Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...

Mikey Madison: from Tarantino bit part to hot tip for an Oscar playing a sex worker

The actor, who stars in Sean Baker’s Palme d’Or winner Anora, talks about the reaction of the strip club community to the film, how she managed to learn Russian, and her lucky break in Once Upon a Time in Hollywood

You know what it’s like: you’ve ordered an important package, but you can’t be at home when it’s delivered so you ask a friend to take it in for you. So it was for Mikey Madison, except the item was a professional-grade dancer’s pole and the person she co-opted to help out was her father. “I was filming a different project,” says the 25-year-old American actor, “and I said, ‘Dad, can you please install this thing in my house?’ He was like, ‘Of course, sweetie.’ And I think it was good I asked him. He had kind of an idea what the film might be, so he was able to watch it and not be completely surprised.”

That film is Anora, in which Madison stars as an exotic dancer called Ani, a performance that’s already generating lots of talk of a best actress Oscar nomination. Ani is working in a Manhattan strip club one night when she is assigned to entertain the playboy son of an oligarch, Ivan, played by Mark Eidelstein (an actor sometimes described, enticingly, as “Russia’s Timothée Chalamet”). They hit it off and Ivan hires Ani for a week, drastically upending her life: she goes from living in a shared apartment, bickering about why there’s no milk in the fridge, to padding around a mansion with a lift, daily maid service and a cryotherapy chamber. In a fever dream of expensive booze and drugs, the new couple descend on Las Vegas where, almost inevitably, they get married in a chintzy chapel: “Fuck yeah, I do,” Ani tells the registrar.

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