Ankita Lokhande appeals for help as house help’s daughter goes missing; seeks Mumbai Police’s urgent intervention

In a heartfelt and urgent plea, popular television and film actress Ankita Lokhande has taken to social media to raise alarm over the sudden disappearance of two young girls closely connected to her household. The actress revealed that Saloni, the daughter of her house help Kanta, and her friend Neha have been missing since 10 am on July 31, last seen in the Vakola area of Mumbai. The emotional post, shared via Ankita's official Instagram handle, quickly gathered traction as concerned fans and fellow citizens began amplifying the message across platforms. Expressing the gravity of the situation, Ankita wrote, “Our house help Kanta's daughter and her daughter's friend, Saloni and Neha, have been missing since July 31, 10 am. They were last seen near the Vakola area. An FIR has already been filed at Malvani Police Station, but their whereabouts are still unknown. They are not just part of our home - they're family.” The actress went on to tag Mumbai Police and include t...

‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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