Abhishek and Aishwarya Rai Bachchan file Rs 4 crores lawsuit against Google, YouTube over deepfakes: Report

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Abhishek Bachchan and Aishwarya Rai Bachchan have taken legal action against Google and YouTube, filing a Rs 4 crores lawsuit over the alleged misuse of their images and videos through AI-generated deepfakes. The Bollywood couple, who had earlier asserted their personality rights, have accused the platforms of allowing manipulated content to spread unchecked. According to a Reuters report, the Bachchans have raised concerns over YouTube’s content moderation and third-party training policies, claiming they create space for abuse. The court filings reportedly stated, “Such content being used to train AI models has the potential to multiply the instances of use of any infringing content — first being uploaded on YouTube and viewed by the public, and then also being used to train.” The legal complaint highlights “egregious” and “sexually explicit” deepfake videos that have been circulated online. One such channel, AI Bollywood Ishq, is said to host more than 250 manipulated clips featuri...
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Streaming: The Substance and the best body horror for Halloween

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Coralie Fargeat’s gruesome body horror satire on ageing, poised for a Halloween streaming release, is a welcome female take on a genre that preys on our deepest fears

The surprise success of Terrifier 3 in cinemas this month – with stories of underage viewers buying tickets to family fare and sneaking into the low-budget gorefest instead – underlines a constant in the mutable horror genre: people will never lose their morbid fascination with the worst possible things that can happen to our bodies. Or the worst impossible things, which is where body horror cinema comes in: the terror of our natural anatomical order becoming, well, unnaturally disordered.

French film-maker Coralie Fargeat, meanwhile, plays on our fear of natural and unnatural bodily deterioration in her swaggering, supersized horror-comedy The Substance (Mubi), a satire on Hollywood ageism that is as broad as a dual carriageway but has enough blunt-force impact to have kept divided audiences talking since its cinema release last month. It cannily makes its streaming debuton 31 October, conveniently sorting out many a Halloween movie night. I found the film overlong and conceptually thin, but there’s gusto in Demi Moore and Margaret Qualley’s dual performances as chemically warring inhabitants of one has-been star’s body, and in its extravagantly disgusting vision of just how far the ageing process can be simultaneously reversed, accelerated and contorted.

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