‘It’s more productive than doomscrolling’: film-maker Ben Wheatley on his secret life as musician Dave Welder

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While playing with nine-figure Hollywood budgets, the Kill List and Meg 2 director has become a prolific music producer. Next up is his experimental film, Bulk Dave Welder may just be the most prolific musician you’ve never heard of. In a little more than a year, he has released a staggering 26 records spanning electronica, dub, ambient, kosmische and drone. One of these albums, Thunderdrone, is more than four hours long. Based in Brighton and Hove and described as “a rotating group of musicians and artists”, in reality “Dave Welder” is largely the work of one man who, until now, has been operating in secret: film director Ben Wheatley. “I’ve always wanted to make music,” says Wheatley, whose films include the independent movies High-Rise, Kill List and Sightseers, along with big-budget Hollywood flicks such as the shark thriller Meg 2: The Trench. “I wanted to do it for my films but there was a dissonance. Of all the art forms, I couldn’t really understand it. I would dream that I c...
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Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

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Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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