Hugh Grant says fourth Bridget Jones film will be ‘funny but very sad’

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Actor reprises character of Daniel Cleaver but says he won’t play role of ‘60-year-old wandering around looking at young girls’ It is a universally acknowledged truth that Bridget Jones films are packed with humour and comedic scenes that attract viewers in their droves. However, in a slight departure, Hugh Grant has revealed that the fourth film in the series will also be “very sad”. Continue reading... from Film | The Guardian https://ift.tt/ZJoB2VO via IFTTT
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Gena Rowlands: the fiercest, most incandescent star of US indie cinema

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Subtle yet tough and fearless, the actor blazed a trail through American movies in the 70s – in particular in close collaboration with her husband John Cassavetes

• Gena Rowlands, star of A Woman Under the Influence and Gloria, dies at 94

‘I was always a BROAD! I can’t stand the sight of MILK!” This is Gena Rowlands at her awe-inspiring toughest in John Cassavetes’ extraordinary drama-thriller Gloria from 1980. She is sexy, smart, a match for any man. Rowlands was a strong, passionate heroine in the tradition of Barbara Stanwyck, Bette Davis and Lauren Bacall. In fact, her director-husband John Cassavetes was in some ways Bogart to her Bacall. Rowlands staked a claim to the male prerogative of being sensual, dangerous and damaged; a natural survivor. In Gloria, and also in Woody Allen’s Another Woman (1988), in which she plays a severe philosophy professor, Rowlands wears a belted trenchcoat, the kind that Bogart would wear.

In recent years, Rowlands was known most widely as the sweet old lady in the tearjerking drama The Notebook (2004), being read to in a retirement home by the ageing and gallant James Garner. She was tenderly directed in this film by her son, Nick Cassavetes. For all its mawkishness, the film acquired a real fanbase, but it gives only the most oblique indication of what Rowlands was like in her magnificent, leonine prime.

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