Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight

Hersh’s record on uncovering the big stories, from My Lai to Abu Ghraib, speaks for itself. This documentary watches him at work: dogged, nonconformist and combative Renowned investigative journalist Seymour Hersh was never played in a film by Robert Redford or Dustin Hoffman, like the Washington Post’s Bob Woodward and Carl Bernstein. But as this documentary portrait argues, he’s probably more important than either. Hersh has a longer record of breaking big stories, from the My Lai massacre in Vietnam to torture by US army personnel at Abu Ghraib prison in Iraq – the latter a historic scoop underscored by the stomach-turning photos which Hersh brought to light. Hersh is asked if Abu Ghraib would have been the story it was without those pictures and replies: “No pictures, no story.” Well, maybe. But his other scoops had no pictures of this kind. One incidental thing Abu Ghraib showed was how ubiquitous digital photography became at the beginning of the century; how easy it was to take...

Never Look Away review – Lucy Lawless’s portrait of a fearless news camerawoman

Fascinating documentary about Margaret Moth, whose footage from war zones almost killed her in 1992, lives up to her motto ‘don’t be boring’

When TV news camerawoman Margaret Moth was shot through the face by a Serbian sniper in Sarajevo in 1992, her CNN colleagues were told that it was touch and go. One medic said that her face was so badly injured it might be better if she died. But not only did Moth survive, she went back to the frontline. “She didn’t do less war after she was shot,” remembers one colleague and friend. “She did more.” This documentary about her life, directed by the actor Lucy Lawless, is a fascinating portrait of a woman who had two mottoes: “no regrets” and “don’t be boring”.

With her jet-black hair, thick black eyeliner and army combat boots (which she slept in on the job) Moth looked more like a punk singer than a camera operator. Born and raised in New Zealand, she officially changed her name from Margaret Wilson to Margaret Moth in her 20s and went to court for her right to be sterilised: “I’m not a breeder.” She became the first female news camerawoman in New Zealand, then moved to the US, where she spent weekends skydiving, fooling around with hot long-haired hippies and dropping acid (there’s old home footage to prove it all). Eventually CNN hired her and Moth’s “ballsy” attitude won fans in the military; during the 1990 Gulf war she smoked cigars with General Norman Schwarzkopf.

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