Robert Carradine obituary

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Hollywood actor for more than five decades best known for 1980s cult film Revenge of the Nerds and the teen comedy series Lizzie McGuire Of the four sons who followed their father, John Carradine, into acting, Keith had the most prestigious career, David netted the largest audience thanks to his early-1970s TV series Kung Fu, and the little-known Bruce amassed a meagre handful of minor credits. The youngest, Robert Carradine, acted continuously without ever becoming a star. He has taken his own life aged 71, after suffering from bipolar disorder, which was exacerbated by David’s death in 2009. He had small roles in Martin Scorsese’s Mean Streets (1973), where he was the long-haired gunman who shoots dead the drunk played by David, and as a tracker in Quentin Tarantino’s Django Unchained (2012). He also joined David and Keith as the three Younger brothers in Walter Hill’s western The Long Riders (1980), which populated its cast with other sets of real-life siblings, such as James an...
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Last Things review – stones yield up their memories in poetic vision of life on Earth

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Deborah Stratman’s film looks far beyond humanity for answers to the big questions of survival, gathering the words of scientists and imaginative writers

Moving from the microscopic to the intergalactic, artist and film-maker Deborah Stratman offers a strikingly expansive vision of life on Earth, one that deliberately decentres human existence. With its collagist approach, this medium-length work turns to rocks for answers to the big question of survival and extinction. Having been around, in some cases, for billions of years, what do these mineral formations remember?

As explained by geologist Marcia Bjornerud, whose interviews and lectures form part of the voiceover, rocks do indeed hold memories. A bedrock, for instance, can carry traces of glaciers that no longer exist. These physical manifestations of past and present timelines encourage a different, non-linear way of looking at time and the world at large. This synergistic perspective is also reflected in Stratman’s dynamic, associative editing. Bjornerud’s empirical observations are punctuated by the enigmatic voice of film-maker Valérie Massadian, who reads out poetic passages from works by Clarice Lispector, J-H Rosny and others.

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