EXCLUSIVE: In a RARE development, Tu Meri Main Tera Main Tera Tu Meri front-row seats priced HIGHER than back rows at PVR Oberoi Mall, Goregaon and yet SOLD OUT

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Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, is all set to release tomorrow. The advance booking has picked up since Monday night and the romcom is all set to take a decent start at the box office. Interestingly, an interesting development has happened, probably for the first time ever, with Tu Meri Main Tera Main Tera Tu Meri. It’s generally understood that in most multiplexes, the front-row seats are priced the lowest, and the ticket rates steadily rise as you move towards the middle and back rows. But in the case of PVR Oberoi Mall Goregaon East, the unthinkable has happened. Here, you’ll have to shell out a higher price if you want to see the musical entertainer in the first three rows. But your ticket will be cheaper if you select the middle or the back rows! For the 8:00 am and 10:45 am show of Tu Meri Main Tera Main Tera Tu Meri on December 25, the first three rows, which come under the Classic category, are available for Rs. 370. But the Prim...
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Streaming: Thelma and the best films about old-age rebellion

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June Squibb’s star turn as a ninetysomething gran, scammed and out for justice, joins a club of indomitable seniors in the movies, from Anne Reid to Jack Nicholson

June Squibb’s career has run on a different timeline to that of most movie stars: she made her film debut, in Woody Allen’s Alice, at the age of 60, and it was another 23 years before she landed her breakthrough role in Alexander Payne’s Nebraska. Her performance as an embittered pensioner who saltily badmouths past acquaintances and flashes the gravestone of an ex got her an Oscar nomination. It also got her a run of progressively less amusing naughty-granny roles. In Hollywood, older people can be blandly comforting support or quirky joke fodder but not much more.

In Thelma, however, the now 95-year-old Squibb gets her first leading role, as a phone-scam victim tracking down those who robbed her, and adds some welcome human shading to the pensioner-behaving-badly stereotype. Its heroine may ride a scooter on her quest for justice, but Josh Margolin’s film avoids cheap jokes of the old-people-say-the-darnedest things variety, and amid its generally cheery tone makes some sharp points about how society patronises and shortchanges its senior citizens.

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