The man who saw the future: the legacy of cultural theorist Mark Fisher

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Touching on everything from late-stage capitalism to Adele, the work of the late writer is proving increasingly influential. Now a documentary on him is looking to live up to his ideals Capitalist Realism: Is There No Alternative? was published in 2009 to critical silence. Journalists and academics initially dismissed Mark Fisher’s book, ignoring the cultural theorist’s requests for coverage and interviews, and even the then owner of his publisher, Zer0 Books, lamented that it was unmarketable. Fisher, also prone to self-doubt, questioned the relevance of his thesis and the gravitas of his personal approach after attempting, and failing, to write a traditional systematic work of theory. As of December 2025, more than 250,000 English-language versions of Capitalist Realism have been sold, with translations available in Spanish, Italian, Arabic Mandarin, German, Portuguese, Polish, Japanese, Hebrew, Korean and Danish. Fisher, unassumingly, had aspired to sell a few hundred. Revered for...
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Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

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Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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