‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master

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Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism In Death Has No Master, Asia Argento stars as an anxious foreigner in Venezuela. Her character, Caro, is on a harried mission to reclaim inherited property from the local caretakers who still reside there. That’s the setup in a surrealist psychological thriller, in which Venezuelan-Canadian film-maker Jorge Thielen Armand unpacks personal history alongside deep-rooted and “eternal” tensions that still affect the country today. “The film has multiple layers of meaning,” says Armand, ahead of the film’s premiere in the director’s fortnight section at Cannes. “Recent events only make those multitudes greater.” Continue reading... from Film | The Guardian https://ift.tt/VutlFjb via IFTTT
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Kensuke’s Kingdom review – Michael Morpurgo’s desert island boy’s own adventure

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Morpurgo’s yarn about a kid on a round the world voyage is adapted by Frank Cottrell-Boyce and attractively packaged as a family-friendly animation

Michael Morpurgo’s children’s story is a boy’s-own desert island adventure, closer in spirit to The Coral Island than Lord of the Flies, and here attractively presented as a family animated feature, adapted by the children’s laureate Frank Cottrell-Boyce. The story itself makes clear that the action must be happening around the time of the original novel’s publication in 1999, and not really the present day.

Michael (voiced by Aaron MacGregor) is a moody, lonely boy on a round-the-world sailing trip with his family, but his immaturity and unreliability exasperate his older teen sister (Raffey Cassidy) and parents (Sally Hawkins and Cillian Murphy). Unbeknownst to any of them, Michael has smuggled his beloved dog Stella aboard and when their craft hits stormy seas, Michael and Stella get washed up on a remote island which he soon discovers is in fact the private kingdom of an elderly Japanese second world war veteran, Kensuke (Ken Watanabe) whose own story is a poignant and awe-inspiring contrast to Michael’s.

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