Ali Fazal and Richa Chadha to romance on screen for the first time in Shashie Vermaa directorial; film set for April 2027 release

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Ali Fazal and Richa Chadha are all set to share screen space as an on-screen couple for the first time in an untitled situational comedy directed by Shashie Vermaa. While the real-life couple has previously appeared together in the popular Fukrey franchise, this marks the first film where they will be paired opposite each other in lead roles. Backed by Scenework Productions and Giriraj Productions, the film will also star acclaimed actor Kumud Mishra in a pivotal role. Set against the vibrant and chaotic backdrop of Delhi, the comedy promises a slice-of-life narrative infused with humour, emotions, and social commentary. Shashie Vermaa, known for his work as an actor in films like Bala, Gunjan Saxena, and Kathal, as well as for writing and directing projects such as AK47 and Murga Trophy, will helm the yet-untitled entertainer. The film is scheduled to go on floors in the second half of 2026, with a theatrical release planned for April 2027. Speaking about the project, Ali Fazal said,...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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