BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

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A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
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Streaming: Furiosa: A Mad Max Saga and the best post-apocalyptic films

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George Miller’s latest dystopian instalment follows a well-trodden end-of-the-world path, from the stark ruins of The Road to Pixar’s smartest film, WALL-E

You have to hand it to George Miller’s Mad Max franchise, now five films in: it has kept the end of the world going for the better part of half a century. A big, busy, ornately designed prequel to 2015’s delirious series peak Mad Max: Fury Road, the new-to-streaming Furiosa: A Mad Max Saga (2024) isn’t exactly meant to be cosy or comforting. It takes place in the same scorched, uninhabitable desert wasteland as its predecessors, a landscape that essentially defined the idea of a post-apocalyptic Earth in the popular imagination.

And yet it’s so familiar now as to feel almost nostalgic. Most of Furiosa’s pleasures relate to the past rather than the future. Miller has assembled another driving, visually lavish, slam-bang adventure of rising to power in a hopeless place, but its iconography abounds in callbacks to previous entries, while you can’t watch Anya Taylor-Joy’s impressively steely turn in the title role without thinking of Charlize Theron’s more hardened interpretation. The shock of the new, and the terror of the future unknown, is missing.

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