Prakash Raj begins shooting for Drishyam 3, quips he is “not replacing anyone” after Akshaye Khanna’s exit from Ajay Devgn-starrer

Veteran actor Prakash Raj has officially started shooting for the much-anticipated Hindi thriller Drishyam 3. The actor confirmed his participation through a social media post, while also addressing speculation surrounding the film’s casting after Akshaye Khanna’s reported exit from the project. Taking to X, Prakash Raj shared an update from the sets and wrote: “Started shooting for this engaging franchise #Drishyam3 in Hindi. With a wonderful team and a scintillating role to play. I’m sure you will love it. (And yes, I’m not replacing anyone..)” Started shooting for this engaging franchise #Drishyam3 in hindi. With a wonderful team and a scintillating role to play . Im sure you will love it . ❤️❤️❤️( and yes im not replacing anyone..) 😛😛😛 — Prakash Raj (@prakashraaj) February 10, 2026 The post appeared to directly respond to ongoing assumptions that he might be stepping into a role earlier associated with Khanna. His clarification suggests that his character is a new addition ra...

Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas

Venice film festival
Jolie is a painting to be stared at in Pablo Larraín’s opulent drama, tottering around Paris in the 70s and drawing us in to tragedy as thoroughly as Bellini or Pucchini

Hide the overflowing ashtrays and move that infernal grand piano – Maria Callas, La Diva, is granting a valedictory TV interview. She’s pacing the halls of her Paris apartment, feeding her poodles and strung out on pills. The visiting journalist is called Mandrax, named after her favourite medication. He takes a seat and checks the mic. By way of introduction, he says, “I’d like to walk with you through your life.”

Callas’s life whisked her from the slums of Nazi-occupied Athens to the concert halls of Europe and the US, through a torrid relationship with Aristotle Onassis to collaborations with Pasolini and Zeffirelli. But Pablo Larraín’s opulent Maria shrewdly homes in on the soprano’s final days, showcasing a stiffly dignified Angelina Jolie as the lioness in winter, four years retired and a legend in her own lunchtime. “Make me an appointment with a hairdresser who doesn’t speak,” she orders her doting servants. “Book me a table at a restaurant where the waiters know who I am.” She is in the mood, she adds, for adulation.

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