: she made her film debut, in Woody Allen’s Alice, at the age of 60, and it was another 23 years before she landed her breakthrough role in Alexander Payne’s Nebraska. Her performance as an embittered pensioner who saltily badmouths past acquaintances and flashes the gravestone of an ex got her an Oscar nomination. It also got her a run of progressively less amusing naughty-granny roles. In Hollywood, older people can be blandly comforting support or quirky joke fodder but not much more.

In Thelma, however, the now 95-year-old Squibb gets her first leading role, as a phone-scam victim tracking down those who robbed her, and adds some welcome human shading to the pensioner-behaving-badly stereotype. Its heroine may ride a scooter on her quest for justice, but Josh Margolin’s film avoids cheap jokes of the old-people-say-the-darnedest things variety, and amid its generally cheery tone makes some sharp points about how society patronises and shortchanges its senior citizens.

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