SCOOP: Varun Dhawan’s Bhediya 2 won’t release on August 14, 2026; Ranbir Kapoor-Alia Bhatt-Vicky Kaushal’s Love & War expected to clash with Kartik Aaryan’s Naagzilla on Independence Day week

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Bollywood Hungama was the first to inform our esteemed readers that Sanjay Leela Bhansali has delayed Love & War from the March 2026 slot due to a delay in shooting. 2 days ago, we revealed that Sanjay Leela Bhansali is looking at releasing the Ranbir Kapoor-Alia Bhatt-Vicky Kaushal starrer on August 14, 2026. Incidentally, a week ago, Kartik Aaryan’s newly launched project Naagzilla was announced for a release on the same day. And that’s not all. At the beginning of the year, Maddock Films had made an announcement that Bhediya 2, starring Varun Dhawan, would arrive in the same week. However, it seems like Bhediya 2 won’t be able to make it in the said week as scheduled. A source told Bollywood Hungama, “Bhediya 2 is getting delayed. The makers, that is, the team of Dinesh Vijan at Maddock Films, are already looking at other dates.” The source continued, “Three big films coming on the same day would have caused a lot of issues in screen...
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Last Things review – stones yield up their memories in poetic vision of life on Earth

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Deborah Stratman’s film looks far beyond humanity for answers to the big questions of survival, gathering the words of scientists and imaginative writers

Moving from the microscopic to the intergalactic, artist and film-maker Deborah Stratman offers a strikingly expansive vision of life on Earth, one that deliberately decentres human existence. With its collagist approach, this medium-length work turns to rocks for answers to the big question of survival and extinction. Having been around, in some cases, for billions of years, what do these mineral formations remember?

As explained by geologist Marcia Bjornerud, whose interviews and lectures form part of the voiceover, rocks do indeed hold memories. A bedrock, for instance, can carry traces of glaciers that no longer exist. These physical manifestations of past and present timelines encourage a different, non-linear way of looking at time and the world at large. This synergistic perspective is also reflected in Stratman’s dynamic, associative editing. Bjornerud’s empirical observations are punctuated by the enigmatic voice of film-maker Valérie Massadian, who reads out poetic passages from works by Clarice Lispector, J-H Rosny and others.

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