The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...

Mikey Madison: from Tarantino bit part to hot tip for an Oscar playing a sex worker

The actor, who stars in Sean Baker’s Palme d’Or winner Anora, talks about the reaction of the strip club community to the film, how she managed to learn Russian, and her lucky break in Once Upon a Time in Hollywood

You know what it’s like: you’ve ordered an important package, but you can’t be at home when it’s delivered so you ask a friend to take it in for you. So it was for Mikey Madison, except the item was a professional-grade dancer’s pole and the person she co-opted to help out was her father. “I was filming a different project,” says the 25-year-old American actor, “and I said, ‘Dad, can you please install this thing in my house?’ He was like, ‘Of course, sweetie.’ And I think it was good I asked him. He had kind of an idea what the film might be, so he was able to watch it and not be completely surprised.”

That film is Anora, in which Madison stars as an exotic dancer called Ani, a performance that’s already generating lots of talk of a best actress Oscar nomination. Ani is working in a Manhattan strip club one night when she is assigned to entertain the playboy son of an oligarch, Ivan, played by Mark Eidelstein (an actor sometimes described, enticingly, as “Russia’s Timothée Chalamet”). They hit it off and Ivan hires Ani for a week, drastically upending her life: she goes from living in a shared apartment, bickering about why there’s no milk in the fridge, to padding around a mansion with a lift, daily maid service and a cryotherapy chamber. In a fever dream of expensive booze and drugs, the new couple descend on Las Vegas where, almost inevitably, they get married in a chintzy chapel: “Fuck yeah, I do,” Ani tells the registrar.

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