Tiger Shroff and Lakshya lead 100+ dancers for high-energy track in Lag Jaa Gale: Report

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Tiger Shroff and Lakshya are gearing up to shoot a major dance-off sequence for their upcoming film Lag Jaa Gale, with a large production number scheduled to be shot at Mukesh Mills in Colaba starting December 24, 2025. The sequence is being described by insiders, quoted by a Mid-Day report, as a full-scale dance battle designed to showcase contrasting performance styles between the two actors. The report stated that choreographer Ganesh Acharya has crafted the routine, which involves over 100 professional dancers and is expected to be wrapped up by December 29. The beat-driven number is reportedly structured to highlight Tiger’s explosive, athletic dance approach alongside Lakshya’s more fluid and relaxed style, with rehearsals underway for the past three weeks. The dance face-off adds a new layer of excitement to Lag Jaa Gale, a revenge action-drama produced by Dharma Productions and directed by Raj Mehta. The film also stars Janhvi Kapoor, with whom Tiger Shroff shares screen spac...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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