Devendra Fadnavis and Tiger Shroff unite to kick-start Maharashtra’s ‘Maha-Deva’ football revolution

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Deputy Chief Minister Devendra Fadnavis presided over the signing of an MoU between the School Education & Sports Department of Maharashtra and the Maharashtra Institution for Transformation (MITRA), aimed at advancing the state’s Maha-Deva football initiative. Actor Tiger Shroff attended the event to show his support for the programme, which focuses on strengthening grassroots football across the state. The Maha-Deva initiative focused on upgrading sports infrastructure, improving training systems, and identifying young football talent in schools throughout Maharashtra. Tiger Shroff’s involvement added youth appeal and athletic credibility to the government-driven effort, which emphasised discipline, participation, and structured skill development. Tiger’s presence at the MoU signing aligned with his ongoing work in fitness and youth-focused campaigns, reinforcing the programme’s aim to build broader access to sports and a stronger football culture among students. Through this ...
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Timestalker review – Alice Lowe’s anti-romcom is a darkly hilarious spin through history

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The actor and film-maker’s ingenious comedy sees her play a gamut of characters who meet gory ends chasing a not-worth-it love interest

The Taoist philosopher Zhuangzi dreamed he was a butterfly – but couldn’t be sure if the butterfly wasn’t the one having the dream about him. Film-maker Alice Lowe dreams her way into a cosmically recurring persona in this likably chaotic, flawed comedy; she plays a woman who regenerates Blackadderishly throughout the years, from the 1680s to the 1980s, forever in love with the same man, forever destined to sacrifice herself for him, almost but not quite in possession of the knowledge that this guy is unworthy of her. At each stage, the incarnations of the past are perhaps dream-memories and the personae of the future are prophecies. Or … is she just very, very mad?

In 1688, Lowe is Agnes, a humble Scottish maidservant who is enamoured of a heretical preacher (Aneurin Barnard) who is about to be executed. In 1793, she is a poutingly bored noblewoman who conceives an erotic fascination for a dandy highwayman in the Adam Ant style, with the memorably annoying name of Alex O’Nine Ribbons (again Barnard). And in 1980, with leg-warmers and a frizzy hairstyle which makes her look like Barry Gibb or the Cowardly Lion, she plays a British woman in a drolly unconvincing-looking New York who has become a stalker-superfan of a new romantic pop star (Barnard once more). In addition, she is briefly to be seen as a magician’s assistant in Cleopatra costume in 1940 and even more briefly – almost subliminally – as some kind of Jane Eyre-ish schoolmarm in 1847 who is decapitated by a carriage wheel. (This last episode is so bafflingly fleeting that some of it must surely have been lost in the edit.)

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