Anshuman Jha unveils teaser poster of Lakadbaggha 2: The Monkey Business; announces Diwali 2026 release

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First Ray Films has unveiled the teaser poster of the much-anticipated action thriller Lakadbaggha 2: The Monkey Business, marking a special moment for the franchise and its creator. The announcement coincides with the birthday of actor-director Anshuman Jha, making the reveal both a celebration of the film and a personal milestone for the artist. The film centres around the endangered Celebes crested macaque, a rare primate native to Indonesia, also known as the North Sulawasi ‘Yaki Monkey’. Along with the teaser poster drop, the makers have officially announced the film’s worldwide theatrical release for Diwali 2026, positioning the sequel as one of the festival season’s big action spectacles. The film will be having a high profile film festival run between June-November prior to its Worldwide release. Directed by Anshuman Jha, Lakadbaggha 2: The Monkey Business continues the story of Kolkata based Arjun Bakshi — the animal-loving vigilante who, once again, will go the distance to...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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