‘No surprise’: Robert Aramayo’s teachers knew Bafta winner was destined for great things

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Awarded best actor and rising star for role as man with Tourette syndrome in I Swear the 33-year-old was ‘mesmerising’ even when learning his craft in Hull What is Tourette syndrome, what are tics and what happened at the Baftas? Standing on stage, barely holding back tears and struggling to express his startled elation at being named best actor at last night’s Bafta awards in London, the first words to leave Robert Aramayo’s mouth were “wow”. His next few words, chosen after a brief and only half successful attempt to compose himself, were “I absolutely can’t believe this.” And how could he. Aramayo, 33, had not only unexpectedly beaten the likes of Leonardo DiCaprio and Timothée Chalamet to capture his grand prize , but had also collected the rising star award earlier in the evening, becoming the first actor or actress in history to win both awards on the same night. It was, in his own words, unbelievable. Continue reading... from Film | The Guardian https://ift.tt/9NGc2rd ...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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