Anees Bazmee to shoot his next comedy with Akshay Kumar and Vidya Balan from January 15

Birthday girl Vidya Balan gets an unexpected gift from Anees Bazmee. She begins shooting for the filmmaker’s next, which also stars Akshay Kumar, from January 15. The shooting will continue till January 20. After Bhool Bhulaiyaa and Heyy Babyy in 2007, Thank You in 2011 and Mission Mangal in 2019, Vidya Balan and Akshay Kumar are coming together again. Anees Bazmee earlier directed the pair in the comedy Thank You. On probing the captivating casting, one came to know that Anees would be tapping into Vidya-Akshay’s combined comic capabilities. Everyone knows of Akshay’s impeccable comic timing. But Vidya, who has flaunted a fleeting flair for the funnies in Anees’ Bhool Bhulaiya 3, would be exposing her humour fangs like never before. Also Read: REVEALED: Akshay Kumar-Vidya Balan-Anees Bazmee film to go on floors on January 19 in Mumbai; Dil Raju clarifies on Sankranthiki Vasthunam remake reports from L...

‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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