The Battle of Shatrughat: Gurmeet Choudhary, Aarushi Nishank and Siddharth Nigam unite for historic saga

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The wait is finally over! The epic war drama, The Battle of Shatrughat, has been officially announced. Directed by Shahid Kazmi and beautifully written by Sajad Khaki and Shahid Kazmi, the film stars Gurmeet Choudhary, Aarushi Nishank, and Siddharth Nigam, promising plenty of drama, valour, and spectacle. Gurmeet Choudhary recently shared a striking poster on social media, and fans went wild. Everyone is eager to know more about this ambitious project. The movie also features a powerful supporting cast, including Mahesh Manjrekar, Raza Murad, and Zarina Wahab. With Shahid Kazmi at the helm and production by PY Media, Hill Crest Motions, and Shahid Kazmi Films, this project is set to be a cinematic experience that brings a historic war to life. Adding to the film’s grandeur, the costume and styling are helmed by Darshan Bhagwandas Kamwal, ensuring authentic period detailing and a majestic visual aesthetic.   View this post on Instagram   A post shared by Sajad Khaki (@saj...
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Streaming: Thelma and the best films about old-age rebellion

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June Squibb’s star turn as a ninetysomething gran, scammed and out for justice, joins a club of indomitable seniors in the movies, from Anne Reid to Jack Nicholson

June Squibb’s career has run on a different timeline to that of most movie stars: she made her film debut, in Woody Allen’s Alice, at the age of 60, and it was another 23 years before she landed her breakthrough role in Alexander Payne’s Nebraska. Her performance as an embittered pensioner who saltily badmouths past acquaintances and flashes the gravestone of an ex got her an Oscar nomination. It also got her a run of progressively less amusing naughty-granny roles. In Hollywood, older people can be blandly comforting support or quirky joke fodder but not much more.

In Thelma, however, the now 95-year-old Squibb gets her first leading role, as a phone-scam victim tracking down those who robbed her, and adds some welcome human shading to the pensioner-behaving-badly stereotype. Its heroine may ride a scooter on her quest for justice, but Josh Margolin’s film avoids cheap jokes of the old-people-say-the-darnedest things variety, and amid its generally cheery tone makes some sharp points about how society patronises and shortchanges its senior citizens.

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