SCOOP: Sanjay Dutt asks Rajkumar Santoshi to direct Khalnayak Returns; veteran filmmaker politely declines the offer

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On April 24, Sanjay Dutt, Aksha Kamboj, Executive Chairperson of Aspect Global (Aspect Entertainment), Subhash Ghai and Jyoti Deshpande of Jio Studios announced Khalnayak Returns at an event in Mumbai. The intro teaser of Khalnayak Returns was unveiled at this event, and it received a thunderous response. Sanjay Dutt looked dashing, and the use of the iconic Khalnayak theme added to the excitement. Since Subhash Ghai had directed the original Khalnayak (1993), it was widely assumed that the Showman would return to helm Khalnayak Returns as well. Soon, Subhash Ghai confessed that he won’t be donning the director’s hat again. A source told Bollywood Hungama, “Sanjay Dutt was keen that Rajkumar Santoshi should direct Khalnayak Returns. He felt that Raj ji has an understanding of commercial cinema and would be able to do justice. Moreover, the two powerhouse, talented individuals have never worked together. Hence, Sanjay Dutt felt that it would be great to finally join hands with Rajkumar...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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