Chuck Russell, director of The Mask and The Blob, dies aged 74

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The film-maker, also behind A Nightmare on Elm Street 3, died on Wednesday in his San Diego home Director Chuck Russell, who helped propel actors such as Jim Carrey , Cameron Diaz and Dwayne “The Rock” Johnson to the Hollywood A-list, was found dead in his San Diego, California, home on Wednesday. He was 74. Russell directed several box office hits in his decades-long career including A Nightmare on Elm Street 3: Dream Warriors, The Blob and The Mask. In 2002, his film The Scorpion King featured The Rock in his first leading role. Continue reading... from Film | The Guardian https://ift.tt/w2junr8 via IFTTT
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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