Sara Arjun attends Bhasma Aarti at Shree Mahakaleshwar Temple after Dhurandhar The Revenge crosses Rs 1000 crores in Hindi: “I am overjoyed”

Actor Sara Arjun visited the sacred Shree Mahakaleshwar Temple in Ujjain on April 11. She attended the famous Bhasma Aarti after the strong box office performance of her recent film Dhurandhar The Revenge, which crossed Rs 1000 crores in the Hindi language. The milestone placed the film in the Rs 1000 crores club. It also marked an important moment in Sara Arjun’s career, as the project is her first film as a female lead. Sara Arjun reacts after attending Bhasma Aarti Speaking to ANI after the temple visit, Sara shared her emotions about the experience. She said she felt a deep sense of joy after attending the ritual. “I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed,” she said. Her visit came soon after the film’s major box office achievement. #WATCH | After attending Bhasma Aarti, actor Sara Arjun says, "I have no words. I had the calling, and then I came here. There is no better feeling than this in ...

Streaming: Furiosa: A Mad Max Saga and the best post-apocalyptic films

George Miller’s latest dystopian instalment follows a well-trodden end-of-the-world path, from the stark ruins of The Road to Pixar’s smartest film, WALL-E

You have to hand it to George Miller’s Mad Max franchise, now five films in: it has kept the end of the world going for the better part of half a century. A big, busy, ornately designed prequel to 2015’s delirious series peak Mad Max: Fury Road, the new-to-streaming Furiosa: A Mad Max Saga (2024) isn’t exactly meant to be cosy or comforting. It takes place in the same scorched, uninhabitable desert wasteland as its predecessors, a landscape that essentially defined the idea of a post-apocalyptic Earth in the popular imagination.

And yet it’s so familiar now as to feel almost nostalgic. Most of Furiosa’s pleasures relate to the past rather than the future. Miller has assembled another driving, visually lavish, slam-bang adventure of rising to power in a hopeless place, but its iconography abounds in callbacks to previous entries, while you can’t watch Anya Taylor-Joy’s impressively steely turn in the title role without thinking of Charlize Theron’s more hardened interpretation. The shock of the new, and the terror of the future unknown, is missing.

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