Raashii Khanna speaks out on Bollywood’s South remake trend; says, “Dubbed films are anyway available to watch online”

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Actress Raashii Khanna acknowledges the prevalent trend of Bollywood drawing inspiration from successful South Indian films to boost box office performance. However, she believes it’s time for the industry to shift gears. With audiences now craving original storytelling and dubbed South films easily available online, Raashii stresses the need for fresh content. In today’s pan-India cinema landscape, she agrees that Bollywood’s attempt to replicate South hits is a reality, but one that needs rethinking. Raashii told Hindustan Times, “⁠I can’t disagree that we do see remakes from the south quite often but I think the industry is also realising more and more that the audience needs newer content and that dubbed films are anyway available to watch online.” She added, “With the rise of OTT platforms, language is no longer a barrier. I can sense a shift in the industry's mindset, and I genuinely hope we start creating more original content and exploring different genres—because honestl...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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