Ramayana Update: Namit Malhotra announces ‘Rama’ glimpse release date on Hanuman Jayanti; global fan reveal planned

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The upcoming cinematic adaptation of the Ramayana continues to build momentum as producer Namit Malhotra confirmed a major update regarding the film’s promotional rollout. The first glimpse titled ‘Rama’ is set to be unveiled on April 2, coinciding with the auspicious occasion of Hanuman Jayanti, and will be marked by a grand global reveal for fans. The announcement came as Malhotra shared a note on social media on the occasion of Ram Navami, on Friday, March 27, offering insight into the vision and effort behind the ambitious project. In his message, he wished everyone and said, “Shubh Rama Navami. This is a story that belongs to all of us, and every step we take has been guided by a deep sense of responsibility, devotion, and care to bring our very own Ramayana to life in its truest spirit and scale with utmost sincerity. we look forward to sharing the next glimpse, ‘Rama’ On 2nd April, On the auspicious occasion of Hanuman Jayanti, as we begin to showcase all these years of our eff...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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