The brief life and sudden death of Zyzz: why did the bodybuilding influencer die at just 22?

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Long before looksmaxxers, Aziz ‘Zyzz’ Shavershian was famous online for posting workouts and rage-bait – until he died in Thailand in 2011. A new documentary reveals what really happened Decades before the extreme aesthetic trend of looksmaxxing, there was Zyzz. Aziz Shavershian was an Australian teenager who became a fitness influencer in the 2000s, filming his workouts and thoughts about the world on his Nokia and posting them to YouTube. Zyzz was big in all senses of the word: many of his videos would see him flexing into unabashedly vain bodybuilding poses, hair feathered like an anime character, as he mocked his audience’s envy with slang straight out of bodybuilding forums: “U mirin’, brah?” He was skilled in rage-bait long before anyone had heard of it, creating accounts to troll himself in case the haters ever forgot to hate. He started an anonymous Facebook page, titled “10,000 likes and I’ll bash Zyzz”, and, when the goal was reached, switched the page to one advertising his ...
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‘It’s like Game of Thrones!’ The return of India’s ancient superhero fantasy epic

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In the 1980s, Peter Brook’s adaptation of The Mahabharata enchanted audiences on stage and screen. As Brook’s son presents a restored print at the Venice film festival, he and his team discuss the work’s extraordinary journey

When Antonin Stahly was nine years old, his mother took him to the Théâtre des Bouffes du Nord in Paris to see a production of the ancient Indian epic The Mahabharata, which translates loosely as “the great story of mankind”. More than 20 actors from 16 countries performed on a stage steeped in red earth and scarred by a water-filled trench; fire also played a leading role. Directed by Peter Brook, whom the RSC founder Peter Hall called “the greatest innovator of his generation”, and adapted by Luis Buñuel’s former co-writer Jean-Claude Carrière, this spectacular Mahabharata weighed in at nine hours, plus intervals. Even at that length, it represented a massive compression of its source text, which runs to 1.8m words. Brook and Carrière’s version has been likened to summarising the Bible in 40 minutes.

Audiences could devour The Mahabharata in three parts over successive evenings or as an all-day weekend marathon; in some outdoor venues, such as the limestone quarry in Avignon where the production premiered in 1985, it began at dusk and climaxed just as the dawn sun lit up the sky. Stahly saw it in a single noon-to-midnight sitting. “It was like a superhero fantasy,” he says, still sounding awestruck. “It had Bhima, the strongest man on Earth, and Bhishma, who has the power to live for ever. Arjuna was the best warrior. And then there were all the gods. It was amazing for me, because I’m half Indian, but I wasn’t brought up in an Indian context.”

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