Aamir Khan and R Madhavan deny being approached for 3 Idiots sequel: "It also sounds far-fetched"

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Of late, the internet is afire with reports on Rajlumar Hirani’s 3 Idiots acquiring a sequel. When this writer approached the two principal players in 3 Idiots Aamir Khan and R Madhavan they individually declared they had no clue of this development. Said Madhavan, “A sequel to 3 Idiots sounds great. But it also sounds far-fetched. All three of us Aamir Khan, Sharman Joshi and I are much older now. Where do we go in the sequel? What are our lives like now? It is an interesting thought. But hardly conducive to a proper sequel. I would love to work with Raju Hirani again. But 3 Idiots again? I think that would be idiotic.” Aamir Khan said that he is delighted by the thought of sequel to 3 Idiots. “We had so much fun making that film! My character Rancho is the most popular character I’ve played. People still talk about Rancho. So yeah, I’d love to do a sequel. But no one has approached me.” One hopes this puts an end to the endless speculation on a sequel to a ...
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Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas

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Venice film festival
Jolie is a painting to be stared at in Pablo Larraín’s opulent drama, tottering around Paris in the 70s and drawing us in to tragedy as thoroughly as Bellini or Pucchini

Hide the overflowing ashtrays and move that infernal grand piano – Maria Callas, La Diva, is granting a valedictory TV interview. She’s pacing the halls of her Paris apartment, feeding her poodles and strung out on pills. The visiting journalist is called Mandrax, named after her favourite medication. He takes a seat and checks the mic. By way of introduction, he says, “I’d like to walk with you through your life.”

Callas’s life whisked her from the slums of Nazi-occupied Athens to the concert halls of Europe and the US, through a torrid relationship with Aristotle Onassis to collaborations with Pasolini and Zeffirelli. But Pablo Larraín’s opulent Maria shrewdly homes in on the soprano’s final days, showcasing a stiffly dignified Angelina Jolie as the lioness in winter, four years retired and a legend in her own lunchtime. “Make me an appointment with a hairdresser who doesn’t speak,” she orders her doting servants. “Book me a table at a restaurant where the waiters know who I am.” She is in the mood, she adds, for adulation.

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