The Plague review – water polo camp turns into tween hellscape with impressive stylistic bite

With Fincher-like intent, director Charlie Polinger scopes out concealed psychological depths in a debut that sees the laws of the jungle play out Set at a boy’s water polo training camp in the summer of 2003, Charlie Polinger’s debut feature plunges beneath the waterline to scope out concealed psychological depths. It may not be news that these kids operate in a brutal, animal-like hierarchy driven by braggadocio, bullying, hazing and gaslighting – but from the stunning initial submerged shot of a pool glittering like a starfield, Polinger brings impressive stylistic bite to this tween hellscape: the kind of trenchant intent you might associate with David Fincher. Latecomer Ben (Everett Blunck) is thrown in at the deep end when he arrives. Desperate to ingratiate himself with the cool crowd lorded over by the impish Jake (Kayo Martin), he aims to avoid the pariah status of house lummox Eli (Kenny Rasmussen), who is supposedly afflicted with a (made-up) disease the brats dub “the pla...

Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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