Streaming: Steven Soderbergh’s Presence and the best haunted house films

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The director’s witty supernatural thriller joins Psycho, Hereditary, The Brutalist and more – films in which buildings are characters in their own right The first more-or-less horror movie in the lengthy, genre-skimming career of director Steven Soderbergh , Presence is a film about grief, trauma, familial dysfunction and abusive masculinity. But it’s also, to a significant and compelling extent, about property. Beginning with a family’s first viewing of a handsome Victorian home in an unidentified stretch of suburbia, the film never ventures outside its walls for the next 85 minutes, as the ensuing chills make us consider the merits of that purchase. Wittily and unnervingly shot from the perspective of the restless spirit roaming its halls, it’s a haunted house film in which much of the tension feels determined by the shape and flow and light and shade of the house itself. It’s a while since I’ve seen a film where I could quite so exactly draw the floor plan of its primary location,...
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Kaya Scodelario on Skins, scares and sex scenes: ‘I was called an English rose – it really pissed me off’

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She became famous in the late 00s as Effy in Skins, and now she’s back in Netflix drama Senna. She talks about growing up poor in London, why she loves doing action films – and the pitfalls of taking her kids to work

As well as an eight-year-old son and a two-year-old daughter, Kaya Scodelario is the dedicated parent of a 10-year-old French bulldog called Arnie. She is hiding from at least one of them during our video call, and says it’s the dog.

She is in the cosy and, crucially, locked spare bedroom of her home in north London, where she sits cross-legged on the floor. The mood is decidedly wholesome, and spiritually a million miles away from the place where audiences first encountered her, on Channel 4’s landmark teen drama Skins. Her character, Effy Stonem – sister to Nicholas Hoult’s Tony – uttered barely a word in series one and two; by series three she was the lead, captivating the boys of Bristol’s Roundview sixth form, not least by challenging them to sniff glue and start fires in return for sex with her. All the while, she was slipping deeper into trauma and depression.

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