Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...

‘I thought I’d die at Armageddon’: Hollywood action hero Luke Evans on growing up gay as a Jehovah’s Witness

The Welsh actor talks religion, rebelling and why he had to come out twice

• ‘I was bullied for being gay’: read an extract from Luke Evans’ memoir

At the age of 13, Luke Evans faced an impossible choice – either be true to himself and embrace his sexuality, or stay true to God. If he told his Jehovah’s Witness parents that he was gay, they would be honour-bound to inform the church elders, and that would be the end of life as he knew it. If he didn’t tell them, he would be forced into a world of deceit or denial. He chose God.

Evans became the youngest boy in his south Wales congregation to be baptised. He formally and publicly devoted his life to Jehovah. If he came out as gay now, he would be banished from the church. All upstanding members of the congregation, including his mother and father, would be expected to break off contact with him; to act as if he was dead or simply had never existed.

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