Ranbir Kapoor's ARKS launches its first fragrance 'ARKS Day', expanding into the world of scents

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Ranbir Kapoor’s premium lifestyle brand, ARKS, has taken a significant stride beyond fashion and footwear with the launch of its debut fragrance—ARKS Day. Known for redefining everyday essentials through the lens of minimalism and quiet confidence, ARKS now explores the world of fine fragrances, marking a new chapter in its evolving identity. ARKS Day is designed as the finishing touch to one’s daily ensemble— “the final, invisible layer before you step out the door.” Gender-inclusive and timeless, the fragrance embodies ARKS' signature ethos of subtle sophistication. It opens with a fresh citrusy burst, layered with warm woody undertones, and settles into a musky finish—mirroring the brand’s philosophy of balance, simplicity, and inner strength. “ARKS Day brings back a lot of memories from my childhood—the places I felt drawn to, the people who made me feel at home. We wanted to capture that essence in this first bottle. It's familiar, grounding, and made for those who carry...
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Shelley Duvall was a sublime and subversive screen presence | Peter Bradshaw

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The unique and often misunderstood actor, who has died at the age of 75, was frequently at her best with Robert Altman and memorably terrorised by Stanley Kubrick

Shelley Duvall, star of The Shining and Annie Hall, dies aged 75

It was Shelley Duvall’s destiny to become most widely known for a single film or maybe for a single poster image from it, shockingly and cartoonishly explicit. The image certainly did justice to her intensity and capacity for utterly unselfconscious performance, but said nothing about the subtlety, strength, wit and unfakable superstar quality that otherwise marked her work.

This was her Wendy Torrance in Stanley Kubrick’s The Shining in 1980, playing the terrified wife of Jack Nicholson’s Jack Torrance, marooned together in a haunted offseason hotel. To the right of the poster’s frame, Duvall’s wide-open eyes and mouth – black chasms of fear, an almost supernatural and faintly eroticised image. To the left, the grinningly crazy face of Nicholson as he crashes through the door with an axe, intent on killing her. For many, the image came to epitomise the sexual politics of Hollywood that shaped (but did not destroy) Duvall’s career. For all that he’s sweatily deranged, Nicholson looks relaxed and enjoying himself. Duvall looks genuinely afraid, a testament of course to her talent, but it’s uncomfortable to perceive given what we later found out about the toll that The Shining took on her, endless takes and punishing schedules without a word of emollient praise, having to deal with those alpha males Kubrick and Nicholson.

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