Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

Mark Kermode on… Martin Scorsese’s love of British cinema

The director’s new BFI season championing hidden gems of British film, hot on the heels of his Powell and Pressburger documentary, reveals some of the inspirations of a film-making great and passionate fan

This weekend, the BFI Southbank in London begins a season of films entitled Martin Scorsese Selects Hidden Gems of British Cinema. Among the treats that caught my eye are a terrific Terence Fisher double bill (1948’s To the Public Danger and 1952’s Stolen Face), Roy Ward Baker’s Dr Jekyll and Sister Hyde (1971), John Hough’s The Legend of Hell House (1973) and a rare nitrate-print screening of Alberto Cavalcanti’s dark 1942 gem, Went the Day Well?

The fact that a director whose own extraordinary CV includes Taxi Driver (1973), Raging Bull (1980), The Last Temptation of Christ (1988), Casino (1995), Gangs of New York (2002), The Wolf of Wall Street (2013) and, just last year, Killers of the Flower Moon should curate such a season may seem remarkable. But Scorsese has always been a film fan as much as a film-maker, and the movies he has championed over the years are every bit as important to him as those he has made.

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