Tiger Shroff, Abhishek Banerjee, and Elvish Yadav team up for Remo D'Souza's action franchise as Viccky Jain launches VJ Frames

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Producer and entrepreneur Viccky Jain has announced the launch of his production house, VJ Frames, marking the beginning of a new chapter in his career as a filmmaker. Making the announcement on his birthday, Jain also revealed the banner's maiden project—an ambitious action franchise that will be directed by choreographer-filmmaker Remo D'Souza and feature Tiger Shroff, Abhishek Banerjee, and Elvish Yadav in lead roles. The newly launched banner aims to back commercial entertainers across genres, with its debut project expected to combine action, spectacle and mainstream storytelling. While the makers have kept plot details under wraps, the announcement has already generated curiosity owing to the unusual casting combination of Tiger Shroff, known for his action-packed performances, alongside versatile actor Abhishek Banerjee and content creator-turned-actor Elvish Yadav. Speaking about the launch of VJ Frames, Viccky Jain described the occasion as the fulfilment of a long-ch...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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