Picture This review – Bridgerton star can’t save tinny romcom

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Simone Ashley tries her best in Amazon’s gimmicky romantic comedy but it’s too flimsy and forgettable to demand our attention I am generally wary of streaming platform originals, so often do they feel like the fast fashion of the film world: cheap, disposable, chasing ephemeral interests and brittle with repeat use. But I will give Netflix, Amazon and co props for this: for nearing a decade now, they have attempted to fill a void left by the theatrical box office, whose hollowed-out market rarely supports the mid-budget adult films – particularly romcoms and erotic thrillers – that routinely entertained non-franchise audiences in decades past. Only occasionally do they succeed, as in the case of Netflix’s Do Revenge or Players , but the mission remains worthwhile. Picture This, a new romcom from Amazon Prime Video, has promising elements suggesting it could be one of the better entries. Namely: the presence of Simone Ashley, the always luminous breakout star of the Netflix confectio...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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