Farhan Akhtar’s Don 3 finally gets rolling: Ranveer Singh - Kiara Advani to shoot from January 2026, Priyanka Chopra may return

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The long-awaited Don 3, directed by Farhan Akhtar, which had been delayed for various reasons, is finally set to begin shooting in January 2026. Confirming this development, a source told Subhash K Jha, “Yes, there’s been a delay—but it couldn’t be helped. Ranveer Singh, who replaced Shah Rukh Khan in the franchise, had to deal with a wave of online trolling for ‘daring’ to step into SRK’s shoes. Farhan and Ranveer mutually decided to lie low and let the heat die down. Ranveer also needed time to physically and mentally prepare for the role, which requires rigorous martial arts training.” The source further added, “After that, Kiara Advani—who was signed on to replace Priyanka Chopra as the female lead—got pregnant. Farhan had to halt the film’s progress due to her changed circumstances. To add to that, Farhan got deeply immersed in his own acting schedule for the intense war film 120 Bahadur, where he plays Major Shaitan Singh. That film is scheduled to release on November 21, 2025.”...
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Shelley Duvall was a sublime and subversive screen presence | Peter Bradshaw

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The unique and often misunderstood actor, who has died at the age of 75, was frequently at her best with Robert Altman and memorably terrorised by Stanley Kubrick

Shelley Duvall, star of The Shining and Annie Hall, dies aged 75

It was Shelley Duvall’s destiny to become most widely known for a single film or maybe for a single poster image from it, shockingly and cartoonishly explicit. The image certainly did justice to her intensity and capacity for utterly unselfconscious performance, but said nothing about the subtlety, strength, wit and unfakable superstar quality that otherwise marked her work.

This was her Wendy Torrance in Stanley Kubrick’s The Shining in 1980, playing the terrified wife of Jack Nicholson’s Jack Torrance, marooned together in a haunted offseason hotel. To the right of the poster’s frame, Duvall’s wide-open eyes and mouth – black chasms of fear, an almost supernatural and faintly eroticised image. To the left, the grinningly crazy face of Nicholson as he crashes through the door with an axe, intent on killing her. For many, the image came to epitomise the sexual politics of Hollywood that shaped (but did not destroy) Duvall’s career. For all that he’s sweatily deranged, Nicholson looks relaxed and enjoying himself. Duvall looks genuinely afraid, a testament of course to her talent, but it’s uncomfortable to perceive given what we later found out about the toll that The Shining took on her, endless takes and punishing schedules without a word of emollient praise, having to deal with those alpha males Kubrick and Nicholson.

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