‘It was the moment I lost innocence’: how a childhood stop-and-search led to the British debut movie of the year

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When Imran Perretta was young, he was abruptly pulled by police into a van for questioning. That experience, as well as the death of his mother, inspired him to make Ish, a coming-of-age tale set amongst the British Muslim community. He talks about trauma, designing toilets and making Luton look magnificent Imran Perretta always knew that the title of his debut feature film would be “Ish” – short for Ishmail, the name of the 12-year-old boy from Luton at the heart of his story. Only later did people point out the similarity to other coming-of-age films with three letters in the title: Kes by Ken Loach, and Satyajit Ray’s Apu trilogy. Now, as the reviews trickle in, the comparisons to Kes and Apu keep coming. Like them, Ish is a poetic film that grabs you by the heart and pulls you into a child’s perspective on the world. The response has been lovely, says Perretta, and a relief. “It’s nice that people have compared Ish to those films rather than Kidulthood. I did worry about that.” Why...
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I regret glamorising the Kray twins, says producer of hit film

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Ray Burdis looks to set record straight in new production about the notorious gangsters who terrorised 1960s London

In the hit 1990 film The Krays, the East End gangsters were portrayed as “identical twins who rose from poverty to power”, “from obscurity to fame” and “from the back streets to the attention of the world”. They were “special” boys, the film claimed, who loved their mother.

But the producer now says he regrets glamorising them and is making another film that will portray the mobsters as they really were.

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