Will the first glimpse of Ranbir Kapoor’s Ramayana be launched at WAVES Summit 2025?

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One of the most awaited films of Indian Cinema, Ramayana, will be released next year, on Diwali 2026. The excitement for it has been sky high due to its solid casting and association of Nitesh Tiwari, of Dangal (2016) and Chhichhore (2019) fame, as director. Last year, the makers released a teaser poster in November and made it clear that while the first part will be out next year, the second part will be released on Diwali 2027. And if sources are to be believed, a new announcement about the film will be out as early as next week. A source told Bollywood Hungama, “The first World Audio Visual & Entertainment Summit (aka WAVES Summit) will be held from May 1-4, 2025 and the organizers are clear that they want it to be one of the biggest talking points of the year. Accordingly, they have invited some of the biggest names from different film industries in India. To add to the excitement, the team of Ramayana is looking to share an update during this star-studded event. It will be a ...
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Gena Rowlands: the fiercest, most incandescent star of US indie cinema

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Subtle yet tough and fearless, the actor blazed a trail through American movies in the 70s – in particular in close collaboration with her husband John Cassavetes

• Gena Rowlands, star of A Woman Under the Influence and Gloria, dies at 94

‘I was always a BROAD! I can’t stand the sight of MILK!” This is Gena Rowlands at her awe-inspiring toughest in John Cassavetes’ extraordinary drama-thriller Gloria from 1980. She is sexy, smart, a match for any man. Rowlands was a strong, passionate heroine in the tradition of Barbara Stanwyck, Bette Davis and Lauren Bacall. In fact, her director-husband John Cassavetes was in some ways Bogart to her Bacall. Rowlands staked a claim to the male prerogative of being sensual, dangerous and damaged; a natural survivor. In Gloria, and also in Woody Allen’s Another Woman (1988), in which she plays a severe philosophy professor, Rowlands wears a belted trenchcoat, the kind that Bogart would wear.

In recent years, Rowlands was known most widely as the sweet old lady in the tearjerking drama The Notebook (2004), being read to in a retirement home by the ageing and gallant James Garner. She was tenderly directed in this film by her son, Nick Cassavetes. For all its mawkishness, the film acquired a real fanbase, but it gives only the most oblique indication of what Rowlands was like in her magnificent, leonine prime.

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