Dharmendra’s health improves; family prepares for his 90th birthday with Esha Deol

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The ailing iconic actor Dharmendra is back home after being hospitalized for an age-related illness. He is now slowly recovering. The family is taking it one day at a time. A source from the family told this writer, “If God is willing, we will be celebrating two birthdays next month — Dharamji’s and Esha’s.” While Dharamji turns 90 on December 8, his daughter Esha, who turned a year older on November 2, has postponed her birthday celebrations until her father’s recovery. Speaking about Dharamji’s health, Hemaji says, “So far, he is okay. We are taking one day at a time.” Also Read: Salman Khan praises Dharmendra as biggest inspiration during Dabangg tour: “He is my father…” from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/Aj5YOtJ via IFTTT
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Timestalker review – Alice Lowe’s anti-romcom is a darkly hilarious spin through history

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The actor and film-maker’s ingenious comedy sees her play a gamut of characters who meet gory ends chasing a not-worth-it love interest

The Taoist philosopher Zhuangzi dreamed he was a butterfly – but couldn’t be sure if the butterfly wasn’t the one having the dream about him. Film-maker Alice Lowe dreams her way into a cosmically recurring persona in this likably chaotic, flawed comedy; she plays a woman who regenerates Blackadderishly throughout the years, from the 1680s to the 1980s, forever in love with the same man, forever destined to sacrifice herself for him, almost but not quite in possession of the knowledge that this guy is unworthy of her. At each stage, the incarnations of the past are perhaps dream-memories and the personae of the future are prophecies. Or … is she just very, very mad?

In 1688, Lowe is Agnes, a humble Scottish maidservant who is enamoured of a heretical preacher (Aneurin Barnard) who is about to be executed. In 1793, she is a poutingly bored noblewoman who conceives an erotic fascination for a dandy highwayman in the Adam Ant style, with the memorably annoying name of Alex O’Nine Ribbons (again Barnard). And in 1980, with leg-warmers and a frizzy hairstyle which makes her look like Barry Gibb or the Cowardly Lion, she plays a British woman in a drolly unconvincing-looking New York who has become a stalker-superfan of a new romantic pop star (Barnard once more). In addition, she is briefly to be seen as a magician’s assistant in Cleopatra costume in 1940 and even more briefly – almost subliminally – as some kind of Jane Eyre-ish schoolmarm in 1847 who is decapitated by a carriage wheel. (This last episode is so bafflingly fleeting that some of it must surely have been lost in the edit.)

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