Amul Topical pays heartfelt tribute to Asha Bhosle: “Sabka dil chura liya aapne”

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Amul, the iconic Indian dairy brand known for its insightful topicals, has paid a heartfelt tribute to the legendary playback singer Asha Bhosle following her sad demise on April 12, 2026. The tribute, shared on social media, beautifully encapsulates the singer's immense contribution to Indian music and her universal appeal. Amul Topical for Asha Bhosle The topical features an illustration of two versions of Asha Bhosle, each representing a different facet of her legendary career. On the left, she is seen as the quintessential stage performer, with her hand raised in her signature dramatic pose and a microphone in her hand. On the right, she is depicted as the dedicated studio singer, reading from a music sheet in front of a recording microphone. The topicals perfectly captures the essence of her versatility and her ability to touch hearts both on stage and in the studio. The caption for the topical, in Hindi, reads: "Sabka dil chura liya aapne," which translates to ...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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