‘It needs to be loud’: Jozef Van Wissem’s one-man mission to make the lute rock again

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The Dutch ex-punk and Jim Jarmusch bandmate talks about his passion to free up a hidebound repertoire and make its strings ‘a real pop instrument’ Nobody can accuse Jozef Van Wissem of doing things by halves. The musician, very likely the world’s most notorious contemporary lutenist, owns a sonic arsenal of eight of the string instruments: some bespoke, and all boasting remarkable features. With them he has created a huge body of work, nearly 50 titles to date. Another album, This Is My Blood is released this May. Each Easter, Van Wissem settles down to compose a new record. He finds the peace of Warsaw, where everyone has “gone away for the holidays”, more amenable for work than “noisy” Rotterdam, where he also has a flat. Continue reading... from Film | The Guardian https://ift.tt/lIktvjD via IFTTT
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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