Sara Arjun attends Bhasma Aarti at Shree Mahakaleshwar Temple after Dhurandhar The Revenge crosses Rs 1000 crores in Hindi: “I am overjoyed”

Actor Sara Arjun visited the sacred Shree Mahakaleshwar Temple in Ujjain on April 11. She attended the famous Bhasma Aarti after the strong box office performance of her recent film Dhurandhar The Revenge, which crossed Rs 1000 crores in the Hindi language. The milestone placed the film in the Rs 1000 crores club. It also marked an important moment in Sara Arjun’s career, as the project is her first film as a female lead. Sara Arjun reacts after attending Bhasma Aarti Speaking to ANI after the temple visit, Sara shared her emotions about the experience. She said she felt a deep sense of joy after attending the ritual. “I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed,” she said. Her visit came soon after the film’s major box office achievement. #WATCH | After attending Bhasma Aarti, actor Sara Arjun says, "I have no words. I had the calling, and then I came here. There is no better feeling than this in ...

And Their Children After Them review – racism and revenge festers in smalltown France

Venice film festival
Nineties-set drama adapted from the bestselling novel zeroes in on tensions in a post-industrial community, sparked by a feud over a motorbike

Class and racial tensions come to the boil in this potent tale of disaffected youth in smalltown France. Co-directed by Ludovic and Zoran Boukherma from Nicolas Mathieu’s bestselling novel, this is a state-of-the-nation drama dressed up as a coming-of-age tale (or possibly vice-versa); it is at once intimate and expansive in the way in which it connects the low-rise estates to the posh homes on the hill. It also brings a dose of dirty social-realism to this year’s Venice film festival.

The time-frame is the 90s, although its socio-economic tensions still apply, just as the (fictional) burg of Heillange is broadly representative of a thousand other towns in France and elsewhere; living in the shadow of its shuttered steelworks and inhabited by too many people with too little to do. Heillange, we are told, is “a town of hard times”, where the big local news is the opening of an indoor ski slope. The white ex-steelworkers live in humdrum terraced houses and the immigrant ex-steelworkers live in the humdrum block of flats down the road. Neither camp evidently has much to do with the other until a minor crisis triggers a chain reaction.

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