Janhvi Kapoor charged Rs. 8 crores to act with Ram Charan in Peddi 

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In the midst of all the controversy around her character and its portrayal in the Buchi Babu-directed Peddi, Bollywood Hungama has exclusively learnt that Janhvi Kapoor drew her biggest pay cheque for the film. According to reliable trade sources, the actress was paid a sum of Rs. 8 crores for the part of female lead alongside Ram Charan. "This is the biggest pay cheque of her career, and she was a thorough professional on the sets of Peddi. She was paid Rs. 5 crores for Devara, and this is a jump of about 50 per cent from Devara. With back-to-back success in the Telugu film industry with Devara and Peddi, Janhvi is considered to be the woman with a golden leg in the fraternity, commanding a 100 per cent success ratio," a trade source informed Bollywood Hungama. The source further added that Janhvi will next be seen in Atlee-directed Raka alongside Allu Arjun. In Hindi, she will next be seen in Lag Ja Gale with Tiger Shroff and Lakshya. "Janhvi is offered multiple proje...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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