Priyanka Chopra, Varanasi and the question of a Telugu debut; was the Ram Charan starrer Thoofan forgotten?

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The Varanasi team’s widely circulated interview with Screen Rant features a rather awkward moment. When the interviewer asks Priyanka Chopra about her Telugu debut in Varanasi, the actor says she cannot remember when she last did a Telugu film. Mahesh Babu quickly steps in to add, “This is her first Telugu film.” But that is not entirely accurate. Priyanka Chopra had, in fact, featured in the Telugu version of the Amitabh Bachchan classic Zanjeer in 2013. Titled Thoofan, the Ram Charan starrer had Priyanka playing his love interest in what was admittedly a small role. At the time, Chopra had expressed considerable gratitude to the makers of Thoofan, as opportunities in Bollywood were scarce for her then. A senior member of the Thoofan team views her current statement as a case of selective amnesia. “When we signed her for Thoofan, nobody in the Hindi film industry was willing to sign her. We ourselves felt the role was not substantial enough for a future global star like her. But s...
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Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas

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Venice film festival
Jolie is a painting to be stared at in Pablo Larraín’s opulent drama, tottering around Paris in the 70s and drawing us in to tragedy as thoroughly as Bellini or Pucchini

Hide the overflowing ashtrays and move that infernal grand piano – Maria Callas, La Diva, is granting a valedictory TV interview. She’s pacing the halls of her Paris apartment, feeding her poodles and strung out on pills. The visiting journalist is called Mandrax, named after her favourite medication. He takes a seat and checks the mic. By way of introduction, he says, “I’d like to walk with you through your life.”

Callas’s life whisked her from the slums of Nazi-occupied Athens to the concert halls of Europe and the US, through a torrid relationship with Aristotle Onassis to collaborations with Pasolini and Zeffirelli. But Pablo Larraín’s opulent Maria shrewdly homes in on the soprano’s final days, showcasing a stiffly dignified Angelina Jolie as the lioness in winter, four years retired and a legend in her own lunchtime. “Make me an appointment with a hairdresser who doesn’t speak,” she orders her doting servants. “Book me a table at a restaurant where the waiters know who I am.” She is in the mood, she adds, for adulation.

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