EXCLUSIVE: Junaid Khan-Sai Pallavi starrer Ek Din to release on May 1; to clash with Riteish Deshmukh's Raja Shivaji

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More than a week ago, we reported that Mere Raho, starring Junaid Khan and Sai Pallavi, would not be released on April 24 as planned earlier. Bollywood Hungama now brings you more information about the film and its release. A source told Bollywood Hungama, “Earlier, the film was titled Ek Din, after which the makers decided to rename it as Mere Raho. However, now, they have gone back to the title of Ek Din.” The source further said, “The film will release on May 1, 2026. A teaser, which is around 1.11 minutes long, was recently passed by the Central Board of Film Certification (CBFC). It has been attached with the prints of this week’s release, Happy Patel: Khatarnak Jasoos. This comic caper, like Ek Din, is also produced by Aamir Khan Productions.” Ek Din will now clash with Riteish Deshmukh’s ambitious period drama, Raja Shivaji. It features the talented actor in the lead role and he’s also joined by Genelia Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedek...
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Streaming: Furiosa: A Mad Max Saga and the best post-apocalyptic films

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George Miller’s latest dystopian instalment follows a well-trodden end-of-the-world path, from the stark ruins of The Road to Pixar’s smartest film, WALL-E

You have to hand it to George Miller’s Mad Max franchise, now five films in: it has kept the end of the world going for the better part of half a century. A big, busy, ornately designed prequel to 2015’s delirious series peak Mad Max: Fury Road, the new-to-streaming Furiosa: A Mad Max Saga (2024) isn’t exactly meant to be cosy or comforting. It takes place in the same scorched, uninhabitable desert wasteland as its predecessors, a landscape that essentially defined the idea of a post-apocalyptic Earth in the popular imagination.

And yet it’s so familiar now as to feel almost nostalgic. Most of Furiosa’s pleasures relate to the past rather than the future. Miller has assembled another driving, visually lavish, slam-bang adventure of rising to power in a hopeless place, but its iconography abounds in callbacks to previous entries, while you can’t watch Anya Taylor-Joy’s impressively steely turn in the title role without thinking of Charlize Theron’s more hardened interpretation. The shock of the new, and the terror of the future unknown, is missing.

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