‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master

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Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism In Death Has No Master, Asia Argento stars as an anxious foreigner in Venezuela. Her character, Caro, is on a harried mission to reclaim inherited property from the local caretakers who still reside there. That’s the setup in a surrealist psychological thriller, in which Venezuelan-Canadian film-maker Jorge Thielen Armand unpacks personal history alongside deep-rooted and “eternal” tensions that still affect the country today. “The film has multiple layers of meaning,” says Armand, ahead of the film’s premiere in the director’s fortnight section at Cannes. “Recent events only make those multitudes greater.” Continue reading... from Film | The Guardian https://ift.tt/VutlFjb via IFTTT
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Waterloo Sunset review – inside an oasis of affordable living

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This highly watchable documentary spends time with the residents of an almshouse in central London – cheerfully dispelling misconceptions about ageing

Tourists drifting out of London’s Tate Modern sometimes find themselves peering through the gates of nearby Hopton’s Almshouses, a collection of 20 pretty cottages built around a grass courtyard which looks like a village green. If anyone asks what the place is, one cheeky resident tells them in a low whisper that it’s an institution for the criminally insane. Actually, Hopton’s is a little oasis of affordable housing for low-income over-65s, built in the mid 1700s by a philanthropist fishmonger for “the poor and decaying men of the parish”. Like many other elite men-only spaces it was slow to adapt to change, only admitting women in 2012.

It’s like winning the lottery, getting a flat here, says one resident, a former taxi driver. He lost everything after a divorce in middle age; moving to Hopton’s changed his life. This very watchable documentary introduces a handful of other residents too. Jenny, 92, cheerfully talks about a recent fall on a bus which left her with a sore back. Did she go to hospital, director Harvey Marcus asks from behind the camera? Jenny looks appalled. “No! I could get up and walk. Why make a fuss?”

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