Veteran actor Kota Srinivasa Rao passes away at 83 in Hyderabad

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Renowned Telugu actor and former MLA Kota Srinivasa Rao passed away on Sunday at the age of 83. He breathed his last at his residence in Hyderabad, leaving behind a legacy spanning over four decades in Indian cinema. Known for his impeccable performances across genres, Rao had acted in more than 750 films in Telugu, Tamil, Hindi, Kannada, and Malayalam. His versatility allowed him to portray a wide range of roles—from iconic villains to memorable character roles. Films like Pratighatana, Aha Naa Pellanta, Shiva, and Mahatma cemented his reputation as one of Telugu cinema’s finest actors. Born in Vijayawada, Kota Srinivasa Rao began his professional life as a banker and theatre artist before entering films in the late 1970s. Over the years, he became a beloved figure in the industry, earning accolades including the Padma Shri in 2015 for his contribution to the arts.5 Apart from acting, Rao was active in politics and served as an MLA from the Vijayawada East constituency from 1999 to...
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Streaming: The Substance and the best body horror for Halloween

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Coralie Fargeat’s gruesome body horror satire on ageing, poised for a Halloween streaming release, is a welcome female take on a genre that preys on our deepest fears

The surprise success of Terrifier 3 in cinemas this month – with stories of underage viewers buying tickets to family fare and sneaking into the low-budget gorefest instead – underlines a constant in the mutable horror genre: people will never lose their morbid fascination with the worst possible things that can happen to our bodies. Or the worst impossible things, which is where body horror cinema comes in: the terror of our natural anatomical order becoming, well, unnaturally disordered.

French film-maker Coralie Fargeat, meanwhile, plays on our fear of natural and unnatural bodily deterioration in her swaggering, supersized horror-comedy The Substance (Mubi), a satire on Hollywood ageism that is as broad as a dual carriageway but has enough blunt-force impact to have kept divided audiences talking since its cinema release last month. It cannily makes its streaming debuton 31 October, conveniently sorting out many a Halloween movie night. I found the film overlong and conceptually thin, but there’s gusto in Demi Moore and Margaret Qualley’s dual performances as chemically warring inhabitants of one has-been star’s body, and in its extravagantly disgusting vision of just how far the ageing process can be simultaneously reversed, accelerated and contorted.

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