EXCLUSIVE: Karan Johar recovers Rs. 90 cr. even before the release of Kartik Aaryan’s Rs. 170 cr. rom-com

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The Kartik Aaryan and Ananya Panday starrer Tu Meri Main Tera Main Tera Tu Meri is among the most-awaited films of 2025. The rom-com is set for a Christmas 2025 release, and has already sparked excitement among the cine-goers with the fresh teaser and a hit song. As reported by Bollywood Hungama a year back, Kartik Aaryan is drawing a mammoth pay cheque for the film, amounting to Rs. 40 crores. And now, we have some exciting news for all the Kartik Aaryan fans. According to very reliable sources close to Bollywood Hungama, Karan Johar is placing all his bets on Kartik Aaryan, as Tu Meri Main Tera Main Tera Tu Meri is among the most expensive rom-coms of Dharma Productions, and the confidence has come from the track record of Kartik Aaryan delivering big at the box office with the Bhool Bhulaiyaa franchise. "Tu Meri Main Tera Main Tera Tu Meri is mounted on a huge budget of Rs. 150 crores, in addition to Rs. 20 crores allotted for print and publicity. The film is the second most e...
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Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas

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Venice film festival
Jolie is a painting to be stared at in Pablo Larraín’s opulent drama, tottering around Paris in the 70s and drawing us in to tragedy as thoroughly as Bellini or Pucchini

Hide the overflowing ashtrays and move that infernal grand piano – Maria Callas, La Diva, is granting a valedictory TV interview. She’s pacing the halls of her Paris apartment, feeding her poodles and strung out on pills. The visiting journalist is called Mandrax, named after her favourite medication. He takes a seat and checks the mic. By way of introduction, he says, “I’d like to walk with you through your life.”

Callas’s life whisked her from the slums of Nazi-occupied Athens to the concert halls of Europe and the US, through a torrid relationship with Aristotle Onassis to collaborations with Pasolini and Zeffirelli. But Pablo Larraín’s opulent Maria shrewdly homes in on the soprano’s final days, showcasing a stiffly dignified Angelina Jolie as the lioness in winter, four years retired and a legend in her own lunchtime. “Make me an appointment with a hairdresser who doesn’t speak,” she orders her doting servants. “Book me a table at a restaurant where the waiters know who I am.” She is in the mood, she adds, for adulation.

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