Gaurav Khanna breaks silence on Akanksha Chamola divorce rumours; says, “Main humesha support karunga Akanksha ko, meri biwi hai yaar”

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Actor and Bigg Boss 19 winner Gaurav Khanna has finally reacted to the ongoing speculation surrounding his personal life after his wife, Akanksha Chamola, made a startling revelation on the stage of Lock Upp Season 2. Before entering the reality show's prison, Akanksha claimed that she and Gaurav have been living separately for over a year and are currently in the process of getting divorced, leaving fans surprised. Amid the buzz surrounding their relationship, Gaurav has chosen to focus on extending his support to Akanksha and her participation in the reality show. The actor was recently spotted outside the sets of the comedy-cooking reality show Laughter Chefs, where paparazzi asked him about how he has been coping with the ongoing attention around his personal life. Responding to the questions, Gaurav said, “Bas yaar, wahi yaar jo pehle tha wahi haal hai abhi bhi. Pyaar abhi bhi utna hai, support abhi bhi utna hai… Main toh humesha support karunga Akanksha ko, meri biwi hai yaa...
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Timestalker review – Alice Lowe’s anti-romcom is a darkly hilarious spin through history

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The actor and film-maker’s ingenious comedy sees her play a gamut of characters who meet gory ends chasing a not-worth-it love interest

The Taoist philosopher Zhuangzi dreamed he was a butterfly – but couldn’t be sure if the butterfly wasn’t the one having the dream about him. Film-maker Alice Lowe dreams her way into a cosmically recurring persona in this likably chaotic, flawed comedy; she plays a woman who regenerates Blackadderishly throughout the years, from the 1680s to the 1980s, forever in love with the same man, forever destined to sacrifice herself for him, almost but not quite in possession of the knowledge that this guy is unworthy of her. At each stage, the incarnations of the past are perhaps dream-memories and the personae of the future are prophecies. Or … is she just very, very mad?

In 1688, Lowe is Agnes, a humble Scottish maidservant who is enamoured of a heretical preacher (Aneurin Barnard) who is about to be executed. In 1793, she is a poutingly bored noblewoman who conceives an erotic fascination for a dandy highwayman in the Adam Ant style, with the memorably annoying name of Alex O’Nine Ribbons (again Barnard). And in 1980, with leg-warmers and a frizzy hairstyle which makes her look like Barry Gibb or the Cowardly Lion, she plays a British woman in a drolly unconvincing-looking New York who has become a stalker-superfan of a new romantic pop star (Barnard once more). In addition, she is briefly to be seen as a magician’s assistant in Cleopatra costume in 1940 and even more briefly – almost subliminally – as some kind of Jane Eyre-ish schoolmarm in 1847 who is decapitated by a carriage wheel. (This last episode is so bafflingly fleeting that some of it must surely have been lost in the edit.)

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