EXCLUSIVE: Kartik Aaryan-starrer Naagzilla wraps shoot on a sweet note; Ravi Kishan and team celebrate as Mahaveer Jain, Mrighdeep Singh Lamba say, "Dharma is the BEST company to partner with"

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Bollywood Hungama has been at the forefront of breaking news on Naagzilla. We have now exclusively learned that it’s a wrap on the film’s shoot. Moreover, we also stumbled upon an exclusive picture of the cake that was cut on the last day of filming. A source told Bollywood Hungama, “Most of the shoot of Naagzilla had been completed, but one day of filming remained. It took place yesterday, Sunday, July 26, in Mumbai. Ravi Kishan was present along with director Mrighdeep Singh Lamba, writer Gautam Mehra and co-producer Divyansh Jain. They were jubilant about the wrap but also emotional, as they had shared a fun-filled and memorable journey while making the film. It was a hectic yet highly exciting shoot for the cast and crew.” The source further said, “To celebrate the occasion, a cake bearing the words ‘Naagzilla Film Wrap’ was brought in and enjoyed by the cast and crew. Incidentally, July 25 was director Mrighdeep Singh Lamba’s birthday, which further added to the celebratory mood ...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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