EXCLUSIVE: In a RARE development, Tu Meri Main Tera Main Tera Tu Meri front-row seats priced HIGHER than back rows at PVR Oberoi Mall, Goregaon and yet SOLD OUT

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Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, is all set to release tomorrow. The advance booking has picked up since Monday night and the romcom is all set to take a decent start at the box office. Interestingly, an interesting development has happened, probably for the first time ever, with Tu Meri Main Tera Main Tera Tu Meri. It’s generally understood that in most multiplexes, the front-row seats are priced the lowest, and the ticket rates steadily rise as you move towards the middle and back rows. But in the case of PVR Oberoi Mall Goregaon East, the unthinkable has happened. Here, you’ll have to shell out a higher price if you want to see the musical entertainer in the first three rows. But your ticket will be cheaper if you select the middle or the back rows! For the 8:00 am and 10:45 am show of Tu Meri Main Tera Main Tera Tu Meri on December 25, the first three rows, which come under the Classic category, are available for Rs. 370. But the Prim...
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Last Things review – stones yield up their memories in poetic vision of life on Earth

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Deborah Stratman’s film looks far beyond humanity for answers to the big questions of survival, gathering the words of scientists and imaginative writers

Moving from the microscopic to the intergalactic, artist and film-maker Deborah Stratman offers a strikingly expansive vision of life on Earth, one that deliberately decentres human existence. With its collagist approach, this medium-length work turns to rocks for answers to the big question of survival and extinction. Having been around, in some cases, for billions of years, what do these mineral formations remember?

As explained by geologist Marcia Bjornerud, whose interviews and lectures form part of the voiceover, rocks do indeed hold memories. A bedrock, for instance, can carry traces of glaciers that no longer exist. These physical manifestations of past and present timelines encourage a different, non-linear way of looking at time and the world at large. This synergistic perspective is also reflected in Stratman’s dynamic, associative editing. Bjornerud’s empirical observations are punctuated by the enigmatic voice of film-maker Valérie Massadian, who reads out poetic passages from works by Clarice Lispector, J-H Rosny and others.

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