FWICE demands withdrawal of Ghooskhor Pandat title, warns of strict action

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The controversy around the upcoming Netflix film Ghooskhor Pandat, produced by Neeraj Pandey and starring Manoj Bajpayee, grew more intense this week after the Federation of Western India Cine Employees (FWICE) formally objected to its title and urged the makers to withdraw it, warning of significant industry action if the demand is not met. The dispute began soon after the film’s announcement and teaser release, with many viewers and various organisations criticising the title Ghooskhor Pandat as offensive and potentially derogatory toward a specific community. The title combines ghooskhor — a colloquial Hindi term for someone who takes bribes — with Pandat, commonly associated with the Brahmin community. Critics argued that this linkage could perpetuate stereotypes and hurt sentiments. FWICE’s Objection and Warning FWICE, a body representing workers, technicians and artists across more than three dozen affiliated associations, sent a letter to producers’ bodies and major OTT platfor...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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