Sinners or One Battle: what can we learn from this year’s anonymous Oscar ballots?

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While Academy voters are supposed to keep their picks secret, another batch of anonymous ballots have leaked – giving us some insight on a hard-to-call race Oscars 2026: how to watch, nominations, what to read and predictions It took a great deal of blood, sweat and tweets, but in 2016 the Academy finally took notice and started to embrace both diversity and modernity. The # OscarsSoWhite furore over two straight years of all-white nominees (Michael B Jordan’s Creed snub was in my opinion the cruelest) led to a dramatic shake-up and one that has continued ever since with more women, people of colour and international voters added to what had been an overwhelmingly homogenous base. It has all led to an Oscars race that is increasingly harder to predict using old-fashioned thinking in ways that have become rather thrilling over time, the idea of an “Oscar movie” now far more slippery. Films such as Parasite, Anora, Moonlight, Anatomy of a Fall, Nomadland, Get Out and The Zone ...
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Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

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Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

When Maria (Nilam Farooq) shows up 37 weeks pregnant at the attractive but remote country home of her husband Viktor (David Kross), you sense immediately that no good can come of this. If a character is pregnant in a film, it’s about even odds that said pregnancy will function as a way to increase their vulnerability – though not all films take this as far as this nifty little low-budget horror movie from talented German director Thomas Sieben, which combines the haunted house subgenre with pregnant-woman-in-peril to nicely nerve-jangling effect.

Occult horror always needs a starting point, a first evil from which the later ghosties and bumps in the night derive. Some films take as their inciting incident a broader historical crime or atrocity and it’s into this category Home Sweet Home falls. The Herero and Nama genocide, conducted by imperial German forces against indigenous people in what is now Namibia, was the first genocide of the 20th century, and is the basis for subsequent terrors visited upon our heavily pregnant heroine. Paying a price for the actions of previous generations is a big theme in German horror, but by looking to an earlier period than the horrors of the Nazi regime, Sieben reminds us that genocidal white supremacism was not invented in the 1930s.

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