SCOOP: Sanjay Dutt-starrer Aakhri Sawal unlikely to release in cinemas on May 8 due to censor issues; makers eye May 15 release

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Bollywood Hungama has exclusively learned that Aakhri Sawal, which was all set to release in cinemas on May 8, is unlikely to make it to theatres on the scheduled date due to censor certification issues. We were the first ones to report last week that even the trailer has not yet been cleared by the Central Board of Film Certification (CBFC). The trailer, like the film, is still awaiting clearance from the Censor Board. A source told Bollywood Hungama, “The nature of the film and its plot is such that the CBFC members are being cautious. The makers have explained to the CBFC committee that their film is based on historical events and records and hence, deserves to be released. The discussions between the makers and the CBFC have taken a lot of time. Hence, the producers of Aakhri Sawal felt that it would be wise to push the film to a later date.” The source continued, “At present, the makers are considering releasing their film on May 15. Of course, this will be subject to receiving t...
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What Remains review – sky squid confounds Stellan Skarsgård in true-life Scandi noir

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Skarsgård and his son Gustaf sparkle in Ran Huang’s rarefied film, but can’t rescue this weirdly hallucinatory murder mystery from falling flat

This intense psychological drama has a squid in the sky problem. Specifically it’s that, by its halfway point, Ran Huang’s rarefied Scandinavian crime feature has fully established a predilection for spooky visual motifs, including eerie establishing shots and nocturnal scenes so murky it’s hard to know what’s going on (although the keening, discordant musical soundtrack suggests it’s probably something bad). And then seemingly out of nowhere, after a particularly emotional moment, there’s a cut to a forest treeline where some kind of cephalopod is floating in the sky, tentacles waving like one of those plastic “sky dancers” often seen in American car dealerships’ parking lots. Is it supposed to be a hallucination of the main character, Mats Lake (Gustaf Skarsgård), a troubled psychiatric patient who has recently confessed to a string of murders? Immediately after the squid shot, which lasts all of 12 seconds, the next one is of an impassive policeman smoking a cigarette, looking at the sky. Is he the one who sees the giant sea creature up there, but is somehow not even bothered? Is it supposed to be a metaphor? Or one of those fancy film-school distancing effects?

Given that the beastie is never explained, I’m guessing it’s meant to be a vexingly opaque symbol of what’s going on in the film itself. Basically, here is something bizarre and totally inexplicable happening in the peaceful Scandinavian countryside that’s so odd that nobody can process it – so no one comments on it, as if it’s not even happening. That would apply equally to the child murders Mats lays claim to, as well as the sexual abuse he claims his own father subjected him to when he was a child – abuse that his brother, Ralf (Magnus Krepper), does not recall at all. But Mats’ therapist, Anna Rudebeck (Andrea Riseborough), believes what Mats is saying, as does police detective Soren Rank (Stellan Skarsgård). Their faith in Mats as both perpetrator and victim is so profound that, when the evidence starts looking shaky and Mats fails to lead the police to a single victim’s body, they go on believing in him for reasons connected to their own troubled psyches.

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