CBFC censors ‘sex’ and ‘f**k’ in Steven Spielberg’s Disclosure Day

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On June 10, Bollywood Hungama reported that the Central Board of Film Certification (CBFC) sprang a pleasant surprise by passing three crucial films of the week with zero cuts – Bharat Bhhagya Viddhaata, Haunted – Echoes Of The Past and Backrooms. However, the sole exception was Disclosure Day. The film received its censor certificate at the eleventh hour and was required to make a few cuts. In a dialogue in the first act, the word ‘sex’ was muted. It occurs in the scene where Daniel Kellner (Josh O'Connor) learns that his girlfriend, Jane (Eve Hewson), was a nun. When asked whether she still follows the same religious commitments, Jane replies in the negative, pointing out that they’ve already had sex. It is in this dialogue that the CBFC made a change. The other word that got muted was ‘f**k’, and it occurred twice in the film. Once these changes were made, Disclosure Day was passed with a U/A 13+ certificate on June 11. The length of the film, as mentioned on the censor certifi...
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‘That train sound? It’s a hovering mothership!’: legendary Star Wars sound designer Ben Burtt reveals his secrets

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Burtt, the man who created iconic moods in George Lucas’s sci-fi blockbuster, Raiders of the Lost Ark, Alien and WALL-E, explains the nuts and bolts – and hammers, ceiling fans and squeaky doorknobs – of his trade

When Ben Burtt Jr was invited to look at the concept art for Star Wars before filming began, he says he heard the lightsaber as much as saw it: it was the sound of a film projector. “I was a projectionist at a theatre,” he says. “I could hear a projector motor – not when it’s running the movie, but as it sat still: a musical humming. Fifty per cent of the lightsaber is that projector. I mixed it in with the buzz of a television tube.” So when you hear one of Burtt’s most famous sound effects, you are listening to cinema.

Yet it’s only one part of an amazing aural universe that Burtt has created, as instantly recognisable as John Williams’ theme music. Where would Star Wars be without the sound of Han Solo’s blaster – made by hitting a high-tension wire with a hammer? Or the plaintive yowls of Chewbacca – a melange of vocalisations and animal recordings? The voice of R2-D2 is Burtt himself. “I was trying keyboards with electronic effects, and it didn’t have life. It wasn’t coming from something alive; something that was thinking. It’s only when I was able to channel a voice element into it that it changed. It’s about 50% vocal, 50% electronic.”

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