Executioner review – sleazy MP hams it up with sex worker in darkly comic blackmail thriller

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Based on actor-director Peter Benedict’s own play this tiny-budget thriller has the feel of a stagey recording as the double-crosses pile up higher than an MP’s promises The fictional shadow cabinet minister at the centre of this darkly comic blackmail thriller is offended when the male prostitute he has hired describes his reputation as “colourful”. Colourful MPs support bloodsports and wear bow ties, he says; he prefers the term “maverick”. It’s never said out loud, but clearly he sits on the right in political terms; you can tell from the sneer in his voice as he utters the word “proletariat”. Executioner is adapted by Peter Benedict from his play Deadlock, with a staginess that feels a bit much for the screen. Benedict also co-directs and stars as the MP, called Robert Marlowe, giving a lip-smacking performance that makes Hannibal Lecter look like a character from kitchen sink realism. The entire film is set in the basement studio of Marlowe’s country pile, where he dabbles in pott...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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