Allo la France review – romance of French phone booths exposes funding cuts to rural services

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In an endearingly whimsical road trip documentary, Floriane Devigne takes calls from her interview subjects in the last remaining phone boxes dotted across rural France The humble telephone box, a souvenir from the days of analogue, can also be an intriguing cinematic locus. Floriane Devigne’s road trip documentary begins with such a relic: the last public phone booth in Paris, which also appears in Jacques Rivette’s mesmerising 1981 film Le Pont du Nord. Unlike their Instagrammable British counterparts, French phone boxes are usually painted in a demure grey and blend seamlessly with their surroundings. As it moves from the capital city to more remote areas, Devigne’s film observes the vanishing of a formerly essential utility as her cross-country odyssey sparkles with an endearing whimsicality. Instead of using talking heads, Devigne ducks into various phone boxes scattered across France, as she takes calls from her interview subjects. Stories of love and longing fill these unassum...
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Mikey Madison: from Tarantino bit part to hot tip for an Oscar playing a sex worker

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The actor, who stars in Sean Baker’s Palme d’Or winner Anora, talks about the reaction of the strip club community to the film, how she managed to learn Russian, and her lucky break in Once Upon a Time in Hollywood

You know what it’s like: you’ve ordered an important package, but you can’t be at home when it’s delivered so you ask a friend to take it in for you. So it was for Mikey Madison, except the item was a professional-grade dancer’s pole and the person she co-opted to help out was her father. “I was filming a different project,” says the 25-year-old American actor, “and I said, ‘Dad, can you please install this thing in my house?’ He was like, ‘Of course, sweetie.’ And I think it was good I asked him. He had kind of an idea what the film might be, so he was able to watch it and not be completely surprised.”

That film is Anora, in which Madison stars as an exotic dancer called Ani, a performance that’s already generating lots of talk of a best actress Oscar nomination. Ani is working in a Manhattan strip club one night when she is assigned to entertain the playboy son of an oligarch, Ivan, played by Mark Eidelstein (an actor sometimes described, enticingly, as “Russia’s Timothée Chalamet”). They hit it off and Ivan hires Ani for a week, drastically upending her life: she goes from living in a shared apartment, bickering about why there’s no milk in the fridge, to padding around a mansion with a lift, daily maid service and a cryotherapy chamber. In a fever dream of expensive booze and drugs, the new couple descend on Las Vegas where, almost inevitably, they get married in a chintzy chapel: “Fuck yeah, I do,” Ani tells the registrar.

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