Tyler Perry accused of sexual harassment and workplace gender violence

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Media mogul faces allegations of creating ‘coercive, sexually exploitative dynamic’ in lawsuit seeking $260m in damages Tyler Perry has been accused of sexual harassment, workplace gender violence and sexual assault in a lawsuit from an actor who said the media mogul used his influence and power to create a “coercive, sexually exploitative dynamic”. In the suit filed in Los Angeles last week and first reported on Tuesday, Derek Dixon, who worked on Tyler Perry’s shows Ruthless and The Oval, said Perry promised career advancement but subjected him to “escalating sexual harassment, assault and battery”. Dixon alleges he was subjected to harassment and abuse by Perry while he “held direct control over his employment, compensation, and creative opportunities” and that he faced retaliation when he did not respond favorably to his advances. Continue reading... from Film | The Guardian https://ift.tt/6VBUJkb via IFTTT
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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