BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

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A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
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Streaming: The Substance and the best body horror for Halloween

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Coralie Fargeat’s gruesome body horror satire on ageing, poised for a Halloween streaming release, is a welcome female take on a genre that preys on our deepest fears

The surprise success of Terrifier 3 in cinemas this month – with stories of underage viewers buying tickets to family fare and sneaking into the low-budget gorefest instead – underlines a constant in the mutable horror genre: people will never lose their morbid fascination with the worst possible things that can happen to our bodies. Or the worst impossible things, which is where body horror cinema comes in: the terror of our natural anatomical order becoming, well, unnaturally disordered.

French film-maker Coralie Fargeat, meanwhile, plays on our fear of natural and unnatural bodily deterioration in her swaggering, supersized horror-comedy The Substance (Mubi), a satire on Hollywood ageism that is as broad as a dual carriageway but has enough blunt-force impact to have kept divided audiences talking since its cinema release last month. It cannily makes its streaming debuton 31 October, conveniently sorting out many a Halloween movie night. I found the film overlong and conceptually thin, but there’s gusto in Demi Moore and Margaret Qualley’s dual performances as chemically warring inhabitants of one has-been star’s body, and in its extravagantly disgusting vision of just how far the ageing process can be simultaneously reversed, accelerated and contorted.

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