Avatar: Fire And Ash shows to be CUT by 30% on Christmas Day for Kartik Aaryan’s Tu Meri Main Tera; exhibitors pick Kartik as their first choice

As Dhurandhar is continuing to rule the box office in India, the battle for the Christmas 2025 period is getting intense between the Kartik Aaryan led Tu Meri Main Tera Main Tera Tu Meri and the James Cameron film, Avatar: Fire and Ash. And in a surprising turn of events, exhibitors have decided to reduce the show count of Avatar: Fire and Ash on Christmas Day to accommodate the Kartik Aaryan rom-com at their properties. "Jio Star Studios (Distributor of Avatar: Fire and Ash in India for Disney India) has permitted exhibitors to move the Christmas Day programming for Avatar: Fire and Ash as the exhibitors had strong pressure from the stakeholders of Tu Meri Main Tera Main Tera Tu Meri headlined by Kartik Aaryan with Ananya Panday. The show reduction process has already begun at independent chains, and approx. 30 per cent of the shows will be reduced for Avatar: Fire and Ash on Christmas Day, which will give a very good release to the Kartik Aaryan film," a trade source share...

Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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