Shah Rukh Khan’s manager Pooja Dadlani buys Rs.38 crores sea-facing apartments in Bandra

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Pooja Dadlani, Shah Rukh Khan’s longtime manager and one of the most trusted members of his inner circle, has reportedly made a major real estate investment in Mumbai. According to property registration documents reviewed by CRE Matrix, Dadlani and her family have purchased three luxury sea-facing apartments in Bandra for a combined value of Rs.38.21 crores. The reported purchase has quickly become one of the most talked-about celebrity property deals of the year. The apartments are located in an upscale redevelopment project on Carter Road, one of Mumbai’s most sought-after residential stretches known for its premium sea-facing properties and celebrity residents. As per the reports, the ownership of the three apartments has been divided between Pooja Dadlani, her husband Hitesh Prakash Gurnani, and her father Mohan Seoram Dadlani, with one unit registered in each of their names. The homes are situated on one of the higher floors of a building named Varun, which is being developed by...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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