Primitive War review – it’s Green Berets vs dinosaurs in cheerfully cheesy Vietnam war gorefest

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Set to an on-the-nose soundtrack of Creedence Clearwater, an elite squad of soldiers are suitably unprepared for their large-toothed assailants in this jungle thriller Aimed squarely and unabashedly at viewers who love soldiers, gore and dinosaurs – as well as dinosaurs goring soldiers – this adaptation of Ethan Pettus’s 2017 novel is deeply repetitive but weirdly watchable. Although shot in Australia with a mostly Australian cast sprinkled with a few American actors, it’s supposed to be set in Vietnam in the late 1960s as the US armed forces take on the Viet Cong. But there are other forces to contend with, and we don’t just mean covert Chinese or Soviet operatives, although the latter do feature significantly here. It turns out a nefarious scientific experiment by one of the aforementioned factions has accidentally ushered a whole army of dinosaurs into the jungle and they’ve begun gaily munching their way through anyone who gets in their way. When one squad of Green Berets go miss...
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Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

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Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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