SCOOP: Ranveer Singh buys the rights for The Immortal of Meluha trilogy for Rs. 40 crores from Amish Tripathi

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After the success of the Dhurandhar franchise, Ranveer Singh has become the new King of the Indian Film Industry. With back-to-back all-time grossers under his kitty, the young actor has officially secured the tag of a superstar, and all eyes are now on his next move. While several speculations on the financials of Pralay continue to grab chatters in the industry circles, Bollywood Hungama has exclusively learnt that Ranveer Singh has quietly acquired the rights for The Immortals of Meluha.  "Ranveer Singh was to lead Immortals of Meluha for Sanjay Leela Bhansali. However, the project never materialised. But the actor was always fascinated by the world, and had the dream of playing Lord Shiva in the spectacle. The minute rights of Immortal of Meluha expired on Sanjay Leela Bhansali, Ranveer went ahead and procured it under his own banner - Maa Kasam Films," a source told Bollywood Hungama. The source also informs that the sum splurged by Ranveer Singh to bag the rights is ...
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

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Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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