Sameer Wankhede calls The Ba***ds of Bollywood a “calculated hit job” aimed at settling personal scores: “Shha Rukh Khan, Aryan Khan can’t hide behind satire”

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IRS officer and former NCB Mumbai Zonal Director Sameer Wankhede has strongly objected to Shah Rukh Khan-owned Red Chillies Entertainment's defense of its Netflix web series The Ba***ds of Bollywood, calling the show "a calculated hit job designed to settle personal scores.” In his rejoinder filed before the Delhi High Court, Wankhede dismissed the production house's claim that the show is satire, stating the series is a deliberate attempt to malign his reputation following the 2021 cruise ship drug raid case involving Aryan Khan, who directed the series. Wankhede alleged, "the character of a government officer depicted in the series was deliberately modelled on him, citing striking resemblances in appearance, speech, and the use of his trademark phrase 'Satyamev Jayate.' He said the scene amounted to a 'premeditated, targeted campaign' intended to ridicule and destroy his reputation." He further added, "the defendants cannot hide behind the...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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