CBFC censors ‘sex’ and ‘f**k’ in Steven Spielberg’s Disclosure Day

On June 10, Bollywood Hungama reported that the Central Board of Film Certification (CBFC) sprang a pleasant surprise by passing three crucial films of the week with zero cuts – Bharat Bhhagya Viddhaata, Haunted – Echoes Of The Past and Backrooms. However, the sole exception was Disclosure Day. The film received its censor certificate at the eleventh hour and was required to make a few cuts. In a dialogue in the first act, the word ‘sex’ was muted. It occurs in the scene where Daniel Kellner (Josh O'Connor) learns that his girlfriend, Jane (Eve Hewson), was a nun. When asked whether she still follows the same religious commitments, Jane replies in the negative, pointing out that they’ve already had sex. It is in this dialogue that the CBFC made a change. The other word that got muted was ‘f**k’, and it occurred twice in the film. Once these changes were made, Disclosure Day was passed with a U/A 13+ certificate on June 11. The length of the film, as mentioned on the censor certifi...

Hold Your Breath review – Sarah Paulson gets lost in scattered horror

A 1930s-set thriller, about a family battling mysterious dust storms and a possible intruder, is impressively made and acted but falls apart by the end

An award-winning actor playing a fiercely, even frighteningly, protective mother guarding her two children from an unspecified malevolence in a remote home. No, I’m not talking about last month’s Halle Berry horror Never Let Go (is anyone still talking about that one?), but rather this month’s Sarah Paulson horror Hold Your Breath, a film that carries surface similarities (as well as a hopelessly generic rollercoaster-warning-esque title). Like that film, it plays with recent genre trends – a remote, pandemic-suited location and the corrosive effect of mental illness – as well as the use of a life-saving rope tied to the home for those who need to leave. And like that film, it’s also a bit of a mess.

Originally titled Dust, originally set to star Claire Foy and originally intended for a theatrical release, the film arrives at the beginning of Hulu’s month of genre fare, dubbed Huluween. It’s far classier than that categorisation would suggest (especially when compared with films like cheapo evil pumpkin horror Carved), a handsomely made 1930s-set thriller that, unlike most streaming offerings today, also looks like it could stretch to a cinema screen. Added class also comes from Paulson, one of the most reliable small-screen and stage actors we have, who hasn’t really had enough big-screen chances at least not as lead. While Hold Your Breath isn’t quite able to keep up with her, it’s at least a deserving and all-consuming showcase, the actor exhaustively giving it her all.

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