You, Me & Tuscany review – slick romcom offers solidly charming getaway

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Halle Bailey and Regé-Jean Page flirt their way through expected genre tropes in a watchable, if a little unspecific, slice of formulaic fantasy You, Me & Tuscany is a perfectly wholesome and harmless meet-cute that starts by asking: “What if the Little Mermaid had a Lady and the Tramp-style hookup with the season one heart-throb from Bridgerton, spaghetti and all?” Halle Bailey is Anna, hopelessly navigating life after the death of her mother, torn between the worlds of adult responsibility and inner child whimsy. A freelance hustle as a house sitter helps make ends meet, but her impulse to fully inhabit her clients’ lives constantly threatens her livelihood. A gig watching over a spectacular Central Park West apartment seems out of a dream. But it quickly goes awry when the lady of the house (Nia Vardalos in a sly cameo) returns early and catches Anna cosplaying as a Park Avenue princess in her premium lingerie. Embarrassed, Anna retreats into the arms of her bestie Claire (Az...
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Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

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Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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