EXCLUSIVE: In a RARE development, Tu Meri Main Tera Main Tera Tu Meri front-row seats priced HIGHER than back rows at PVR Oberoi Mall, Goregaon and yet SOLD OUT

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Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, is all set to release tomorrow. The advance booking has picked up since Monday night and the romcom is all set to take a decent start at the box office. Interestingly, an interesting development has happened, probably for the first time ever, with Tu Meri Main Tera Main Tera Tu Meri. It’s generally understood that in most multiplexes, the front-row seats are priced the lowest, and the ticket rates steadily rise as you move towards the middle and back rows. But in the case of PVR Oberoi Mall Goregaon East, the unthinkable has happened. Here, you’ll have to shell out a higher price if you want to see the musical entertainer in the first three rows. But your ticket will be cheaper if you select the middle or the back rows! For the 8:00 am and 10:45 am show of Tu Meri Main Tera Main Tera Tu Meri on December 25, the first three rows, which come under the Classic category, are available for Rs. 370. But the Prim...
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Gena Rowlands: the fiercest, most incandescent star of US indie cinema

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Subtle yet tough and fearless, the actor blazed a trail through American movies in the 70s – in particular in close collaboration with her husband John Cassavetes

• Gena Rowlands, star of A Woman Under the Influence and Gloria, dies at 94

‘I was always a BROAD! I can’t stand the sight of MILK!” This is Gena Rowlands at her awe-inspiring toughest in John Cassavetes’ extraordinary drama-thriller Gloria from 1980. She is sexy, smart, a match for any man. Rowlands was a strong, passionate heroine in the tradition of Barbara Stanwyck, Bette Davis and Lauren Bacall. In fact, her director-husband John Cassavetes was in some ways Bogart to her Bacall. Rowlands staked a claim to the male prerogative of being sensual, dangerous and damaged; a natural survivor. In Gloria, and also in Woody Allen’s Another Woman (1988), in which she plays a severe philosophy professor, Rowlands wears a belted trenchcoat, the kind that Bogart would wear.

In recent years, Rowlands was known most widely as the sweet old lady in the tearjerking drama The Notebook (2004), being read to in a retirement home by the ageing and gallant James Garner. She was tenderly directed in this film by her son, Nick Cassavetes. For all its mawkishness, the film acquired a real fanbase, but it gives only the most oblique indication of what Rowlands was like in her magnificent, leonine prime.

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