Hugh Grant says fourth Bridget Jones film will be ‘funny but very sad’

Actor reprises character of Daniel Cleaver but says he won’t play role of ‘60-year-old wandering around looking at young girls’ It is a universally acknowledged truth that Bridget Jones films are packed with humour and comedic scenes that attract viewers in their droves. However, in a slight departure, Hugh Grant has revealed that the fourth film in the series will also be “very sad”. Continue reading... from Film | The Guardian https://ift.tt/ZJoB2VO via IFTTT

Seeking Mavis Beacon: the search for an elusive Black tech hero

New documentary looks for a woman who was synonymous with typing in the 80s and 90s, with surprising results

Before bashing out emails and text messages by thumb became an accepted form of communication, typing was a fully manual skill. In the 80s, “the office” was an exclusive preserve for freaks who could type 40 words per minute at least. Those too modest or miserly to sign up for brick-and-mortar classes could pick up a software program called Mavis Beacon Teaches Typing for $50. At my Catholic high school, the application was the typing class. The priests just switched on the computers.

Launched in late 1987, Mavis Beacon quickly assumed pride of place on home PC desks amid floppy disks for SimCity and After Dark. Among other features, Mavis gamified typing drills and tracked typing progress in explicit detail. Its defining feature was the elegant Black woman with a cream suit and slicked-back bob marching proudly off to her high-rise job on the cover of the software package. But it would take a few more decades for the bigger lesson in the pitfalls of relinquishing control over your image and likeness to corporate interests.

Continue reading...

from Film | The Guardian https://ift.tt/lN0B2df
via IFTTT

Comments

Popular posts from this blog

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

Elaha review – sex, patriarchy and second-generation identity

Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth