EXCLUSIVE: Junaid Khan-Sai Pallavi starrer Ek Din to release on May 1; to clash with Riteish Deshmukh's Raja Shivaji

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More than a week ago, we reported that Mere Raho, starring Junaid Khan and Sai Pallavi, would not be released on April 24 as planned earlier. Bollywood Hungama now brings you more information about the film and its release. A source told Bollywood Hungama, “Earlier, the film was titled Ek Din, after which the makers decided to rename it as Mere Raho. However, now, they have gone back to the title of Ek Din.” The source further said, “The film will release on May 1, 2026. A teaser, which is around 1.11 minutes long, was recently passed by the Central Board of Film Certification (CBFC). It has been attached with the prints of this week’s release, Happy Patel: Khatarnak Jasoos. This comic caper, like Ek Din, is also produced by Aamir Khan Productions.” Ek Din will now clash with Riteish Deshmukh’s ambitious period drama, Raja Shivaji. It features the talented actor in the lead role and he’s also joined by Genelia Deshmukh, Sanjay Dutt, Abhishek Bachchan, Mahesh Manjrekar, Sachin Khedek...
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Mark Kermode on… Martin Scorsese’s love of British cinema

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The director’s new BFI season championing hidden gems of British film, hot on the heels of his Powell and Pressburger documentary, reveals some of the inspirations of a film-making great and passionate fan

This weekend, the BFI Southbank in London begins a season of films entitled Martin Scorsese Selects Hidden Gems of British Cinema. Among the treats that caught my eye are a terrific Terence Fisher double bill (1948’s To the Public Danger and 1952’s Stolen Face), Roy Ward Baker’s Dr Jekyll and Sister Hyde (1971), John Hough’s The Legend of Hell House (1973) and a rare nitrate-print screening of Alberto Cavalcanti’s dark 1942 gem, Went the Day Well?

The fact that a director whose own extraordinary CV includes Taxi Driver (1973), Raging Bull (1980), The Last Temptation of Christ (1988), Casino (1995), Gangs of New York (2002), The Wolf of Wall Street (2013) and, just last year, Killers of the Flower Moon should curate such a season may seem remarkable. But Scorsese has always been a film fan as much as a film-maker, and the movies he has championed over the years are every bit as important to him as those he has made.

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