Pawan Kalyan’s Ustaad Bhagat Singh to clash with Dhurandhar: The Revenge on March 19

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While Yash has played it safe with his Toxic, relocating it as far away from Dhurandhar: The Revenge as possible, another braveheart has decided to take on Aditya Dhar’s sequel head-on. Pawan Kalyan ambitious project Ustaad Bhagat Singh has been preponed from March 22 to March 19, thereby precipitating a direct clash with Dhurandhar 2. Pawan took this flash decision following the postponement of Yash’s Toxic from March 19 to June 4. A source very close to Dhurandhar told this writer that Pawan Kalyan’s airdrop means nothing to the Dhurandhar team. They were not perturbed by the release of Toxic on March 19, they are not taking the competition from Ustaad Bhagat Singh seriously. However, Pawan Kalyan is taking the clash to the highest level. A source close to Pawan revealed, “He firmly feels the March 19 slot and its Eid and Rama Navami holidays offer enough room for more than one blockbuster. He will be vigorously promoting...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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