The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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‘I thought I’d die at Armageddon’: Hollywood action hero Luke Evans on growing up gay as a Jehovah’s Witness

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The Welsh actor talks religion, rebelling and why he had to come out twice

• ‘I was bullied for being gay’: read an extract from Luke Evans’ memoir

At the age of 13, Luke Evans faced an impossible choice – either be true to himself and embrace his sexuality, or stay true to God. If he told his Jehovah’s Witness parents that he was gay, they would be honour-bound to inform the church elders, and that would be the end of life as he knew it. If he didn’t tell them, he would be forced into a world of deceit or denial. He chose God.

Evans became the youngest boy in his south Wales congregation to be baptised. He formally and publicly devoted his life to Jehovah. If he came out as gay now, he would be banished from the church. All upstanding members of the congregation, including his mother and father, would be expected to break off contact with him; to act as if he was dead or simply had never existed.

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