Sara Arjun attends Bhasma Aarti at Shree Mahakaleshwar Temple after Dhurandhar The Revenge crosses Rs 1000 crores in Hindi: “I am overjoyed”

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Actor Sara Arjun visited the sacred Shree Mahakaleshwar Temple in Ujjain on April 11. She attended the famous Bhasma Aarti after the strong box office performance of her recent film Dhurandhar The Revenge, which crossed Rs 1000 crores in the Hindi language. The milestone placed the film in the Rs 1000 crores club. It also marked an important moment in Sara Arjun’s career, as the project is her first film as a female lead. Sara Arjun reacts after attending Bhasma Aarti Speaking to ANI after the temple visit, Sara shared her emotions about the experience. She said she felt a deep sense of joy after attending the ritual. “I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed,” she said. Her visit came soon after the film’s major box office achievement. #WATCH | After attending Bhasma Aarti, actor Sara Arjun says, "I have no words. I had the calling, and then I came here. There is no better feeling than this in ...
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Mark Kermode on… Martin Scorsese’s love of British cinema

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The director’s new BFI season championing hidden gems of British film, hot on the heels of his Powell and Pressburger documentary, reveals some of the inspirations of a film-making great and passionate fan

This weekend, the BFI Southbank in London begins a season of films entitled Martin Scorsese Selects Hidden Gems of British Cinema. Among the treats that caught my eye are a terrific Terence Fisher double bill (1948’s To the Public Danger and 1952’s Stolen Face), Roy Ward Baker’s Dr Jekyll and Sister Hyde (1971), John Hough’s The Legend of Hell House (1973) and a rare nitrate-print screening of Alberto Cavalcanti’s dark 1942 gem, Went the Day Well?

The fact that a director whose own extraordinary CV includes Taxi Driver (1973), Raging Bull (1980), The Last Temptation of Christ (1988), Casino (1995), Gangs of New York (2002), The Wolf of Wall Street (2013) and, just last year, Killers of the Flower Moon should curate such a season may seem remarkable. But Scorsese has always been a film fan as much as a film-maker, and the movies he has championed over the years are every bit as important to him as those he has made.

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