Veteran actor Kota Srinivasa Rao passes away at 83 in Hyderabad

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Renowned Telugu actor and former MLA Kota Srinivasa Rao passed away on Sunday at the age of 83. He breathed his last at his residence in Hyderabad, leaving behind a legacy spanning over four decades in Indian cinema. Known for his impeccable performances across genres, Rao had acted in more than 750 films in Telugu, Tamil, Hindi, Kannada, and Malayalam. His versatility allowed him to portray a wide range of roles—from iconic villains to memorable character roles. Films like Pratighatana, Aha Naa Pellanta, Shiva, and Mahatma cemented his reputation as one of Telugu cinema’s finest actors. Born in Vijayawada, Kota Srinivasa Rao began his professional life as a banker and theatre artist before entering films in the late 1970s. Over the years, he became a beloved figure in the industry, earning accolades including the Padma Shri in 2015 for his contribution to the arts.5 Apart from acting, Rao was active in politics and served as an MLA from the Vijayawada East constituency from 1999 to...
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Lore review – Brit-horror anthology tells its gruesome stories around the campfire

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Richard Brake is well cast as the host for this portmanteau of grisly yarns, where the girls’ tales are made of stronger stuff than the boys’

Anthology films are notoriously hard to pull off but, though it starts shakily, this low-budget British portmanteau has an ace in the hole: horror stalwart Richard Brake, whose grimy leer is normally a kitemark of something at least halfway chilling. (Hopefully his dental hygiene is better in real life.) In Lore, he is a Cryptkeeper-style host for four hikers out for an “immersive” experience in the wilds; informing them that they have pitched their tents above the site of some ancient evil, this campfire compere bids them bring forth their most blood-chilling yarns.

The boys, Mark (Dean Bone) and Dan (Miles Mitchell), think basic: the former trots out a warehouse runaround with gang fugitive Daniel (Andrew-Lee Potts) encountering a saw-toothed monster and a last-gasp psychological twist. Dan offers a boilerplate piece of gothic haunted house, in which a revenant ballerina (who has seen a few too many J-horror films) torments a mother and son. The horror mechanics in the latter, especially, are competently executed, but for a film called Lore there’s a basic lack of backstory or mystery in either.

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