Sara Arjun attends Bhasma Aarti at Shree Mahakaleshwar Temple after Dhurandhar The Revenge crosses Rs 1000 crores in Hindi: “I am overjoyed”

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Actor Sara Arjun visited the sacred Shree Mahakaleshwar Temple in Ujjain on April 11. She attended the famous Bhasma Aarti after the strong box office performance of her recent film Dhurandhar The Revenge, which crossed Rs 1000 crores in the Hindi language. The milestone placed the film in the Rs 1000 crores club. It also marked an important moment in Sara Arjun’s career, as the project is her first film as a female lead. Sara Arjun reacts after attending Bhasma Aarti Speaking to ANI after the temple visit, Sara shared her emotions about the experience. She said she felt a deep sense of joy after attending the ritual. “I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed,” she said. Her visit came soon after the film’s major box office achievement. #WATCH | After attending Bhasma Aarti, actor Sara Arjun says, "I have no words. I had the calling, and then I came here. There is no better feeling than this in ...
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Lollipop review – impassioned, head-butting indictment of the social-care system

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Edinburgh international film festival
Informed by her own experiences, Daisy-May Hudson’s portrait of a woman trying to regain custody of her kids is surprisingly even-handed

Daisy-May Hudson is the British film-maker who in 2015 made a fiercely personal documentary about homelessness: her own. Half Way told the story of how she, her mum and her 13-year-old sister lost their home and then found themselves in the bureaucratic nightmare of hostels and halfway houses, and her camera showed the audience every excruciating moment.

Now Hudson has developed these ideas as a fiction feature in the tradition of Ken Loach’s Ladybird Ladybird and Cathy Come Home. It’s an impassioned, humane and urgently performed drama, a vivid look at what it’s like to be reduced to screaming anguish by the system – as well as what it’s like to work for the system, and to be the brick wall getting screamed at.

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