‘David Lynch altered our brains’: fellow directors, friends and fans remember a titan of cinema

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His unique, twisted visions shocked and seduced generations of filmgoers. Paul Schrader, Abel Ferrara, Coralie Fargeat and more pay tribute • Ranked: David Lynch’s films and TV shows • Cigarettes were Lynch’s magic wand – and his undoing Paul Schrader, director Continue reading... from Film | The Guardian https://ift.tt/GMHZC9Q via IFTTT
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Lollipop review – impassioned, head-butting indictment of the social-care system

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Edinburgh international film festival
Informed by her own experiences, Daisy-May Hudson’s portrait of a woman trying to regain custody of her kids is surprisingly even-handed

Daisy-May Hudson is the British film-maker who in 2015 made a fiercely personal documentary about homelessness: her own. Half Way told the story of how she, her mum and her 13-year-old sister lost their home and then found themselves in the bureaucratic nightmare of hostels and halfway houses, and her camera showed the audience every excruciating moment.

Now Hudson has developed these ideas as a fiction feature in the tradition of Ken Loach’s Ladybird Ladybird and Cathy Come Home. It’s an impassioned, humane and urgently performed drama, a vivid look at what it’s like to be reduced to screaming anguish by the system – as well as what it’s like to work for the system, and to be the brick wall getting screamed at.

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