John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers , Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of f...

Studio One Forever review – affectionate look back at LA’s legendary gay club

Frequented by those looking for a refuge from homophobia, this documentary charts the history of the venue and the effort to save its cultural legacy

‘It used to be paradise. Now it’s a straight club.” The dismay is obvious when a bunch of former regulars at Studio One, the legendary West Hollywood gay club, take a tour of the venue in 2019. From 1974 until 1993, 9pm to 2am, seven nights a week, men packed the dancefloor of Studio One. “It was the happiest place on Earth,” remembers one. Looking at the photographs you can almost smell the sweat. One ex employee says that so many guys were taking poppers you could get a head-rush high simply by breathing in on the dance floor.

The story of Studio One is told in this affectionate, nostalgic documentary. Film-maker Marc Saltarelli interviews men who were there and follows a campaign in 2019 to save the Studio One building – a former factory – from demolition. When it opened in 1974, homophobia was rife outside. Studio One was a place where you could go to feel safe and loved. Though really, that only applied to white men; the racist door policy at Studio One was so well known the LA Times ran a front-page story about it.

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