Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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Gena Rowlands: the fiercest, most incandescent star of US indie cinema

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Subtle yet tough and fearless, the actor blazed a trail through American movies in the 70s – in particular in close collaboration with her husband John Cassavetes

• Gena Rowlands, star of A Woman Under the Influence and Gloria, dies at 94

‘I was always a BROAD! I can’t stand the sight of MILK!” This is Gena Rowlands at her awe-inspiring toughest in John Cassavetes’ extraordinary drama-thriller Gloria from 1980. She is sexy, smart, a match for any man. Rowlands was a strong, passionate heroine in the tradition of Barbara Stanwyck, Bette Davis and Lauren Bacall. In fact, her director-husband John Cassavetes was in some ways Bogart to her Bacall. Rowlands staked a claim to the male prerogative of being sensual, dangerous and damaged; a natural survivor. In Gloria, and also in Woody Allen’s Another Woman (1988), in which she plays a severe philosophy professor, Rowlands wears a belted trenchcoat, the kind that Bogart would wear.

In recent years, Rowlands was known most widely as the sweet old lady in the tearjerking drama The Notebook (2004), being read to in a retirement home by the ageing and gallant James Garner. She was tenderly directed in this film by her son, Nick Cassavetes. For all its mawkishness, the film acquired a real fanbase, but it gives only the most oblique indication of what Rowlands was like in her magnificent, leonine prime.

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