Sunita Ahuja claps back at paparazzi over Govinda questions; asks, ‘Address de doon kya?’

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Sunita Ahuja made a public appearance in Mumbai recently to cheer on her daughter, Tina Ahuja, who was walking the ramp at a fashion show. Accompanied by her son Harshvardhan Ahuja, Sunita was in attendance to support Tina’s moment on the runway. However, the evening took an uncomfortable turn when the paparazzi began asking repeated questions about her husband, veteran Bollywood actor Govinda. While walking the ramp, one of the photographers called out to her, asking, “Govinda sir kahan par hai (Where is Govinda sir)?”. In response, Sunita made a ‘zip-it’ gesture’, clearly indicating that she didn’t want to entertain the question. The move left her son Harshvardhan chuckling, but the paparazzi continued to press her with questions about the 90s star’s absence. As the repeated queries persisted, Sunita’s mood visibly shifted. Irritated by the constant prodding, she eventually walked off the stage and snapped at the photographers, saying, “Address de doon kya (Should I give you the add...
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From Twister to Titanic: writers on their favourite disaster movies

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As the tornado-chasing sequel Twisters arrives, Guardian writers pick the films that have stuck with them the longest

While sadness is never too far from the frame in the disaster genre – the majority of films, after all, do involve the mass erasure of life – it’s rarely felt quite as heavy as it did in 1998’s other comet movie Deep Impact. It unfolds with the frightening urgency of a serious-minded political thriller, as Téa Leoni’s ambitious journalist realises her big scoop is far bigger than she had initially thought, a misunderstood acronym leading her to realise the world might be coming to an end. What always struck, and scared, me as a teenager was just how hopeless things then felt – an aborted mission to throw it off course, a limited and unjust lottery for some to stay safe in shelters, a host of horrible choices to be made – with so much of the film then haunted by the thoughts and fears of people truly facing their own mortality (James Horner’s crushing score is an added killer). It’s most painfully felt in Leoni’s fractured family, her parents played by the Julia co-stars Vanessa Redgrave and Maximilian Schell with far more punch and complexity than one expects in this territory. While the world might not ultimately end, it’s hit by devastation of an unfathomable scale, a reminder of how powerless and unprepared the world would be if such a day were to ever come. It still gives me a chill. Benjamin Lee

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