Shiv Sena (UBT) warns Shah Rukh Khan over signing a Bangladeshi cricketer in his IPL team KKR

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A political storm is brewing around Shah Rukh Khan’s IPL team Kolkata Knight Riders (KKR) after the franchise signed Bangladeshi fast bowler Mustafizur Rahman ahead of the Indian Premier League (IPL) 2026 season. The controversial decision has drawn sharp criticism not only from political leaders but also from the Shiv Sena (Uddhav Balasaheb Thackeray faction) — which warned that the player’s IPL earnings could potentially be diverted to fund terrorism. The issue erupted after KKR selected Mustafizur Rahman, the only Bangladeshi cricketer picked in the 2026 IPL auction for Rs 9.2 crores. While some commentators have framed the move as a purely sporting decision, it quickly became a political flashpoint, with critics linking the signing to broader concerns about national security and religious sentiments. Mumbai, Maharashtra: On KKR buying a Bangladeshi player, Shiv Sena (UBT) spokesperson Anand Dubey says, "...If Shah Rukh Khan removes him from his team, we will all respect him,...
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Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas

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Venice film festival
Jolie is a painting to be stared at in Pablo Larraín’s opulent drama, tottering around Paris in the 70s and drawing us in to tragedy as thoroughly as Bellini or Pucchini

Hide the overflowing ashtrays and move that infernal grand piano – Maria Callas, La Diva, is granting a valedictory TV interview. She’s pacing the halls of her Paris apartment, feeding her poodles and strung out on pills. The visiting journalist is called Mandrax, named after her favourite medication. He takes a seat and checks the mic. By way of introduction, he says, “I’d like to walk with you through your life.”

Callas’s life whisked her from the slums of Nazi-occupied Athens to the concert halls of Europe and the US, through a torrid relationship with Aristotle Onassis to collaborations with Pasolini and Zeffirelli. But Pablo Larraín’s opulent Maria shrewdly homes in on the soprano’s final days, showcasing a stiffly dignified Angelina Jolie as the lioness in winter, four years retired and a legend in her own lunchtime. “Make me an appointment with a hairdresser who doesn’t speak,” she orders her doting servants. “Book me a table at a restaurant where the waiters know who I am.” She is in the mood, she adds, for adulation.

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