EXCLUSIVE: Mardaani 3 to release on February 27, 2026 in the Holi week; makers release EXPLOSIVE first look of Rani Mukerji

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Yash Raj Films’ Mardaani is the biggest solo female-led franchise in Hindi cinema that has garnered love and acclaim for over 10 years now. The blockbuster franchise has received unanimous love from people and has attained a cult status amongst cine-lovers. Also, the biggest and only female cop franchise of India, Mardaani is now in its third instalment and Mardaani 3 will see Rani Mukerji reprise the role of a daredevil cop, Shivani Shivaji Roy, who selflessly fights for justice. Today, YRF (Yash Raj Films) announced the release date of Mardaani 3 to be Friday, February 27, 2026, marking the auspicious Holi festival as its release window. Holi, which falls on March 4, symbolises the triumph of good over bad. The makers are pegging this film to be a bloody, violent clash between Shivani’s goodness vs sinister evil forces with its choice of release date. Moreover, the esteemed studio also released the explosive first look of the highly talen...
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Lore review – Brit-horror anthology tells its gruesome stories around the campfire

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Richard Brake is well cast as the host for this portmanteau of grisly yarns, where the girls’ tales are made of stronger stuff than the boys’

Anthology films are notoriously hard to pull off but, though it starts shakily, this low-budget British portmanteau has an ace in the hole: horror stalwart Richard Brake, whose grimy leer is normally a kitemark of something at least halfway chilling. (Hopefully his dental hygiene is better in real life.) In Lore, he is a Cryptkeeper-style host for four hikers out for an “immersive” experience in the wilds; informing them that they have pitched their tents above the site of some ancient evil, this campfire compere bids them bring forth their most blood-chilling yarns.

The boys, Mark (Dean Bone) and Dan (Miles Mitchell), think basic: the former trots out a warehouse runaround with gang fugitive Daniel (Andrew-Lee Potts) encountering a saw-toothed monster and a last-gasp psychological twist. Dan offers a boilerplate piece of gothic haunted house, in which a revenant ballerina (who has seen a few too many J-horror films) torments a mother and son. The horror mechanics in the latter, especially, are competently executed, but for a film called Lore there’s a basic lack of backstory or mystery in either.

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