Akshay Kumar DENIES Hera Pheri 3 rift with Paresh Rawal was "publicity stunt": "There were some ups and downs. But now everything is solved"

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The third instalment of the cult 2000s comedy Hera Pheri has been making headlines ever since it was announced. After months of speculation, legal battles, and statements from the cast, Akshay Kumar has finally cleared the air, bringing some much-needed good news for fans. In an exclusive chat on The Right Angle with Sonal Kalra Season 2, produced by Gautam Thakker Films, Akshay Kumar said, "Nahi, yeh publicity stunt nahi hai. The things went legal, so when legal things are involved, we cannot call it a publicity stunt; it is a real thing.” He further added, “But ab sab kuch thik ho gaya hai. Very soon, some kind of announcement can come. Yes, there were some ups and downs. But now everything is solved, and we are back together, and we have always been together. Yes, that's it!" In the same interview, Akshay Kumar also lauded the success of Saiyaara. He said, “I think it's the best thing that has happened. One of the great things for the Hindi film industry is that ...
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From Twister to Titanic: writers on their favourite disaster movies

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As the tornado-chasing sequel Twisters arrives, Guardian writers pick the films that have stuck with them the longest

While sadness is never too far from the frame in the disaster genre – the majority of films, after all, do involve the mass erasure of life – it’s rarely felt quite as heavy as it did in 1998’s other comet movie Deep Impact. It unfolds with the frightening urgency of a serious-minded political thriller, as Téa Leoni’s ambitious journalist realises her big scoop is far bigger than she had initially thought, a misunderstood acronym leading her to realise the world might be coming to an end. What always struck, and scared, me as a teenager was just how hopeless things then felt – an aborted mission to throw it off course, a limited and unjust lottery for some to stay safe in shelters, a host of horrible choices to be made – with so much of the film then haunted by the thoughts and fears of people truly facing their own mortality (James Horner’s crushing score is an added killer). It’s most painfully felt in Leoni’s fractured family, her parents played by the Julia co-stars Vanessa Redgrave and Maximilian Schell with far more punch and complexity than one expects in this territory. While the world might not ultimately end, it’s hit by devastation of an unfathomable scale, a reminder of how powerless and unprepared the world would be if such a day were to ever come. It still gives me a chill. Benjamin Lee

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