Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper

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The leads are the most watchable thing in this raucous period yarn about a grimy pair of status-obsessed nobles Black-belt performances from Claire Foy and Richard E Grant put some vim and vigour into this haranguingly one-note and unidirectional period romp of the raucously bewigged and be-poxed 18th century. It’s written and directed by American film-maker Peter Glanz, who gives us candlelit interiors like a knockoff Barry Lyndon, and periodic deafening orchestral stabs with a touch of Amadeus as furious people in costume storm down corridors. But Grant and Foy are always there, selling it hard and there are one or two nice lines. They play Sir Chauncey and Lady Savage, who are living in a vast crumbling country estate: he’s a parvenu, an adventurer, a lover of the new Hanover dispensation who loathes Jacobites, but fundamentally a social alpinist who married for money and took his wife’s noble name. She was entranced by his roguish ways and she forgave him everything but is, however...
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Harder Than the Rock review – reggae’s unsung heroes finally get their moment

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Cimarons, the UK’s first reggae band, played with Jimmy Cliff and Bob Marley but barely made a penny; this heartwarming film follows their first gig in 30 years

The UK’s first reggae band deserves all the love and attention coming their way with the release of this documentary. It’s the untold story of Cimarons, and begins in 1967 at a bus stop in London’s Harlesden where two Jamaican-born Londoners, Locksley Gichie and Franklyn Dunn, met and formed a band. By the end of the decade Cimarons would become the go-to backing group for Jamaican artists touring the UK, playing with the likes of Jimmy Cliff and Bob Marley. The band recorded albums of their own, worked as session musicians for Trojan records and toured with the Clash and the Jam. “They were the spark that started a big flame” is how MC General Levy describes their influence. But they barely made a penny out of music. Today, the band’s singer Michael Arkk works as an officer cleaner. How did Cimarons become reggae’s forgotten heroes?

Partly it comes down to choices. The band never hired professional management. They were in it for the music, touring in a clapped-out van with no heating and broken windscreen wipers. They called themselves Cimarons after a TV western, and only later found out it meant “wild and free”. The name fits.

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