Toby Stephens: ‘I lost my dad to cirrhosis. The only difference between us was that, tragically, he couldn’t stop drinking’

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The actor on missing his late mother, Maggie Smith, being mistaken for Damian Lewis, and looking ‘like a fridge’ Born in London, Toby Stephens, 57, is the son of actors Maggie Smith and Robert Stephens. He trained at Lamda and, in 1992, made his film debut in Orlando. In 2002 he played the Bond villain in Die Another Day. His television work includes One Day, The Split and Black Sails. On stage he has performed for the RSC and the National Theatre, and he is currently starring in Equus at London’s Menier Chocolate Factory, until 4 July, and then Theatre Royal Bath, from 14-25 July. He is married to the actor Anna‑Louise Plowman, with whom he has three children, and lives in London. What is your greatest fear? To be completely alone. Continue reading... from Film | The Guardian https://ift.tt/BhbEa2J via IFTTT
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Hold Your Breath review – Sarah Paulson gets lost in scattered horror

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A 1930s-set thriller, about a family battling mysterious dust storms and a possible intruder, is impressively made and acted but falls apart by the end

An award-winning actor playing a fiercely, even frighteningly, protective mother guarding her two children from an unspecified malevolence in a remote home. No, I’m not talking about last month’s Halle Berry horror Never Let Go (is anyone still talking about that one?), but rather this month’s Sarah Paulson horror Hold Your Breath, a film that carries surface similarities (as well as a hopelessly generic rollercoaster-warning-esque title). Like that film, it plays with recent genre trends – a remote, pandemic-suited location and the corrosive effect of mental illness – as well as the use of a life-saving rope tied to the home for those who need to leave. And like that film, it’s also a bit of a mess.

Originally titled Dust, originally set to star Claire Foy and originally intended for a theatrical release, the film arrives at the beginning of Hulu’s month of genre fare, dubbed Huluween. It’s far classier than that categorisation would suggest (especially when compared with films like cheapo evil pumpkin horror Carved), a handsomely made 1930s-set thriller that, unlike most streaming offerings today, also looks like it could stretch to a cinema screen. Added class also comes from Paulson, one of the most reliable small-screen and stage actors we have, who hasn’t really had enough big-screen chances at least not as lead. While Hold Your Breath isn’t quite able to keep up with her, it’s at least a deserving and all-consuming showcase, the actor exhaustively giving it her all.

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