Arshad Warsi earns nearly Rs. 4 crores profit as he sells Mumbai commercial property for Rs. 6.25 crores: Report

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Bollywood actor Arshad Warsi has made a significant gain from a real estate transaction after selling a commercial property in Mumbai's sought-after Lokhandwala Complex. According to property registration documents accessed by real estate data analytics firm Liases Foras, the actor has sold the commercial unit for Rs. 6.25 crores, generating an estimated profit of nearly Rs. 4 crores over his original purchase price. As per these documents, the property is situated in Andheri West's Lokhandwala area and comprises a carpet area of 63.87 square metres (684 square feet). The unit was acquired by Umang Rajkumar Budhraja for Rs. 6.25 crores. The transaction was officially registered with the Maharashtra Inspector General of Registration on July 1, 2026. The registration records further indicate that the buyer paid a stamp duty of Rs. 37.50 lakhs to complete the purchase. Based on the transaction value and the property's carpet area, the deal translates to an approximate price o...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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