Bombay High Court dismisses copyright claim against Dream Girl 2; calls allegations ‘far-fetched’

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The Bombay High Court has thrown out a copyright infringement plea against Balaji Telefilms over its 2023 comedy Dream Girl 2, ruling that the film’s storyline is entirely different from the applicant’s work and that the claim of breach of confidence was ‘far-fetched’. The case was filed by writer Ashim Kumar Bagchi, who claimed the Ayushmann Khurrana-starrer was based on his script originally titled Kal Kisne Dekha and later re-registered as The Show Must Go On. Bagchi alleged that his story — a gender-swap comedy about a man impersonating a woman and navigating hilarious situations whenever his real identity was at risk — had been shared in confidence with one of the film’s credited writers years ago. He argued that elements of his work had been used without permission. However, the court observed that what Bagchi was seeking amounted to a monopoly over generic ideas and common comedic tropes — such as mistaken identity and disguise — that cannot be protected under copyright law. T...
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Janet Planet review – Annie Baker’s tender, perceptive mother-daughter drama

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Julianne Nicholson and newcomer Zoe Ziegler are a dream team in the Pulitzer prize-winning US playwright’s richly cinematic film debut

Janet (Julianne Nicholson) is the whole world for her only child, 11-year-old Lacy (Zoe Ziegler). Bespectacled, gauche and still partially unformed as a human, Lacy is fascinated by her casually magnetic mother, examining her hungrily and attempting to read her as if she’s a map to navigate the mysteries of the adult world. It’s an intense relationship, poised on the brink of change, with Lacy’s adolescence lurking just around the corner.

But it’s this sense of precious transience that makes Janet Planet, the feature debut of Pulitzer Prize-winning playwright Annie Baker, such an exquisite and treasurable account of a complicated mother-daughter bond. It’s a moment caught in the amber light of an endless summer in rural western Massachusetts. And if by the film’s close Lacy is starting to see her mother differently, she’s still not ready to loosen her clinging grasp on Janet, whose hand she holds when she can’t sleep, and whose hair she keeps as a protective talisman.

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