Films more likely to star an actor called Chris or a talking animal than a woman over 60, study finds

Emma Thompson among voices supporting anti-ageism campaign, which has uncovered striking findings in top-grossing UK films over past three years Box office hit films are four times more likely to star a talking animal than a woman over 60, according to a new survey by Age Without Limits. The anti-ageism campaign studied the 100 highest performing films released in the UK in 2023, 2024 and 2025, and found that while five starred an older woman, about 20 featured creatures who chat. Continue reading... from Film | The Guardian https://ift.tt/MQspqIX via IFTTT

Hold Your Breath review – Sarah Paulson gets lost in scattered horror

A 1930s-set thriller, about a family battling mysterious dust storms and a possible intruder, is impressively made and acted but falls apart by the end

An award-winning actor playing a fiercely, even frighteningly, protective mother guarding her two children from an unspecified malevolence in a remote home. No, I’m not talking about last month’s Halle Berry horror Never Let Go (is anyone still talking about that one?), but rather this month’s Sarah Paulson horror Hold Your Breath, a film that carries surface similarities (as well as a hopelessly generic rollercoaster-warning-esque title). Like that film, it plays with recent genre trends – a remote, pandemic-suited location and the corrosive effect of mental illness – as well as the use of a life-saving rope tied to the home for those who need to leave. And like that film, it’s also a bit of a mess.

Originally titled Dust, originally set to star Claire Foy and originally intended for a theatrical release, the film arrives at the beginning of Hulu’s month of genre fare, dubbed Huluween. It’s far classier than that categorisation would suggest (especially when compared with films like cheapo evil pumpkin horror Carved), a handsomely made 1930s-set thriller that, unlike most streaming offerings today, also looks like it could stretch to a cinema screen. Added class also comes from Paulson, one of the most reliable small-screen and stage actors we have, who hasn’t really had enough big-screen chances at least not as lead. While Hold Your Breath isn’t quite able to keep up with her, it’s at least a deserving and all-consuming showcase, the actor exhaustively giving it her all.

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