Ridhi Dogra fronts National Geographic India’s new travel series Postcards from Hong Kong

National Geographic India has announced a new two-episode travel series titled Postcards from Hong Kong, featuring Ridhi Dogra exploring a different perspective of Hong Kong beyond its familiar skyline and urban image. The series premieres on March 28 at 8 PM on National Geographic Channel and will also stream on JioHotstar. Produced by National Geographic Creative Works, the show follows Ridhi as she travels through both well-known landmarks and lesser-seen locations across the city. The series highlights coastal landscapes, hiking trails and cultural experiences while also presenting everyday local life through interactions with guides and influencers. In the first episode, Ridhi explores quieter and nature-focused destinations such as Sai Kung, Big Wave Bay, Dragon’s Back, Tai O, Ngong Ping, Po Lin Monastery and the Tian Tan Buddha. The journey reflects a slower and more reflective side of the city while also documenting her personal experience of travel and discovery. The second...

Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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