I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war

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Locarno film festival A couple attempting to leave Ukraine when the war encounter gender identity issues in this bold and challenging film A movie’s themes could hardly be more urgent and contemporary than those on offer in this entirely absorbing film from German director Isabelle Stever and Ukrainian critic turned screenwriter Anna Melikova. It’s a bulletin from the frontline of Russia’s war on Ukraine, and from the culture war too. It is about identity and choices made in peacetime when less was at stake. There is a bold and brilliant premise that may at first look artificially satirical but is actually inspired. When Russia begins its attack, the crisis is very specific for a scared young Ukrainian couple, recently engaged: Olya (Tania Myronyshena) and Oleh (Markus Bright). As bombs rain down, they head west in the cramped car of Olya’s elderly mum and dad – with Olya grumpily objecting to her dad’s sexist comments from behind the wheel about female drivers – to stay with Olya’s si...
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Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

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Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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