Bhooth Bangla promo song to be attached to Dhurandhar: The Revenge: Report

A section of moviegoers is eagerly awaiting the reunion of Akshay Kumar and Priyadarshan in Bhooth Bangla, which is scheduled to release on April 10, 2026. While anticipation around the project continues to build, fans may soon get a glimpse into the film’s world. Industry buzz suggests that a promotional song from Bhooth Bangla could be attached to Dhurandhar: The Revenge, which is slated to hit theatres on March 19. According to a report by Mid-Day, a source said, “Akshay and Priyadarshan’s 2007 horror comedy Bhool Bhulaiyaa benefited immensely from its title song, ‘Teri Aankhein Bhool Bhulaiyaa’, which became wildly popular. So, this time, with Pritam having composed another song that has the potential to become a chartbuster, Ektaa felt it would catch on among listeners and create buzz around Bhooth Bangla. Attaching it to Dhurandhar: The Revenge made sense as it’s among the most awaited films.” The source further added, “The song was filmed on a grand scale with Akshay and over...

Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

Continue reading...

from Film | The Guardian https://ift.tt/MRlt8WN
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton