Alia Bhatt and Sharvari shoot with Samay Raina for India’s Got Latent Season 2 in viral photo

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A viral picture featuring Alia Bhatt, Sharvari and comedian Samay Raina has taken social media by storm, sparking widespread speculation around the return of India’s Got Latent. The photos, reportedly clicked at The Habitat in Mumbai, have led fans to believe that the actresses may be appearing as part of the promotional campaign for their upcoming spy-universe film Alpha. While there has been no official confirmation from the makers or the actors involved, the viral images have already triggered intense discussions online. Many fans appeared excited at the possibility of seeing Alia and Sharvari participate in Samay Raina’s popular digital talent-roast format, especially given the enormous online popularity the show achieved after its launch in 2024. Created by Samay Raina, India’s Got Latent quickly became one of the most talked-about digital shows in the country due to its unfiltered humour, unpredictable format, and viral guest interactions. However, the show also attracted contro...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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