Aamir Khan Productions, Kabir Khan Films and Australia’s Mind Blowing Films announce Silkyara 41 based on Uttarakhand tunnel rescue

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Aamir Khan Productions, Kabir Khan Films and Australian banner Mind Blowing Films have officially announced Silkyara 41, a feature film inspired by the extraordinary rescue operation at the Silkyara Tunnel in Uttarakhand. The project will chronicle the dramatic mission that led to the safe rescue of 41 trapped workers and highlight the contribution of internationally renowned tunnelling expert Professor Arnold Dix. The announcement was made on July 9 in Melbourne and Mumbai, coinciding with a significant moment in India-Australia relations as both nations continue to strengthen bilateral ties. The makers have described Silkyara 41 as a landmark Indo-Australian collaboration that brings together creative talent, storytelling traditions and production expertise from both countries. The film will be directed by Kabir Khan, known for films such as Bajrangi Bhaijaan and '83, while the screenplay has been penned by acclaimed Australian writer Andrew Anastasios, whose credits include The...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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