BREAKING: Producer Bhushan Kumar, Aditya Roy Kapur and director Milap Milan Zaveri join forces for an intense musical love story

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After delivering the cult musical romance Aashiqui 2, Malang, Ludo and Metro… In Dino, producer Bhushan Kumar reunites with Aditya Roy Kapur for an all-new cinematic experience. Joining them is director Milap Milan Zaveri, fresh off the success of Ek Deewane Ki Deewaniyat, as the trio comes together for an intense, violent, and deeply emotional musical love story. Blending powerful romance, high-octane action, and a soul-stirring soundtrack, the yet-untitled film promises to present love in its most passionate and raw form. Backed by T-Series, the film is being mounted on a grand scale and is set to offer audiences a compelling theatrical experience. On coming back together once again, producer Bhushan Kumar said, “Our association with Aditya goes back many years and has given us films that audiences continue to love. From Aashiqui 2 to Metro… In Dino, every collaboration has been special in its own way. We share a great creative comfort, and I’m happy we’re coming together once again...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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