Karan Johar slams ‘herd mentality’ as he talks about Pushpa, Chhaava, Stree 2 success; addresses spy universe craze and asks, “How will I stand out if I copy?” - EXCLUSIVE

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Karan Johar is known for his candour, and in a recent conversation with Bollywood Hungama, the filmmaker once again shared some hard-hitting insights - this time on the current state of storytelling in the Hindi film industry. From genre fatigue to the obsession with cinematic universes, Johar didn’t hold back in expressing his views on why originality should be celebrated, not sidelined. “I think it's everybody grappling to do what others are doing. I think herd mentality. So, we see Pushpa running and catering so strongly to the tier two and tier three audiences. Suddenly there'll be 20 others wanting to do the same. You see Chhaava working, and everybody will want to make historical dramas! After Stree, everybody wants to make horror comedies. Those worked because they were individually strong, and there was no other option in that genre. And it was a unique thought that made those films work. We all have individual thoughts that are unique to ourselves,” Karan told Bollywo...
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The Crow review – unfathomably awful goth remake

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Rupert Sanders’ attempt to resurrect the 1994 cult revenge thriller has become one of 2024’s most atrocious films

There are different types of bad movies. There are those that find an unintended audience after the fact, reframing them as sources of amusement to be ridiculed, those that are simply too dull to be thought of ever again and then there are those that are made with such staggering incompetence that they barely even exist. The latter category is the one that I find hardest to endure, films such as The Snowman (a head-scratchingly awful thriller that was technically unfinished yet still released) veering from bad to refund-level unwatchable.

It was no real surprise that a tortured update of 1994’s cursed goth revenge thriller The Crow would be a misfire – it’s been in development since 2008 with multiple directors and actors attached ever since – but it’s genuinely startling just how utterly wretched the finished product is and how unfit it is for a wide release. Filmed two years ago and dumped on a low-expectation late summer weekend, The Crow 2.0 is a total, head-in-hands disaster, incoherently plotted and sloppily made, destined to join the annals of the very worst and most pointless remakes ever made.

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