Salman Khan in talks with Farhan Akhtar for two-part historical epic: Report

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Salman Khan's upcoming slate continues to expand. After signing an action-comedy with filmmaker duo Raj Nidimoru and Krishna D.K., and while shooting for his untitled film with director Vamshi Paidipally and co-star Nayanthara, the superstar is now reportedly exploring another major project. According to a report by Pinkvilla, Salman is currently in discussions with actor-filmmaker Farhan Akhtar for a large-scale historical action drama that could mark their first collaboration. A source close to the development told the publication, “Salman Khan and Farhan Akhtar have been meeting regularly over the last month and discussing a potential collaboration. Salman has loved what he has heard so far and has shown keen interest in the project.” The source added that conversations are still in the early stages. “The talks are still at an early stage and have not yet reached the paperwork phase, but both sides are excited about the possibility of coming together for the first time.” If the...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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