Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes

Young people have chosen this six-month season, and though rebel classics such as Quadrophenia and If … are here, the picks show youth culture in flux Seventy-five years ago, the Festival of Britain offered a vision of a modern, forward-looking nation emerging from the austerity of the second world war. It also coincided with the emergence of a new cultural figure in the US: the teenager. For the first time, young people were beginning to be recognised as a distinct social group with their own tastes, fashions, anxieties and aspirations. That evolution forms the basis of Rip It Up, a new nationwide season from the BFI Film Audience Network running from May to October, exploring how British film and television have captured youth culture across seven decades. Bringing together screenings, archive material, talks, live events and youth-led programming, the season traces a journey from postwar rebellion and working-class aspiration to contemporary questions of identity, belonging and self...

Harder Than the Rock review – reggae’s unsung heroes finally get their moment

Cimarons, the UK’s first reggae band, played with Jimmy Cliff and Bob Marley but barely made a penny; this heartwarming film follows their first gig in 30 years

The UK’s first reggae band deserves all the love and attention coming their way with the release of this documentary. It’s the untold story of Cimarons, and begins in 1967 at a bus stop in London’s Harlesden where two Jamaican-born Londoners, Locksley Gichie and Franklyn Dunn, met and formed a band. By the end of the decade Cimarons would become the go-to backing group for Jamaican artists touring the UK, playing with the likes of Jimmy Cliff and Bob Marley. The band recorded albums of their own, worked as session musicians for Trojan records and toured with the Clash and the Jam. “They were the spark that started a big flame” is how MC General Levy describes their influence. But they barely made a penny out of music. Today, the band’s singer Michael Arkk works as an officer cleaner. How did Cimarons become reggae’s forgotten heroes?

Partly it comes down to choices. The band never hired professional management. They were in it for the music, touring in a clapped-out van with no heating and broken windscreen wipers. They called themselves Cimarons after a TV western, and only later found out it meant “wild and free”. The name fits.

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