Aryan Khan reveals that he DUBBED for Salman Khan in The Ba***ds Of Bollywood; adds, “When Shah Rukh Khan’s on set, EVERYONE behaves exceptionally well

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It’s been more than two months since the release of The Ba***ds Of Bollywood and it continues to be talked about. It was Aryan Khan’s debut vehicle, and he impressed one and all not just with its storytelling but also with its humour and subtle Bollywood references. He recently gave an interview to GQ India, where he shared a very fascinating trivia. The GQ Interview India revealed that Aryan Khan can mimic really well. On this, Aryan said, “Fun fact, in the show, when Salman Khan says, ‘What party? Bullshit party,’ that’s actually me!” Besides Shah Rukh Khan, The Ba***ds Of Bollywood had cameos by several other stars including his father, superstar Shah Rukh Khan. The others who make a special appearance are Karan Johar, Ranveer Singh, Siddhant Chaturvedi, Disha Patani, Orry, Shanaya Kapoor, Ibrahim Ali Khan, Rajkummar Rao, Sara Ali Khan, Aamir Khan, S S Rajamouli, Badshah and Ranbir Kapoor. Emraan Hashmi had an extended special appearance and that also became a rage. The actors wit...
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Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

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Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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