Ranveer Singh to collaborate with Birla Studios for the adaptation of Amish Tripathi’s The Immortals of Meluha trilogy: Report

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Amish Tripathi’s bestselling novel The Immortals of Meluha has remained one of the most sought-after Indian mythology adaptations for years, with several filmmakers reportedly expressing interest in bringing the epic saga to the big screen. Now, the project appears to have finally found its leading man and production backing. As per recent reports, Ranveer Singh has shown keen interest in adapting the fantasy novel under his production banner Maa Kasam Films. The actor has reportedly joined hands with Ananya Birla’s Birla Studios to develop the ambitious trilogy, which will include The Immortals of Meluha, The Secret of the Nagas, and The Oath of the Vayuputras. According to sources close to the development, the adaptation is currently in its early stages, with the team focusing heavily on writing and world-building. “Ranveer has been passionate about bringing Meluha to the big screen for a long time now. The acquisition happened recently, and the project is now officially under devel...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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