Ankita Lokhande appeals for help as house help’s daughter goes missing; seeks Mumbai Police’s urgent intervention

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In a heartfelt and urgent plea, popular television and film actress Ankita Lokhande has taken to social media to raise alarm over the sudden disappearance of two young girls closely connected to her household. The actress revealed that Saloni, the daughter of her house help Kanta, and her friend Neha have been missing since 10 am on July 31, last seen in the Vakola area of Mumbai. The emotional post, shared via Ankita's official Instagram handle, quickly gathered traction as concerned fans and fellow citizens began amplifying the message across platforms. Expressing the gravity of the situation, Ankita wrote, “Our house help Kanta's daughter and her daughter's friend, Saloni and Neha, have been missing since July 31, 10 am. They were last seen near the Vakola area. An FIR has already been filed at Malvani Police Station, but their whereabouts are still unknown. They are not just part of our home - they're family.” The actress went on to tag Mumbai Police and include t...
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Last Things review – stones yield up their memories in poetic vision of life on Earth

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Deborah Stratman’s film looks far beyond humanity for answers to the big questions of survival, gathering the words of scientists and imaginative writers

Moving from the microscopic to the intergalactic, artist and film-maker Deborah Stratman offers a strikingly expansive vision of life on Earth, one that deliberately decentres human existence. With its collagist approach, this medium-length work turns to rocks for answers to the big question of survival and extinction. Having been around, in some cases, for billions of years, what do these mineral formations remember?

As explained by geologist Marcia Bjornerud, whose interviews and lectures form part of the voiceover, rocks do indeed hold memories. A bedrock, for instance, can carry traces of glaciers that no longer exist. These physical manifestations of past and present timelines encourage a different, non-linear way of looking at time and the world at large. This synergistic perspective is also reflected in Stratman’s dynamic, associative editing. Bjornerud’s empirical observations are punctuated by the enigmatic voice of film-maker Valérie Massadian, who reads out poetic passages from works by Clarice Lispector, J-H Rosny and others.

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