Priyadarshan confirms he is not part of Hera Pheri 3 after Firoz Nadiadwala's clarification; says film's future remains uncertain

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Filmmaker Priyadarshan has confirmed that he is not associated with Hera Pheri 3, shortly after producer Firoz Nadiadwala clarified that the veteran director is not involved in the much-awaited comedy sequel. While Nadiadwala maintained that the project is progressing in the right direction, Priyadarshan offered a more cautious outlook, stating that the film's future remains uncertain due to legal and personal issues. Firoz Nadiadwala says Priyadarshan is not part of the film During an interview with Variety India, producer Firoz Nadiadwala was asked about Priyadarshan's reported association with Hera Pheri 3. Dismissing the speculation, he said, "No, Priyadarshan is not part of it." Sharing an update on the film's progress, the producer added, "Things are on track and moving in the right direction." Hera Pheri 3 has witnessed several delays and changes in direction over the years, leading to frequent speculation surrounding its development. While Nadi...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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