Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western

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Rotterdam film festival The Repo Man director relocates Gogol’s surreal novella to the old west in what he says will be his final film English film-maker Alex Cox comes riding into town with this jauntily odd and surreal western which he has indicated will be his swansong, shot on the rugged plains of Almeria in Spain and also Arizona. Cox himself is the star – an elegant, dapper presence – and his co-writer is veteran spaghetti western actor Gianni Garko. The story has obvious relevance to contemporary America, and a flash-forward makes some of this clear. But it is also inspired by the classic novella of the same name by Nikolai Gogol, a mysterious parable of greed and vanity about a man who travels around offering to buy the souls of dead serfs on various estates in pre-revolutionary Russia so landowners can lower their tax bills, but plans to claim that they are still alive and therefore pass himself off as a wealthy man. Continue reading... from Film | The Guardian https://i...
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‘I thought I’d die at Armageddon’: Hollywood action hero Luke Evans on growing up gay as a Jehovah’s Witness

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The Welsh actor talks religion, rebelling and why he had to come out twice

• ‘I was bullied for being gay’: read an extract from Luke Evans’ memoir

At the age of 13, Luke Evans faced an impossible choice – either be true to himself and embrace his sexuality, or stay true to God. If he told his Jehovah’s Witness parents that he was gay, they would be honour-bound to inform the church elders, and that would be the end of life as he knew it. If he didn’t tell them, he would be forced into a world of deceit or denial. He chose God.

Evans became the youngest boy in his south Wales congregation to be baptised. He formally and publicly devoted his life to Jehovah. If he came out as gay now, he would be banished from the church. All upstanding members of the congregation, including his mother and father, would be expected to break off contact with him; to act as if he was dead or simply had never existed.

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