EXCLUSIVE: In a RARE development, Tu Meri Main Tera Main Tera Tu Meri front-row seats priced HIGHER than back rows at PVR Oberoi Mall, Goregaon and yet SOLD OUT

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Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, is all set to release tomorrow. The advance booking has picked up since Monday night and the romcom is all set to take a decent start at the box office. Interestingly, an interesting development has happened, probably for the first time ever, with Tu Meri Main Tera Main Tera Tu Meri. It’s generally understood that in most multiplexes, the front-row seats are priced the lowest, and the ticket rates steadily rise as you move towards the middle and back rows. But in the case of PVR Oberoi Mall Goregaon East, the unthinkable has happened. Here, you’ll have to shell out a higher price if you want to see the musical entertainer in the first three rows. But your ticket will be cheaper if you select the middle or the back rows! For the 8:00 am and 10:45 am show of Tu Meri Main Tera Main Tera Tu Meri on December 25, the first three rows, which come under the Classic category, are available for Rs. 370. But the Prim...
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Lollipop review – impassioned, head-butting indictment of the social-care system

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Edinburgh international film festival
Informed by her own experiences, Daisy-May Hudson’s portrait of a woman trying to regain custody of her kids is surprisingly even-handed

Daisy-May Hudson is the British film-maker who in 2015 made a fiercely personal documentary about homelessness: her own. Half Way told the story of how she, her mum and her 13-year-old sister lost their home and then found themselves in the bureaucratic nightmare of hostels and halfway houses, and her camera showed the audience every excruciating moment.

Now Hudson has developed these ideas as a fiction feature in the tradition of Ken Loach’s Ladybird Ladybird and Cathy Come Home. It’s an impassioned, humane and urgently performed drama, a vivid look at what it’s like to be reduced to screaming anguish by the system – as well as what it’s like to work for the system, and to be the brick wall getting screamed at.

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