David Lynch’s belongings fetch $4.25m at auction, including scripts for unfinished film

-
Items ranged from video cameras and guitars to taxidermy deer heads, props from Twin Peaks and Mulholland Drive – and the director’s personal coffee machine Personal effects belonging to the film-maker David Lynch, who died in January , have fetched more than $4m at auction in Los Angeles , with the highest bid of $195,000 going to scripts for his unrealised film project Ronnie Rocket. Wednesday’s auction of almost 450 items included props from Lynch’s films, personal items such as video cameras and music equipment, his director’s chair, two taxidermy deer heads , his 35mm print of his debut feature Eraserhead – and his beloved La Marzocco GS/3 home espresso machine , which fetched $45,500 and presumably produces a damn fine cup of coffee . Continue reading... from Film | The Guardian https://ift.tt/dMEBNhp via IFTTT
Post a Comment

“Taapsee Pannu needs better PR training”: Influencer SLAMS actress after being denied selfie at ‘Hauli Hauli’ song launch event

-

Bollywood actress Taapsee Pannu has found herself amid a social media controversy after denying a selfie request from an influencer at a recent event.

The incident occurred during the song launch of ‘Hauli Hauli’ from Taapsee's upcoming film, Khel Khel Mein. The event, which also featured film’s other cast members Ammy Virk and Aditya Seal, was held in Mumbai. A viral video was captured when influencer Ananya Dwivedi approached Taapsee for a selfie, only to be turned down. Influencer Slams Taapsee Pannu For Denying Selfie Request Ananya later took to the comment section of a social media post and expressed her disappointment, questioning the actress's decision given the circumstances. "That's me. And I don't understand why would someone deny a selfie when you're already surrounded by cameras and the only reason influencers like me were called is to promote HER song! She really needs a better PR training," she commented. Tapsee strikes again! Swipe for more byu/Away-Enthusiasm8771 inBollyBlindsNGossip

'Hauli Hauli' Song Launch Amidst the controversy, the newly released song, ‘Hauli Hauli’, from Khel Khel Mein has garnered attention. The track features a reunion of Akshay Kumar and Fardeen Khan, with the duo recreating their iconic Hey Babyy step.

 

View this post on Instagram

  A post shared by Taapsee Pannu (@taapsee)

The film, a comedy-drama directed by Mudassar Aziz, is set to hit theatres on August 15, 2024. Taapsee Pannu will also be seen in Phir Aayi Hasseen Dillruba alongside Vikrant Massey. The film will release on Netflix on August 9.

Also Read: Taapsee Pannu REACTS to husband Mathias Boe waving Indian flag at Paris Olympics 2024: “Who would’ve thought my…”



from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/yUVKDpe
via IFTTT

Comments

Post a Comment

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
Read more

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast

-
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Read more