Border 2 director Anurag Singh clarifies lighting issues, says corrections are underway

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While almost every component of Border 2 is being widely praised, a section of critics and audiences has expressed dissatisfaction with the dim lighting in the film’s climactic battle sequences. Addressing the concern, director Anurag Singh explains, “The climax is not meant to be dark. It is set in the evening, but I think due to projection issues, it feels darker in some cinemas. In most theatres, it appears fine.” Anurag confirms that corrective measures are already underway. “We have sent out a mail to all theatres explaining how to address this issue. Additionally, we are updating the print in theatres where the climax is appearing darker than intended.” The director also spoke about the challenges of mounting the large-scale action set pieces. “Action is always tough to shoot. And action in a period war film is even more challenging. The trench warfare and tank sequences were particularly demanding. But like I said, I enjoy a good challenge.” Also Read: 68 and still a hurrica...
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Hold Your Breath review – Sarah Paulson gets lost in scattered horror

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A 1930s-set thriller, about a family battling mysterious dust storms and a possible intruder, is impressively made and acted but falls apart by the end

An award-winning actor playing a fiercely, even frighteningly, protective mother guarding her two children from an unspecified malevolence in a remote home. No, I’m not talking about last month’s Halle Berry horror Never Let Go (is anyone still talking about that one?), but rather this month’s Sarah Paulson horror Hold Your Breath, a film that carries surface similarities (as well as a hopelessly generic rollercoaster-warning-esque title). Like that film, it plays with recent genre trends – a remote, pandemic-suited location and the corrosive effect of mental illness – as well as the use of a life-saving rope tied to the home for those who need to leave. And like that film, it’s also a bit of a mess.

Originally titled Dust, originally set to star Claire Foy and originally intended for a theatrical release, the film arrives at the beginning of Hulu’s month of genre fare, dubbed Huluween. It’s far classier than that categorisation would suggest (especially when compared with films like cheapo evil pumpkin horror Carved), a handsomely made 1930s-set thriller that, unlike most streaming offerings today, also looks like it could stretch to a cinema screen. Added class also comes from Paulson, one of the most reliable small-screen and stage actors we have, who hasn’t really had enough big-screen chances at least not as lead. While Hold Your Breath isn’t quite able to keep up with her, it’s at least a deserving and all-consuming showcase, the actor exhaustively giving it her all.

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