‘A reminder that we can resist’: hard-hitting documentary takes aim at anti-trans rhetoric

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Heightened Scutiny is a new film premiering at Sundance looking at the troubling rise in anti-trans legislation and the mainstream media outlets who have helped stoke the fire A new documentary at the Sundance film festival delves into the fight to preserve access to gender-affirming care for minors via the US supreme court, with a major decision due in June 2025, and details the mainstream media’s role in legitimizing anti-trans legislation. Heightened Scrutiny, directed by Sam Feder, argues that the fear-based ideology underlying bans on hormone therapy or puberty blockers for minors has been pushed not only by conservative activists but center-left publications such as the New York Times, the Atlantic and the Wall Street Journal, whose articles have fixated on surgery, potential regret or risks. As the film notes, such therapies, with the same side effects and risks, are prescribed for other conditions and only raise alarms when applied to trans youths, and the rate of “detransiti...
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‘I’ve had a wild, chaotic, beautiful life’: Rebecca Hall on race, regrets and learning to be herself

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Actor and director Rebecca Hall has always had to fight to define herself. Now, more comfortable than ever with where she is, she opens up about painting, working with Woody Allen, her BYO wedding – and her greatest indulgence

We all thought that we knew Rebecca Hall – English rose, on stage since childhood, daughter of the Royal Shakespeare Company’s founder Sir Peter Hall, regularly described in Hollywood as one of the best actors of her generation. But in 2021 she took what she calls now “a big swing” and suddenly the whole story cracked in half.

The big swing was her directorial debut, Passing, a film about two women of colour, one of whom is “passing” for white; Hall had been working on the story for 15 years, but thinking about it for far longer. Her maternal grandfather, a doorman from Detroit, passed as white, as did Hall’s mother the opera singer Maria Ewing, whose experience of growing up with internalised racism contributed to mental health issues that Hall had to navigate throughout her childhood. Her parents split when she was young and her mother brought her up alone in a grand country house in Sussex. But very little parenting was done – Hall (later head girl at school, later a Cambridge drop-out) was her mother’s caretaker. Because, “that kind of hiding [from who you are] leads to a certain amount of chaos. I think it’s safe to say that that stuff gets passed on. And I definitely grew up in an environment where my mother didn’t see me. She wanted me to be a certain kind of thing.”

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