EXCLUSIVE: Scam 1992 writer Sumit Purohit to co-direct Scam 2010 with Hansal Mehta; shooting underway

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In 2020, Hansal Mehta made his digital debut with Scam 1992: The Harshad Mehta Story, a biographical financial thriller that became a groundbreaking success for SonyLIV and one of the most acclaimed Indian web series of its time. Mehta directed the Pratik Gandhi-led show with his filmmaker son Jai Mehta. Three years later, the franchise returned with Scam 2003: The Telgi Story; however, Hansal served only as showrunner, handing over directorial duties to Tushar Hiranandani. As the third season of the franchise, Scam 2010, takes shape, Hansal is set to return to the director’s chair, this time alongside a new co-director. Bollywood Hungama has exclusively learned that Sumit Purohit will co-direct Scam 2010 with Hansal Mehta. Purohit was among the writers of the first season and is intimately familiar with the franchise’s tone and storytelling approach, making him a natural fit for the job. The screenwriter made his directorial debut with the espionage thriller series Saare Jahan Se Acc...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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