Alia Bhatt backs students amid NEET protest in heartfelt note: “Their courage humbles me”

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Actor Alia Bhatt has become the latest celebrity to speak out on the ongoing protests over the alleged NEET paper leak and the violence reported during demonstrations at Delhi's Jantar Mantar. In an emotional note shared on Instagram, the actor expressed solidarity with the students and praised their courage and determination. Reflecting on the developments over the past few days, Alia wrote that the events had left her heartbroken while also giving her hope. "The last few days have broken my heart and then mended it, again and again, with hope," she wrote. Alia Bhatt says students represent hope and sacrifice The actor said every student participating in the movement represents years of hard work, sacrifice, and the aspirations of their families. She added that their fight extends beyond their own future and could create a better path for generations to come: "Behind every student standing their ground is a dream, a family's hope, a journey of countless sacrifi...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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