‘He’s not a monster’: Juliette Binoche talks Gérard Depardieu as verdict dominates start of Cannes

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Depardieu’s sexual assault verdict overshadowed first day of the film festival which once championed the actor, with jury president Binoche commenting on the ‘interesting timing’ Gérard Depardieu was the ghost in the wings at the opening of the Cannes film festival, after a court found the French star guilty of sexual assault. The Oscar-winning actor Juliette Binoche had barely begun her duties as Cannes jury president when she was asked to pass judgment on Depardieu and the wider culture of misogyny and sexual violence within the French film industry. “Interesting timing,” she said of the verdict. Depardieu denied allegations that he had sexually assaulted two women – a 54-year-old set dresser known only as Amélie and an unnamed 34-year-old assistant director – during production of the 2021 French drama The Green Shutters. But the judge ruled that the actor’s explanation of events was “unconvincing” before sentencing him to an 18-month suspended jail term . Depardieu’s legal team sa...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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