Govinda announces comeback with self-produced film Roopa; says, “People kept saying, ‘Now he won’t appear in films anymore’”

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Veteran Bollywood star Govinda is all set to return to the big screen with a brand-new project. The actor recently hosted a press conference to officially announce his comeback film, Roopa, marking his return to cinema after a prolonged gap. At the event, Govinda unveiled the first poster of the film, introduced newcomer Rani Swarankar as the leading lady, and revealed that he is also producing the project. Once among the biggest superstars of the 1990s, Govinda has largely stayed away from films in recent years after a string of releases failed to leave an impact at the box office. However, the actor appeared confident and optimistic as he spoke about embarking on a fresh journey with Roopa. Opening up about the challenges he has faced over the years and his determination to keep moving forward, Govinda said, “Maybe it was destiny that I was written off so many times. People kept saying, ‘Now he won’t appear in films anymore.’ But I always started again. I pray to God that this film ...
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Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas

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Venice film festival
Jolie is a painting to be stared at in Pablo Larraín’s opulent drama, tottering around Paris in the 70s and drawing us in to tragedy as thoroughly as Bellini or Pucchini

Hide the overflowing ashtrays and move that infernal grand piano – Maria Callas, La Diva, is granting a valedictory TV interview. She’s pacing the halls of her Paris apartment, feeding her poodles and strung out on pills. The visiting journalist is called Mandrax, named after her favourite medication. He takes a seat and checks the mic. By way of introduction, he says, “I’d like to walk with you through your life.”

Callas’s life whisked her from the slums of Nazi-occupied Athens to the concert halls of Europe and the US, through a torrid relationship with Aristotle Onassis to collaborations with Pasolini and Zeffirelli. But Pablo Larraín’s opulent Maria shrewdly homes in on the soprano’s final days, showcasing a stiffly dignified Angelina Jolie as the lioness in winter, four years retired and a legend in her own lunchtime. “Make me an appointment with a hairdresser who doesn’t speak,” she orders her doting servants. “Book me a table at a restaurant where the waiters know who I am.” She is in the mood, she adds, for adulation.

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