Jacqueliene Fernandez to face trial as Delhi court orders framing of charges in ED’s Rs 200 crores money laundering case

On May 30, 2026, a Delhi court ordered the framing of criminal charges against Jacqueliene Fernandez, conman Sukesh Chandrashekar, and 15 others in a high-profile Rs 200-crores money laundering case. The ruling establishes that the trial against the actor and the co-accused will formally commence following their appearance in court this week. Additional Sessions Judge (ASJ) Prashant Sharma observed that the investigative findings revealed a robust legal basis to proceed with the prosecution. "Prima facie, there is sufficient material on record based upon which a strong suspicion is raised against all the accused," the ASJ stated, as per a report by PTI. The court held that Fernandez and the others are liable to be prosecuted for the offence of money laundering under Section 3 of the Prevention of Money Laundering Act (PMLA), which is punishable under Section 4 of the same Act. The judge has directed all the accused individuals to appear physically in court on June 3 for the ...

Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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