Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight

Hersh’s record on uncovering the big stories, from My Lai to Abu Ghraib, speaks for itself. This documentary watches him at work: dogged, nonconformist and combative Renowned investigative journalist Seymour Hersh was never played in a film by Robert Redford or Dustin Hoffman, like the Washington Post’s Bob Woodward and Carl Bernstein. But as this documentary portrait argues, he’s probably more important than either. Hersh has a longer record of breaking big stories, from the My Lai massacre in Vietnam to torture by US army personnel at Abu Ghraib prison in Iraq – the latter a historic scoop underscored by the stomach-turning photos which Hersh brought to light. Hersh is asked if Abu Ghraib would have been the story it was without those pictures and replies: “No pictures, no story.” Well, maybe. But his other scoops had no pictures of this kind. One incidental thing Abu Ghraib showed was how ubiquitous digital photography became at the beginning of the century; how easy it was to take...

‘I’ve had a wild, chaotic, beautiful life’: Rebecca Hall on race, regrets and learning to be herself

Actor and director Rebecca Hall has always had to fight to define herself. Now, more comfortable than ever with where she is, she opens up about painting, working with Woody Allen, her BYO wedding – and her greatest indulgence

We all thought that we knew Rebecca Hall – English rose, on stage since childhood, daughter of the Royal Shakespeare Company’s founder Sir Peter Hall, regularly described in Hollywood as one of the best actors of her generation. But in 2021 she took what she calls now “a big swing” and suddenly the whole story cracked in half.

The big swing was her directorial debut, Passing, a film about two women of colour, one of whom is “passing” for white; Hall had been working on the story for 15 years, but thinking about it for far longer. Her maternal grandfather, a doorman from Detroit, passed as white, as did Hall’s mother the opera singer Maria Ewing, whose experience of growing up with internalised racism contributed to mental health issues that Hall had to navigate throughout her childhood. Her parents split when she was young and her mother brought her up alone in a grand country house in Sussex. But very little parenting was done – Hall (later head girl at school, later a Cambridge drop-out) was her mother’s caretaker. Because, “that kind of hiding [from who you are] leads to a certain amount of chaos. I think it’s safe to say that that stuff gets passed on. And I definitely grew up in an environment where my mother didn’t see me. She wanted me to be a certain kind of thing.”

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