‘There was a lot of addiction and trauma in my family’: why Drag Race winner Jinkx Monsoon plays a perfect Judy Garland

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As she takes on the icon in musical drama End of the Rainbow, Monsoon recalls a childhood spent watching Wizard of Oz on repeat – and explains why audiences are ready for trans performers in non-trans roles If these are strange times in America, they are particularly strange for Jinkx Monsoon, the 38-year-old actor, singer and drag artist who, since winning RuPaul’s Drag Race in 2013 and Drag Race All Stars in 2022, has become a huge breakout star. Monsoon, who has the white-lead-and-vinegar glamour of a 1930s movie star, has appeared on Broadway, at Carnegie Hall and in countless viral clips from Drag Race – and in other words is widely well known. And yet, she says, when she walks down the street in certain American cities, it is in a state of “not knowing if someone’s going to recognise me and be excited to see me, or recognise something about me and be hostile. It’s a really interesting dichotomy.” She lets out a huge laugh. “But it also keeps me humble, I gotta say.” We are back...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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