Film-maker Paul Schrader accused of sexually assaulting personal assistant

Writer and director behind Taxi Driver and American Gigolo accused by former employee in lawsuit Paul Schrader , the writer of Taxi Driver and director of American Gigolo, has been accused in a lawsuit of sexually assaulting his former personal assistant, firing her when she wouldn’t acquiesce to advances and reneging on a settlement that was meant to keep the allegations confidential. The former assistant, identified in court documents as Jane Doe, sued the filmmaker and his production company on Thursday. She is seeking a judge’s order to enforce the agreement after Schrader said he couldn’t go through with it. The terms, including a monetary payment, were not disclosed. Continue reading... from Film | The Guardian https://ift.tt/0oE8qGa via IFTTT

Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

Continue reading...

from Film | The Guardian https://ift.tt/Cl1GtcY
via IFTTT

Comments

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast