Jacob Elordi, Jenna Ortega and Stephen Fry among new invited Oscar voters

Annual list of creatives invited to join the Academy also includes Josh O’Connor, Teyana Taylor and Jon Bernthal Jacob Elordi , Jenna Ortega and Stephen Fry are among the 529 creatives invited to join this year’s member class of the Academy of Motion Picture Arts and Sciences. “We are delighted to invite this remarkable group of film artists and professionals from around the world to join the Academy,” said CEO Bill Kramer and Academy president Lynette Howell Taylor in a statement. “Through their commitment to filmmaking, this year’s exceptionally talented class has made significant contributions to our global movie industry.” Continue reading... from Film | The Guardian https://ift.tt/YRBbmwh via IFTTT

Streaming: Furiosa: A Mad Max Saga and the best post-apocalyptic films

George Miller’s latest dystopian instalment follows a well-trodden end-of-the-world path, from the stark ruins of The Road to Pixar’s smartest film, WALL-E

You have to hand it to George Miller’s Mad Max franchise, now five films in: it has kept the end of the world going for the better part of half a century. A big, busy, ornately designed prequel to 2015’s delirious series peak Mad Max: Fury Road, the new-to-streaming Furiosa: A Mad Max Saga (2024) isn’t exactly meant to be cosy or comforting. It takes place in the same scorched, uninhabitable desert wasteland as its predecessors, a landscape that essentially defined the idea of a post-apocalyptic Earth in the popular imagination.

And yet it’s so familiar now as to feel almost nostalgic. Most of Furiosa’s pleasures relate to the past rather than the future. Miller has assembled another driving, visually lavish, slam-bang adventure of rising to power in a hopeless place, but its iconography abounds in callbacks to previous entries, while you can’t watch Anya Taylor-Joy’s impressively steely turn in the title role without thinking of Charlize Theron’s more hardened interpretation. The shock of the new, and the terror of the future unknown, is missing.

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