BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

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A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
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Last Things review – stones yield up their memories in poetic vision of life on Earth

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Deborah Stratman’s film looks far beyond humanity for answers to the big questions of survival, gathering the words of scientists and imaginative writers

Moving from the microscopic to the intergalactic, artist and film-maker Deborah Stratman offers a strikingly expansive vision of life on Earth, one that deliberately decentres human existence. With its collagist approach, this medium-length work turns to rocks for answers to the big question of survival and extinction. Having been around, in some cases, for billions of years, what do these mineral formations remember?

As explained by geologist Marcia Bjornerud, whose interviews and lectures form part of the voiceover, rocks do indeed hold memories. A bedrock, for instance, can carry traces of glaciers that no longer exist. These physical manifestations of past and present timelines encourage a different, non-linear way of looking at time and the world at large. This synergistic perspective is also reflected in Stratman’s dynamic, associative editing. Bjornerud’s empirical observations are punctuated by the enigmatic voice of film-maker Valérie Massadian, who reads out poetic passages from works by Clarice Lispector, J-H Rosny and others.

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