Lalit Modi DENIES Bigg Boss 20 participation, calls reports “fake news” and issues legal notice

Reports claiming that IPL founder and businessman Lalit Modi will enter the Bigg Boss 20 house have been denied by Modi, who has also issued a legal notice to publications and social media accounts that carried the claim. The clarification came a day after several social media accounts reported his alleged participation in the upcoming season of the Salman Khan-hosted reality show. Taking to X early on Saturday morning, Modi categorically rejected the reports and said he has neither been approached for the show nor intends to participate in it. “FAKE NEWS. PERIOD. I have NOT been approached for Bigg Boss 20. I am NOT participating in Bigg Boss 20. And I have NO intention of doing so. Amazing how a completely fabricated story can become ‘news’ without anyone bothering to ask the person concerned,” he wrote. Modi also shared a legal notice issued by his lawyers, Hirani & Associates, and warned the publications and social media accounts that had carried the reports. “Perhaps next tim...

Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue

Venice film festival
Luis Ortega’s film veers off the racetrack as jockey Remo drifts around the city streets, pursued by a pregnant girlfriend who wants him back and a gangster who wants him dead

People ride horses for all sorts of reasons, explains the jockey hero of Luis Ortega’s offbeat and stylish Argentinian crime drama. They ride to arrive at their destination more quickly, or to wage war more effectively. Mostly, he says, they ride to escape. This jockey is familiar with the nagging urge to take flight. He is a study in motion, a figure in flux. Show him a fence and he will promptly jump it – or die trying.

There is much to relish in Kill the Jockey, not least Nahuel Pérez Biscayart’s wonderfully stone-faced performance as Remo Manfredini, the rider who absolutely, positively has to win his next race in order to keep a gangster off his back. Biscayart plays Remo as though he is the soulful clown in a silent movie, Buster Keaton with a riding crop. He gives the impression of being the bemused lightning rod for events, as opposed to what he really is: an unruly, drug-fuelled rogue agent who is a danger to himself and pretty much everyone else around. “We know all about your unquenchable thirst for disaster,” says leathery Sirena (Daniel Giménez Cacho), the mob boss, in the brief moment of calm between the scene in which Remo performs a slapstick somersault at the starting gate and the moment when he gallops full-tilt at the race-track’s barricades.

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