Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

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With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT
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‘I’ve had a wild, chaotic, beautiful life’: Rebecca Hall on race, regrets and learning to be herself

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Actor and director Rebecca Hall has always had to fight to define herself. Now, more comfortable than ever with where she is, she opens up about painting, working with Woody Allen, her BYO wedding – and her greatest indulgence

We all thought that we knew Rebecca Hall – English rose, on stage since childhood, daughter of the Royal Shakespeare Company’s founder Sir Peter Hall, regularly described in Hollywood as one of the best actors of her generation. But in 2021 she took what she calls now “a big swing” and suddenly the whole story cracked in half.

The big swing was her directorial debut, Passing, a film about two women of colour, one of whom is “passing” for white; Hall had been working on the story for 15 years, but thinking about it for far longer. Her maternal grandfather, a doorman from Detroit, passed as white, as did Hall’s mother the opera singer Maria Ewing, whose experience of growing up with internalised racism contributed to mental health issues that Hall had to navigate throughout her childhood. Her parents split when she was young and her mother brought her up alone in a grand country house in Sussex. But very little parenting was done – Hall (later head girl at school, later a Cambridge drop-out) was her mother’s caretaker. Because, “that kind of hiding [from who you are] leads to a certain amount of chaos. I think it’s safe to say that that stuff gets passed on. And I definitely grew up in an environment where my mother didn’t see me. She wanted me to be a certain kind of thing.”

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