BREAKING: The RajaSaab ends with the promise of a sequel titled RajaSaab 2: Circus 1935

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The Prabhas-starrer The RajaSaab has sprung a major surprise on audiences, with the film ending on a clear hint that the story is far from over. In a move that will set social media buzzing, the makers reveal in the final moments that the film will continue in a sequel titled RajaSaab 2: Circus 1935. While The RajaSaab largely plays out as a horror-comedy mounted on a lavish scale, its closing stretch opens the doors to a much bigger universe. The title Circus 1935 suggests that the sequel will travel back in time, promising a blend of vintage aesthetics, mystery and spectacle, elements that align well with director Maruthi’s penchant for mixing genre thrills with mass entertainment. With The RajaSaab already generating strong buzz for its scale, visuals and Prabhas’ larger-than-life presence, the announcement of RajaSaab 2: Circus 1935 has only amplified the excitement among fans. Interestingly, the title hints at a darker, more enigmatic setting, with a circus backdrop from the 19...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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