Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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On my radar: Jacques Audiard’s cultural highlights

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The film director on the music he works to, educating himself via podcasts, and why the Paris Olympics was a pleasant surprise

Jacques Audiard was born in Paris in 1952, the son of the prolific screenwriter and director Michel Audiard. He began writing films in the mid-1970s and made his directorial debut in 1994 with See How They Fall. He won Baftas for The Beat That My Heart Skipped (2005) and A Prophet (2010) and the Cannes Palme d’Or with Dheepan in 2015. Audiard’s latest film, Emilia Pérez, a trans-empowerment musical set among Mexican drug cartels, won the Jury prize at Cannes and was described by Variety as “dazzling and instantly divisive”. It’s in cinemas now and will stream globally on Netflix from 13 November. Audiard lives in Paris.

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