Chaos at the box office: Scary Movie postponed; Hai Jawani Toh Ishq Hona Hai, Peddi, He-Man And The Masters Of The Universe face screen-sharing issues

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The first Friday of June will see several films releasing in cinemas like Hai Jawani Toh Ishq Hona Hai, Bandar and Ram Charan-starrer Peddi. Two Hollywood films were also scheduled for release – He-Man And The Masters Of The Universe and Scary Movie. Bollywood Hungama has learned that the latter won’t be able to make it to cinemas this Friday, June 5. An exhibitor told Bollywood Hungama, “We don’t know what the reason is for the delay. It may be due to too many films this week. Last week’s Obsession is also going strong and it’ll take up some shows. Or it could be due to censorship issues. It now remains to be seen whether Scary Movie arrives next Friday, June 12.” Meanwhile, as expected, the screen-sharing issues have cropped up between Peddi in the Hindi-speaking markets and Hai Jawani Toh Ishq Hona Hai. The former, which also stars Janhvi Kapoor, releases in cinemas on June 4. A trade source told us, “The non-national multiplexes have thrown open the bookings of Peddi. The issue ha...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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