Avant-Drag! review – queer artists light up the streets of Athens with joy and resistance

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Drag is a tool of self-expression and of protest in this kaleidoscopic portrait of the city’s vibrant underground art The queer defiance of Fil Ieropoulos’s kaleidoscopic documentary manifests not only through its subject, but also through its form. Centring on a group of drag performers and gender-nonconforming artists in Athens, this shape-shifting film celebrates a vibrant underground scene that thrives in a homophobic system, rife with state-sanctioned discrimination and violence. Introduced through an episodic structure, figures from the community light up the screen with their artistry and activism as they carve out a safe haven of their own. In each of the vignettes, we get a glimpse of both the joy and the peril of navigating the city as a queer person. Decked out in extravagant costumes and makeup inspired by Leigh Bowery, Kangela Tromokratisch struts in towering high heels, while her drag performances, with their vaudevillian feel, parody heteronormative ideals of motherhoo...
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Kaya Scodelario on Skins, scares and sex scenes: ‘I was called an English rose – it really pissed me off’

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She became famous in the late 00s as Effy in Skins, and now she’s back in Netflix drama Senna. She talks about growing up poor in London, why she loves doing action films – and the pitfalls of taking her kids to work

As well as an eight-year-old son and a two-year-old daughter, Kaya Scodelario is the dedicated parent of a 10-year-old French bulldog called Arnie. She is hiding from at least one of them during our video call, and says it’s the dog.

She is in the cosy and, crucially, locked spare bedroom of her home in north London, where she sits cross-legged on the floor. The mood is decidedly wholesome, and spiritually a million miles away from the place where audiences first encountered her, on Channel 4’s landmark teen drama Skins. Her character, Effy Stonem – sister to Nicholas Hoult’s Tony – uttered barely a word in series one and two; by series three she was the lead, captivating the boys of Bristol’s Roundview sixth form, not least by challenging them to sniff glue and start fires in return for sex with her. All the while, she was slipping deeper into trauma and depression.

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