Gia Coppola’s drama starring Pamela Anderson peers behind the glamour of ‘the fun capital of the world’, but sin city has long seduced film-makers from Scorsese and Soderbergh to Sean Baker and Baz Luhrmann (There’s a reason why film-makers are routinely drawn to the glaring, garish lights of Las Vegas: in its spangliest strips, it feels more movie set than city, the kind of place it’s hard to imagine people living everyday lives 24/7. Gia Coppola’s The Last Showgirl – streaming on Mubi from 18 April – is quite rare in its focus on one such person: Shelly, a dancer in a long-running revue on the Vegas strip, now pushing 60 and at a crossroads when said revue announces its imminent closure. Short and light on plot, it’s a character study built on a poignant night-and-day contrast, as Shelly literally performs a glitzy Vegas dream that all looks a bit shabby by daylight in her modest bungalow in the desert suburbs. Pamela Anderson affectingly brings her own career baggage to the role o...
Stars lead emotional tributes to Quincy Jones at Oscars Governors awards
- Get link
- X
- Other Apps
Rashida Jones read the speech her father had drafted ahead of his honorary Oscar, while Richard Curtis called on the industry to ‘create a mechanism that helps change things’
Quincy Jones died too soon to accept an honorary Oscar at the Governors awards on Sunday night – so the ceremony in Los Angeles became a moving celebration of the life of a music legend.
Jones, who died on 3 November aged 91, was one of five Hollywood luminaries due to be honoured at the 15th Governors awards. In his absence, his daughter Rashida Jones read the speech he had drafted, alongside a spirited performance by Jennifer Hudson.
Continue reading...from Film | The Guardian https://ift.tt/LETGjHr
via IFTTT
- Get link
- X
- Other Apps
Popular posts from this blog
BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Comments
Post a Comment