Aamir Khan and family responds to Faisal Khan after he accuses them of confinement

In a recent and deeply personal revelation, actor Faisal Khan has accused his family of confining him at home for a year, labelling him as mentally ill and claiming he was subjected to treatment against his will. After his statements have stirred significant media attention, a united response was issued by the Khan family. Aamir Khan, along with other family members, issued a heartfelt collective statement addressing Faisal’s accusations. Faisal was seen speaking to Pinkvilla wherein he said, “Mujhe qaid kar ke rakha tha ghar mein ek saal (I was confined in the house for a year) and they were saying I’ve got schizophrenia and I’m a mad person and I will harm society. JJ Hospital mein mujhe 20 din rakha gaya (I was kept at the hospital for 20 days), test kiya gaya, general ward mein, mental logon ke saath (I was tested in the general ward where I was kept with mental people).” Meanwhile, Aamir Khan and his family family expressed their distress over the “hurtful and misleading portray...

The Deliverance review – Lee Daniels exorcism horror brings strong cast to real-life story

Daniels’s film starts well as it points up the social pressures that informed the Latoya Ammons case, but succumbs to tired horror tropes

Ten years ago, Lee Daniels announced he was taking on a movie project based on the real-life case of Latoya Ammons, a single mother who claimed that her house was haunted, that her children were being possessed by evil spirits and that she needed a “deliverance” – in other words, an exorcism. Well, the resulting very silly and mediocre movie has now finally arrived, with Ammons in real life having long since moved out of the house in question; it has itself been bulldozed, and some of the more excitable and credulous media coverage which helped clinch the film deal has cooled in retrospect, leaving behind, perhaps, a greater emphasis on those heartless observers who were callous enough to wonder if Ammons’ paranormal claims were a drama-queen ruse for avoiding the rent and bamboozling social services.

Daniels could have made a brilliant, heartfelt film about the Ammons case, which absorbed precisely that possibility; the possibility that it wasn’t real, but real in another sense, a film that proposed “possession” as a metaphor for the racism, sexism, poverty and class prejudice that creates dysfunction and delusion in a family in this situation. And for a while, it looks as if Daniels is doing that, with robust and potent performances from Andra Day as the mother, Mo’Nique (so powerful in Daniels’s film Precious) as her social worker, and Glenn Close as Alberta, the cranky born-again Christian grandma, with Close giving this black-comic role both barrels, just as she did playing JD Vance’s crotchety Mamaw in Hillbilly Elegy.

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