Aanand L Rai REACTS to Rs 84 crores lawsuit over Raanjhanaa IP dispute: “I don't think it has any meaning”

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Filmmaker Aanand L Rai has responded to a Rs 84 crore lawsuit filed by Eros International Media Ltd, which has accused him and his production company of unauthorised use of intellectual property linked to the 2013 film Raanjhanaa. Reacting to the legal action, Aanand L Rai described the dispute as a routine business issue and maintained that it does not warrant public speculation. Speaking to NDTV, he said, "These are part of life. When you step into business, such things keep happening. I don't even know why, how, or from where this has come. But I think it is a legal matter, so let the legal people handle it. There is a lawyer on their side, and a lawyer from here will respond too. I don't think it has any meaning. Anyone can say anything about anything at any time. So it's not something to be taken too seriously. It's more for the lawyers to deal with. Since it's a legal matter, I won't speak much about it, but it's nothing serious." Eros Alleg...
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Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

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Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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