Aryan Khan reveals that he DUBBED for Salman Khan in The Ba***ds Of Bollywood; adds, “When Shah Rukh Khan’s on set, EVERYONE behaves exceptionally well

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It’s been more than two months since the release of The Ba***ds Of Bollywood and it continues to be talked about. It was Aryan Khan’s debut vehicle, and he impressed one and all not just with its storytelling but also with its humour and subtle Bollywood references. He recently gave an interview to GQ India, where he shared a very fascinating trivia. The GQ Interview India revealed that Aryan Khan can mimic really well. On this, Aryan said, “Fun fact, in the show, when Salman Khan says, ‘What party? Bullshit party,’ that’s actually me!” Besides Shah Rukh Khan, The Ba***ds Of Bollywood had cameos by several other stars including his father, superstar Shah Rukh Khan. The others who make a special appearance are Karan Johar, Ranveer Singh, Siddhant Chaturvedi, Disha Patani, Orry, Shanaya Kapoor, Ibrahim Ali Khan, Rajkummar Rao, Sara Ali Khan, Aamir Khan, S S Rajamouli, Badshah and Ranbir Kapoor. Emraan Hashmi had an extended special appearance and that also became a rage. The actors wit...
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Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas

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Venice film festival
Jolie is a painting to be stared at in Pablo Larraín’s opulent drama, tottering around Paris in the 70s and drawing us in to tragedy as thoroughly as Bellini or Pucchini

Hide the overflowing ashtrays and move that infernal grand piano – Maria Callas, La Diva, is granting a valedictory TV interview. She’s pacing the halls of her Paris apartment, feeding her poodles and strung out on pills. The visiting journalist is called Mandrax, named after her favourite medication. He takes a seat and checks the mic. By way of introduction, he says, “I’d like to walk with you through your life.”

Callas’s life whisked her from the slums of Nazi-occupied Athens to the concert halls of Europe and the US, through a torrid relationship with Aristotle Onassis to collaborations with Pasolini and Zeffirelli. But Pablo Larraín’s opulent Maria shrewdly homes in on the soprano’s final days, showcasing a stiffly dignified Angelina Jolie as the lioness in winter, four years retired and a legend in her own lunchtime. “Make me an appointment with a hairdresser who doesn’t speak,” she orders her doting servants. “Book me a table at a restaurant where the waiters know who I am.” She is in the mood, she adds, for adulation.

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