Delhi HC postpones hearing on Salman Khan's petition against Kala Hiran; next hearing on July 1

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 The Delhi High Court on Friday deferred the hearing on actor Salman Khan's plea seeking to restrain the filming, promotion, and release of the proposed film Kala Hiran: The Battle for Legacy. The matter was postponed after counsel representing the filmmakers sought additional time to file a response to the application. The case was heard by the vacation bench of Justice Madhu Jain, which has now listed the matter before the roster bench on July 1. Salman Khan has approached the court alleging that the proposed film and its promotional material are based on incidents linked to him and unlawfully exploit his personality and publicity rights. Salman Khan seeks interim relief During the hearing, Senior Advocate Sandeep Sethi, appearing on behalf of Salman Khan, urged the court to grant interim protection against the film's release and promotional activities. "He is producing a film on my life and tearing up the notice. He has no right to make a film of my life. I am seeking ...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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