EXCLUSIVE: Rani Mukerji-starrer Oh My Goddess to go on floors in February; Akshay Kumar to have an extended cameo on the scale of OMG 2

The year 2026 began on a surprising note as news broke that Akshay Kumar had signed on for the third installment of the OMG series. The reports further claimed that this time, he would be joined by Rani Mukerji, who would be headlining the film. And that’s not all. This film won’t be called OMG 3 but instead has been named Oh My Goddess. Bollywood Hungama has learned that the film in question is indeed being made and has found more information on the film. A source told Bollywood Hungama, “Oh My Goddess goes on floors in February. It was reported that Akshay Kumar would have a special appearance and would shoot for only a day or two. However, the truth is that he has an extended cameo and has devoted many more days to filming. In fact, his screen time is the same or almost as the one he had in OMG 2 (2023).” The source further said, “The script was locked last year. It’s a unique idea and director Amit Rai has gone one step ahead this time to give the audience a novel experience with...

Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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