Ankita Lokhande appeals for help as house help’s daughter goes missing; seeks Mumbai Police’s urgent intervention

In a heartfelt and urgent plea, popular television and film actress Ankita Lokhande has taken to social media to raise alarm over the sudden disappearance of two young girls closely connected to her household. The actress revealed that Saloni, the daughter of her house help Kanta, and her friend Neha have been missing since 10 am on July 31, last seen in the Vakola area of Mumbai. The emotional post, shared via Ankita's official Instagram handle, quickly gathered traction as concerned fans and fellow citizens began amplifying the message across platforms. Expressing the gravity of the situation, Ankita wrote, “Our house help Kanta's daughter and her daughter's friend, Saloni and Neha, have been missing since July 31, 10 am. They were last seen near the Vakola area. An FIR has already been filed at Malvani Police Station, but their whereabouts are still unknown. They are not just part of our home - they're family.” The actress went on to tag Mumbai Police and include t...

Lore review – Brit-horror anthology tells its gruesome stories around the campfire

Richard Brake is well cast as the host for this portmanteau of grisly yarns, where the girls’ tales are made of stronger stuff than the boys’

Anthology films are notoriously hard to pull off but, though it starts shakily, this low-budget British portmanteau has an ace in the hole: horror stalwart Richard Brake, whose grimy leer is normally a kitemark of something at least halfway chilling. (Hopefully his dental hygiene is better in real life.) In Lore, he is a Cryptkeeper-style host for four hikers out for an “immersive” experience in the wilds; informing them that they have pitched their tents above the site of some ancient evil, this campfire compere bids them bring forth their most blood-chilling yarns.

The boys, Mark (Dean Bone) and Dan (Miles Mitchell), think basic: the former trots out a warehouse runaround with gang fugitive Daniel (Andrew-Lee Potts) encountering a saw-toothed monster and a last-gasp psychological twist. Dan offers a boilerplate piece of gothic haunted house, in which a revenant ballerina (who has seen a few too many J-horror films) torments a mother and son. The horror mechanics in the latter, especially, are competently executed, but for a film called Lore there’s a basic lack of backstory or mystery in either.

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