Saif Ali Khan Case: Auto-rickshaw driver who rushed Saif Ali Khan to hospital unaware of actor’s identity; says, “A man who was covered in blood came out…”

-
A day after actor Saif Ali Khan was stabbed by an intruder at his Bandra residence, an auto-rickshaw driver Bhajan Singh Rana, who took him to the Lilavati Hospital, said he was not aware that the passenger he was taking to the Hospital was film actor Saif Ali Khan. He said, “I drive my vehicle at night. It was around 2-3 am when I saw a woman trying to hire an auto but nobody stopped. I could also hear calls for a rickshaw from inside the gate. After I took a U-turn and stopped my vehicle at the gate, a man who was covered in blood came out. 2-4 people also accompanied him.” He added, “They put him in the auto...They decided to go to Lilavati. I dropped them off there...I then came to know that he is Saif Ali Khan...I saw him bleeding from his neck and back.” #WATCH | Attack on #SaifAliKhan | Mumbai: Bhajan Singh Rana, autorickshaw driver who rushed the actor to Lilavati Hospital after the attack, says, "I drive my vehicle at night. It was around 2-3 am when I saw a woman tryi...
Post a Comment

The Deliverance review – Lee Daniels exorcism horror brings strong cast to real-life story

-

Daniels’s film starts well as it points up the social pressures that informed the Latoya Ammons case, but succumbs to tired horror tropes

Ten years ago, Lee Daniels announced he was taking on a movie project based on the real-life case of Latoya Ammons, a single mother who claimed that her house was haunted, that her children were being possessed by evil spirits and that she needed a “deliverance” – in other words, an exorcism. Well, the resulting very silly and mediocre movie has now finally arrived, with Ammons in real life having long since moved out of the house in question; it has itself been bulldozed, and some of the more excitable and credulous media coverage which helped clinch the film deal has cooled in retrospect, leaving behind, perhaps, a greater emphasis on those heartless observers who were callous enough to wonder if Ammons’ paranormal claims were a drama-queen ruse for avoiding the rent and bamboozling social services.

Daniels could have made a brilliant, heartfelt film about the Ammons case, which absorbed precisely that possibility; the possibility that it wasn’t real, but real in another sense, a film that proposed “possession” as a metaphor for the racism, sexism, poverty and class prejudice that creates dysfunction and delusion in a family in this situation. And for a while, it looks as if Daniels is doing that, with robust and potent performances from Andra Day as the mother, Mo’Nique (so powerful in Daniels’s film Precious) as her social worker, and Glenn Close as Alberta, the cranky born-again Christian grandma, with Close giving this black-comic role both barrels, just as she did playing JD Vance’s crotchety Mamaw in Hillbilly Elegy.

Continue reading...

from Film | The Guardian https://ift.tt/V09tRkv
via IFTTT

Comments

Post a Comment

Popular posts from this blog

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
Read more

The Exorcism review – Russell Crowe v the Devil in cursed horror about a cursed horror

-
The actor plays an actor struggling with a demonically bad film shoot in a well-made yet increasingly messy chiller Like many other dethroned A-listers of his generation, Oscar winner Russell Crowe has found himself a steady career hustling far further down the food chain, headlining B-movies he once would have balked at. The last few years have seen the famed actor crop up in gonzo road rage thriller Unhinged , shepherd the other Hemsworths in war drama Land of Bad , lead the barely released crime thriller Sleeping Dogs earlier this year and become the pope’s exorcist in The Pope’s Exorcist . The latter became something of a surprise hit, first theatrically and then on Netflix, albeit in a rather jokey way, the film most easily remembered for the many memes of Crowe on a scooter. Its success was such that it not only guaranteed a sequel (The Pope’s Exorcist 2 is coming), but it also led to another of his exorcism movies getting saved from streaming hell and being delivered to th...
Read more

Karan Johar RRR stars Jr. NTR Ram Charan Siddharth Roy Kapur and Mani Ratnam invited by The Academy to join as members

-
The Academy of Motion Picture Arts and Sciences has extended invitations to 398 distinguished artists and executives to join the organization in 2023. As per the official website, the membership selection is based on professional qualifications, with an ongoing commitment to representation, inclusion, and equity. Amongst them are filmmakers Karan Johar and Mani Ratnam, producer Siddharth Roy Kapur and RRR stars Jr. NTR and Ram Charan. Amongst actors Jr. NTR and Ram Charan’s names crop up who’ve had an illustrious year with the massive success of RRR globally followed by an Oscar win for ‘Naatu Naatu’. Karan Johar has been named in the producers’ category whereas Mani Ratnam’s name is mentioned amongst the directors. "The Academy is proud to welcome these artists and professionals into our membership. They represent extraordinary global talent across cinematic disciplines, and have made a vital impact on the arts and sciences of motion pictures and on movie fans worldwide," ...
Read more