Veteran actor Kota Srinivasa Rao passes away at 83 in Hyderabad

Renowned Telugu actor and former MLA Kota Srinivasa Rao passed away on Sunday at the age of 83. He breathed his last at his residence in Hyderabad, leaving behind a legacy spanning over four decades in Indian cinema. Known for his impeccable performances across genres, Rao had acted in more than 750 films in Telugu, Tamil, Hindi, Kannada, and Malayalam. His versatility allowed him to portray a wide range of roles—from iconic villains to memorable character roles. Films like Pratighatana, Aha Naa Pellanta, Shiva, and Mahatma cemented his reputation as one of Telugu cinema’s finest actors. Born in Vijayawada, Kota Srinivasa Rao began his professional life as a banker and theatre artist before entering films in the late 1970s. Over the years, he became a beloved figure in the industry, earning accolades including the Padma Shri in 2015 for his contribution to the arts.5 Apart from acting, Rao was active in politics and served as an MLA from the Vijayawada East constituency from 1999 to...

Streaming: Furiosa: A Mad Max Saga and the best post-apocalyptic films

George Miller’s latest dystopian instalment follows a well-trodden end-of-the-world path, from the stark ruins of The Road to Pixar’s smartest film, WALL-E

You have to hand it to George Miller’s Mad Max franchise, now five films in: it has kept the end of the world going for the better part of half a century. A big, busy, ornately designed prequel to 2015’s delirious series peak Mad Max: Fury Road, the new-to-streaming Furiosa: A Mad Max Saga (2024) isn’t exactly meant to be cosy or comforting. It takes place in the same scorched, uninhabitable desert wasteland as its predecessors, a landscape that essentially defined the idea of a post-apocalyptic Earth in the popular imagination.

And yet it’s so familiar now as to feel almost nostalgic. Most of Furiosa’s pleasures relate to the past rather than the future. Miller has assembled another driving, visually lavish, slam-bang adventure of rising to power in a hopeless place, but its iconography abounds in callbacks to previous entries, while you can’t watch Anya Taylor-Joy’s impressively steely turn in the title role without thinking of Charlize Theron’s more hardened interpretation. The shock of the new, and the terror of the future unknown, is missing.

Continue reading...

from Film | The Guardian https://ift.tt/kzyPlXc
via IFTTT

Comments

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

The Fans Were Silent As 64-Year-Old Sharon Stone Appeared Topless

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast