Saiyami Kher joins shoot of Vikram Phadnis’ next with Tahir Raj Bhasin and Vineet Kumar Singh in Mumbai

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Actress Saiyami Kher is all set to begin the new year on an exciting note as she comes on board an untitled new project directed by ace designer-turned-filmmaker Vikram Phadnis. This project is produced by Reel Euphoria in association with Knight Sky Movies, has officially gone on floors, marking yet another significant milestone in Saiyami’s growing body of work. The upcoming project is a drama, with Saiyami headlining it in a powerful leading role along with Vineet Kumar Singh and Tahir Raj Bhasin. Announcing the project, Saiyami took to her Instagram to share a glimpse from her first day on set along with a spiral-bound copy of the film’s script. Captioning the post, she wrote, “And today every silent prayer finds its way home,” followed by another heartfelt note that read, “New Year, New Beginning. As always, I need all the wishes.” The post reflects both gratitude and excitement as she embarks on this new journey. This will be Vikram’s third directorial venture and his first di...
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Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas

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Venice film festival
Jolie is a painting to be stared at in Pablo Larraín’s opulent drama, tottering around Paris in the 70s and drawing us in to tragedy as thoroughly as Bellini or Pucchini

Hide the overflowing ashtrays and move that infernal grand piano – Maria Callas, La Diva, is granting a valedictory TV interview. She’s pacing the halls of her Paris apartment, feeding her poodles and strung out on pills. The visiting journalist is called Mandrax, named after her favourite medication. He takes a seat and checks the mic. By way of introduction, he says, “I’d like to walk with you through your life.”

Callas’s life whisked her from the slums of Nazi-occupied Athens to the concert halls of Europe and the US, through a torrid relationship with Aristotle Onassis to collaborations with Pasolini and Zeffirelli. But Pablo Larraín’s opulent Maria shrewdly homes in on the soprano’s final days, showcasing a stiffly dignified Angelina Jolie as the lioness in winter, four years retired and a legend in her own lunchtime. “Make me an appointment with a hairdresser who doesn’t speak,” she orders her doting servants. “Book me a table at a restaurant where the waiters know who I am.” She is in the mood, she adds, for adulation.

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