I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’

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Why do scary movies thrill some viewers and send others running for the hills? Our writer gets to the bottom of his fear of the genre – with the assistance of Freud, clinical researchers and his six-year-old self I am six years old, and I am watching a man turn into a werewolf. The film is Abbott and Costello Meet Frankenstein, a 1948 comedy. I am staring up at our black-and-white TV fixated on the werewolf transformation unfolding in slow motion and I begin to scream so inconsolably that my parents must carry me upstairs to calm me down. That night was the beginning of my lifelong fear of horror films and of the supernatural, of darkness and of being alone in a house. Continue reading... from Film | The Guardian https://ift.tt/nwdHRqF via IFTTT
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On my radar: Jacques Audiard’s cultural highlights

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The film director on the music he works to, educating himself via podcasts, and why the Paris Olympics was a pleasant surprise

Jacques Audiard was born in Paris in 1952, the son of the prolific screenwriter and director Michel Audiard. He began writing films in the mid-1970s and made his directorial debut in 1994 with See How They Fall. He won Baftas for The Beat That My Heart Skipped (2005) and A Prophet (2010) and the Cannes Palme d’Or with Dheepan in 2015. Audiard’s latest film, Emilia Pérez, a trans-empowerment musical set among Mexican drug cartels, won the Jury prize at Cannes and was described by Variety as “dazzling and instantly divisive”. It’s in cinemas now and will stream globally on Netflix from 13 November. Audiard lives in Paris.

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