‘An environmental nuclear bomb’: documentary examines fight to save Great Salt Lake

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Sundance film festival: A cautionary new film, executive-produced by Leonardo DiCaprio, warns of the devastating consequences if the Utah lake continues to disappear The Sundance film festival kicked off its final edition on Thursday in Park City, the Utah ski enclave that has housed the independent film hub for more than four decades. Beginning in 2027, the festival will move to Boulder, Colorado , after a multi-year selection process that many assumed would end in Salt Lake City. Utah’s largest city, a mere 30 miles from the festival center, has long hosted extra Sundance events and served as its transit center. It’s a rapidly growing metropolitan area, a mecca for outdoor enthusiasts, a major US city – and, according to a new documentary that opened this year’s festival, facing an imminent ecological crisis. Continue reading... from Film | The Guardian https://ift.tt/fq6leCM via IFTTT
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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