"I still maintain that he DID NOT commit suicide" - The INSIDE story on the last 24 hours of Guru Dutt's life; a brother's emotional recollection

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The 100th birth anniversary of one of the greatest film personalities ever, Guru Dutt, is celebrated on July 9. He died at the age of just 38 but the contribution he made to cinema has been unforgettable. No wonder that 60 years after his passing, he continues to be talked about and remembered. Some believe that he committed suicide while some don’t believe this theory at all. Devi Dutt, brother of Guru Dutt, spoke at length with Filmfare 9 years ago about why he was sure that his brother didn’t end his own life. In the April 2016 issue, a detailed interview of Devi Dutt was published in which he talked about Guru Dutt’s beginnings, his relationship with Geeta Dutt and a lot more. At one point, he explained what happened on October 9, 1964, a day before Guru Dutt was found dead. Devi Dutt said, “After Sahib Bibi Aur Ghulam (1962), Guru Dutt and Bhabhi (Geeta Dutt) had patched up. It was decided that the entire family would stay together at 48 Pali Hill once it was redeveloped. On Oct...
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Streaming: Thelma and the best films about old-age rebellion

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June Squibb’s star turn as a ninetysomething gran, scammed and out for justice, joins a club of indomitable seniors in the movies, from Anne Reid to Jack Nicholson

June Squibb’s career has run on a different timeline to that of most movie stars: she made her film debut, in Woody Allen’s Alice, at the age of 60, and it was another 23 years before she landed her breakthrough role in Alexander Payne’s Nebraska. Her performance as an embittered pensioner who saltily badmouths past acquaintances and flashes the gravestone of an ex got her an Oscar nomination. It also got her a run of progressively less amusing naughty-granny roles. In Hollywood, older people can be blandly comforting support or quirky joke fodder but not much more.

In Thelma, however, the now 95-year-old Squibb gets her first leading role, as a phone-scam victim tracking down those who robbed her, and adds some welcome human shading to the pensioner-behaving-badly stereotype. Its heroine may ride a scooter on her quest for justice, but Josh Margolin’s film avoids cheap jokes of the old-people-say-the-darnedest things variety, and amid its generally cheery tone makes some sharp points about how society patronises and shortchanges its senior citizens.

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